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OF ART 

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A SPECIALLY SELCCTCD tIST 
OF REPRODUCTIONS OF TH£ 
MOST IMPORTANT AND SUIT 
ABLE WORKS OF ART JH THE 
PRINCIPAL MUSEUMS AND 
GALLERIES OF EUROPE AND 
AMERICA- 




THE HELMAN-TAYLOR ART COMPANY 



257 riFTH AVENUE, 
NEW YORK. 



COPYRIGHTED 189t 



|E HELMAN-TAYLOR ART COMPJANY. 



Office of the / 

FFR2 31900 ^3/ 

^egUter of Copyrlghfa, ^ 

CATALOGUE ^F WORRS ^F ART 
SUITABLE PR SCHOOL ROOM 

DECORATION. 

REPRODUCTIONS MADE IN FADELESS CAR50N PHOTOGRAPHS 
PHOTOGRAVURES, PLATINOTYPESXASTS AND OTHER REPRODUCTIONS 
MADE DIRECTU FROM THE GREAT WORRS IN ARCHITECTURE 
AND FROM THE ORIGINAL PAINTINGS FRESCOES, DRAWINGS AND 
SCULPTURE IN THE PRINCIPAL MUSEUMS, GALLERIES AND 
COLLECTIONS. OF EUROPE AND AMERICA. ^^^^^^-^^^^ 



A specially selected list from one-hundred and fifty thousand 
subjects, containing the most Im portent and suitable works from 
the ITALIAN, FRENCH. SPANISH, FLEMISH, DUTCH, GERMAN, 

ENGLISH and AMERICAN Schopis of ArL 

Compiled and edited by Walter S.Goodnough, Directorof 
Drawing, Borough of Brooklyn, Department of Education, 
Ci ty of, Mew York. 



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THE HELMAN-TAYLOR ART COMPANY 

257 FIFTH AVENUE. 
NEW YORK. 



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PREFACE. 



Works of art are a potent aid in creating an atmosphere most favorable to growth 
in pure and noble character. They make their silent and constant appeal to observers, 
refining and elevating the thoughts and feelings of all who come under their influence. 
It has been well said ' ' To gaze upon a good picture is to open the soul to a silent 
influence that will aid in ripening thought into noble action," and, '' The public school 
is the place to which we should turn chief attention in our effort to promote a more 
beautiful public life in America," and, if may be added, to educate an art- appreciative 
public. . In the public schools to-day are the future citizens and public officers of the nation. 

Within the last few^ years, the conviction has become well nigh universal in 
enlightened, progressiva communities, that the place where our children spend the best 
part of their formative period, should not only be attractive, but should be a means of 
refinement and culture, strongly- supplementing the usual school work, broadening and 
enriching it by stimulating high and noble thought, and developing an active, creative, 
imagination. 

In many communities, bare, white schoolroom walls are fast disappearing, and 
pleasing, harmoniously tinted walls and ceilings are taking their place, on w^hich are hung 
reproductions of some of the best w^orks of the master minds in art, of all ages. 

The silent, all-pervading influence of such works as Raphael's Sistine Madonna, 
Murillo's Holy Family, Titian's Tribute Money, Da Vinci's Mona Lisa, Rembrandt's 
Night Watch, The Children of Charles I. by Van Dyck, Millet's Shepherdess, Corot's 
Dance of the Nymphs, and the reproductions of great w^orks of architecture and sculpture, 
can but have a deep and lasting effect upon pupils living wdth them as they would in the 
schoolroom, particularly when interpreted by wise and cultured teachers. 

So great is the demand for suitable works of art particularly adapted to the average 
school in subject, composition, size, and cost, that this catalogue has been prepared to 
indicate some of the available subjects. It does not pretend to be exhaustive, but it is 
the result of very careful study and selection by the undersigned, from a personal exam- 
ination of over one hundred and fifty thousand subjects. 

The Committee on Selection for this catalogue has carefully examined examples 
of the complete collections of the great publishing houses, both foreign and American, 
with a view to selecting only such subjects as would prove suitable and desirable for 
schools of various grades, both public and private. It has considered such subjects as 
would be most valuable for pure art study, such as would be an aid in the study of the 
history of art, such as would be desirable for general educational purposes, and especially 
such as would appeal to children of various ages, either through the silent influence they 
would exert, or by means of proper interpretation by the art or class teacher or Principal. 



The absence of some works famous in the history of art may be noticed, they 
having been omitted for one reason or another that seemed sufficient. Works portraying 
suffering and death, and scenes and incidents which might in any way unpleasantly 
impress growing minds, have been excluded. Some works have been omitted which were 
so crowded in composition that in the size available they could be studied or appreciated 
only on near inspection. It has been felt desirable that subjects recommended should be 
be of such a size, or so bold or simple in composition, as to be appreciated by pupils at 
their seats in the ordinary schoolroom. 

In many cases, where a subject with much detail is published in more than one 
size, the size most desirable for ordinary schoolrooms is indicated by a star. An endeavor 
has been made to indicate the grade of school. Primary, Grammar, or High, for which 
each subject is particularly desirable, though it is felt that this is a matter where there is 
opportunity for difference of opinion, and in the case of many subjects it is difficult to 
draw the line. Occasionally where a picture is marked as desirable for all grades, a star 
is added after the grade for which it seems especially suitable. There are a few great 
works which may be placed before pupils of any age. 

To make the catalogue more servicable to teachers and school authorities at a 
distance, many of the most desirable subjects have been marked with a star, and some 
very desirable ones have been marked with two stars. 

The collection of drawings will, it is believed, be of particular value for drawing 
rooms in High Schools, and in many cases for Gramrpar Schools. 

WALTER S. GOODNOUGH, Director of Drawing, 
Borough of Brooklyn, City of New York. 

KATHARINE E. SHATTUCK, 

Superintendent of Normal Classes, 
Department of Eine Arts, Pratt Institute, 
Borough of Brooklyn, City of New York. 

ELIZABETH A. HERRICK, Director of Art Education, 
Schools of Ethical Culture, and of Saint Agatha, 
Borough of Manhattan, City of New York. 

WALTER S. GOODNOUGH, Editor. 
New York, September, 1899. 



Committee on Selection. 



TABLE OF CONTENTS. 



Explanatory Notes, - - - - - - 6 

Museums and Galleries represented, . _ . g 

Introductory Notes : quotations and contributions from various 

authorities on Art Works for Schools, - - - lo 

Notes on Schoolroom Decoration, - - - - 22 

Paintings, - - - _ _ _ _ 30 

Portraits, - - _ , _ _ . - 126 

Photographs from Nature, - - - - - 131 

Drawings of the great Artists, - - - - - 132 

Architecture, - - - - - - 165 

Sculpture, - - - - - - - 182 

Chronological List of Painters and Sculptors, - - 195 

Books consulted in the preparation of this catalogue, - - 205 



EXPLANATORY NOTES. 

* "^^ Subjects starred in this catalogue are particularly desirable. Two stars indicate 
that the pictures so marked are especially desirable. Stars following the catalogue 
number are intended to recommend the subject, not the size. 

f tt Subjects in this catalogue marked with one or two daggers, are included in our 
travelling collections. See page 7. 

Size. Numbers I, II, II 5^, III, IV, under the heading " Size," indicate the size in which 
the reproduction is made. 

Size III is suitable for ordinary class rooms and hall- ways; the mount is about 
22 X 28 to 28 X 35, and the pictures are 14 x 18 to 18 x 24 in size. 
Size IV is slightly smaller ; varying from 8x10 to 12x15. The price of the 
smaller sizes is $1.50 and $2.00, and of the larger, $3.00. 

Sizes II and 11^, are desirable for large rooms, halls and corridors, and for pictures 
with much detail; the mount is about 30 x 40, and the pictures are from 20 x 30 
to 24 x 36. 

Whenever a picture has so much detail that Size II or 11^, are more desirable for 
the ordinary class-room than Size III, a star is added after the size mark, as II*. 
Size I is desirable, when possible, for large halls. These pictures vary in size 
according to subject. They will average from 35 x 42 to 36 x 54. 

Grade. In the column marked "Grade," the letters P. G. H. refer to Primary Grade, 
Grammar Grade, and High School, respectively, and indicate the grade for which 
the picture is deemed most desirable. 

Price. The list price of each picture will be found in the catalogue. All pictures are 
supplied by the publishers, The Helman-Taylor Art Co., 257 Fifth Avenue, New 
York City, at a discount of 10 per cent, on orders below $50.00 and 25 per cent, on 
orders above this amount for educational decorative purposes. 

Process. Whenever not otherwise stated the pictures are carbon photographs. When- 
ever the term Photograph is used, the print is a plain silver print. 

Orders. In ordering, give the picture number, the size, title, artist's name, and the 
gallery or collection in which the original is found, or as many of these items as 
occur in the catalogue. 

The publishers will be pleased to give any further information at their command 
concerning the pictures in this catalogue and all others. 



OUR TRAVELLING COLLECTIONS. 

We are the originators of the travelling exhibition plan. .There have been several 
small collections started the past year or two with the intention of pushing one line of 
goods only. Ours on the other hand is made up of all publications, regardless of price 
and trade considerations, and it is our intention to include in our travelling collections the 
best publication of each subject which is suitable for schoolroom decoration. 

Our collections have placed in the schools the past j^ear $20,000.00 worth of 
pictures free, in the cities in which they have exhibited. 

Our large and small collections are based on this catalogue. The subjects with the 
cross and double cross before them are included in our large collection, these being suit- 
abl}" framed. The double crosses are the pictures which are included in our small collec- 
tions which are sent throughout the countr}', unframed, with the exception of a few 
sample frames which are used to show^ the most suitable styles for schoolroom framing. 

We give the conditions under which the collections are sent to the various cities, 
in the following paragraphs. 

•'Upon reasonable assurance that it shall be in responsible hands, we send our large 
collection of over 400 framed pictures with manager to am^ city of over 50,000 inhabitants; 
put it up, take it down, and remove it free of expense to you. Your Art League, 
Woman's Club, or other association furnishes a gallery, hall, or suitable room read}^ to 
hang the exhibit, with heat, light, and janitor service ; take charge of all local finances • 
such as, advertising, printing, sale and collection of tickets, sale of catalogues, and assis- 
tants if necessary, to look after the safet}^ of the pictures and prevent handling as all are 
framed without glass. This assistance is usuall}^ provided without expense by having a 
policeman present at such times when a large number of school children are present. 10 
per cent, of the gross proceeds is to be paid to us for the expense of rnnning the exhibi- 
bition, and the net proceeds, after all expenses have been deducted, are to be invested 
with The Helman-Taylor Art Co. of New York City, in the purchase of pictures for 
schoolroom decoration, on w'hich we allow the customary discount of 25 per cent, from list 
prices. (Concerning this 25 per cent, in order that no confusion may arise, we wish to 
say that we allow but 10 per cent, on orders below $50.00, if sent in from any 
institution. On any orders above this amount we allow 25 per cent. ) We allow also to 
the committee a discount of 20 per cent, on the catalogues which are sold to the visitors 
of the collection." 

"Our smaller collections of 133 subjects we send to cities of less than 50,000 inhabi- 
tants, upon reasonable assurance that the collection will be in the hands of a competent 
committee, who shall furnish room, light, and heat, have the collection insured w^hile in 
their charge, pay the express charges to and from their city, and after the week's exhibit 
return it to us or to the next place of exhibition, as we shall instruct. They shall hold 
an exhibition while the collection is in their city, to which they shall charge an admission 
fee, the same to be expended with The Helman-Taylor Art Co. of New York City, in the 
purchase of pictures for decorative purposes for educational use, on which they shall be 
allowed the customary discount of 10 per cent, on orders below $50.00 and 25 per cent, on 
orders above this amount. We also sell catalogues to them at 20 per cent, discount. The 
past year (1898) we have made it compulsory that at least $100.00 should be expended 
with us after the week's exhibit. This year we shall send it with the understanding that 



8 

the best efforts of the committee shall be put forth, and that all funds raised shall be 
expended with us in the purchase of pictures, making no absolute guarantee of money- 
necessary." 

We should be pleased to give you any further information at our command con- 
cerning either or both of these collections. 

LANTERN SLIDES. 

We furnish lantern slides of many of the pictures included in this catalogue, at 40c. 
each. As we do not carry these in stock at least three weeks must be allowed for making 
them. 

We do not rent lantern slides. 

COLORED PHOTOGRAPHS. 

We also supply colored photographs of many interesting places. These prints 
come in a size about 6x8 inches, and are particularly interesting and valuable in the study 
of geograph)^ They sell for 35c. each, unmounted, and 50c. each mounted ; a number 
come also in larger sizes. 

OUR COMPLETE CATALOGUE. 

We have now in preparation a large Art Catalogue which will contain the first 
translation of the Catalogue of the Braun, Clement Company's publication, to which we 
have added the publications of the Berlin Photographic Company, Franz Hanfstaengl, 
Frank Hegger, Curtis and Cameron, Foster Bros., E. E. Soderholtz & Co., and the A. 
W. Elson Publishing Company. This catalogue will be issued early in 1900 and will 
contain over 1,200 pages of printed matter and over 100,000 separate subjects, being the 
most complete Art reference list ever published. 

It will not be merely a catalogue but will contain the names of all the most famous 
artists, the date and place of birth and death, their masterpieces and where they are now 
hung and much other valuable information for the Art Student, connoisseur and Art 
buyer. 

It will be very fully illustrated with cuts varying in size from two-inch half-tones 
to 4 X 5 cuts, printed on the best of paper, and bound in flexible cloth cover, the size 
being approximately 7x10 inches. 

This book will find a long-felt want of Art Students, libraries and educational 
institutions for some suitable Art reference book. 

We solicit your advance subscription and make the extremely low price of $3.00 
per copy postpaid to any part of the United States. Immediately after publication the 
price will be raised to $5.00. 



MUSEUMS AND GAI^IvERIES REPRESENTED. 



Amsterdam . . . State Museum. 

Van der Hoop Collection. 
Antwerp .... Royal Museum. 

Bale Museum. 

Berlin Academy of Fine Arts. 

Royal Museum. 
Boston ... Museum of Fine Arts. 

Bruges St. John's Hospital. 

Cassel Museum. 

Chantilly .... Collection of the Due d'Aumale, 
Chatsworth . . . Gallery of the Duke of Devonshire. 
Dresden .... Royal Gallery. 

Royal Collection of Engravings and Drawings. 
Florence .... Academy of Fine Arts. 

Gallery of the Pitti Palace. 

Royal Gallery of the Uffizi. 
Frankfort .... Stadel Museum. 

Harlem Municipal Museum. 

The Hague . . . Royal Museum. 

Lille Collection of M. Lenglart, 

Wicar Museum. 
London Royal Gallery of Buckingham Palace. 

National Gallery. 

British Museum. 

Madrid Museutn of the Prado. 

Milan Ambrosian Library. 

Munich Pinakothek. 

New York . . . Metropolitan Museum of Art. 

Oxford Taylor Cabinet. 

Paris Museum of the lyouvre. 

Museum of the Luxembourg. 

Ecole des Beaux Arts. 
Rome Gallery of the Barberini. 

Borghese Gallery. 

Gallery of the Capitol. 

Sacristy of St. Peter's. 

Palace Rospigliosi. 

Farnese Palace. 

Palace of the Vatican. 
St. Petersburg . Imperial Museum of the Hermitage. 

Turin Pin^coteca. 

Venice Academy of Fine Arts. 

Vienna Lichtenstein Gallery. 

" Albertina " Collection. 
Weimar .... Galleries of the Duke and Duchess Saxe-Weimar-Bisenach. 
Windsor .... Gallery of the Royal Castle, 

Library of the Royal Castle. 



lO 

INTRODUCTORY NOTES. 

Contributions or Quotations from the Public Utterances of 
Various Authorities on the Subject of Art Works for Schools. 

The reading and study of fine selections in prose and verse furnish the chief 
aesthetic training of the elementary school. But this should be re-enforced by some 
study of photographic or other reproductions of the world's great masterpieces of archi- 
tecture, sculpture and painting. The frequent sight of these reproductions is good ; the 
attempt to copy or sketch them with the pencil is better ; best of all is an aesthetic lesson 
on their composition, attempting to describe in words the idea of the whole that gives the 
work its organic unit}'', and the devices adopted by the artist to reflect this idea in the 
details and re-enforce its strength. The aesthetic taste of teacher and pupil can be 
cultivated by such exercises, and once set on the road of development this taste may 
improve through life. 

DR. WILLIAM T. HARRIS, in the Report of the Committee 
OF Fifteen to the National Educational Association. 

The greatest works of art ought to become the most familiar ones to the people. 
Care should be taken, therefore, in the school, to select these great works and lead the 
pupil into an understanding of the motives of their composition, and next to point out the 
artistic means and devices for the expression of the thought or idea portrayed. For we 
have said that a work of art is the union of thought and matter. The senses perceive the 
material object, but a higher faculty of the soul perceives the work of art and enjoys the 
spiritual suggestion in it. 

By successive stages the teacher will carry forward his pupils into an appreciation 
of the great works of art, and thereby cultivate their taste and make them wise with a 
knowledge of human nature. * * ^ 

The pupils of our schools become familiar with at least two hundred felicitous 
literary works of art, containing expressions of thoughts and feelings that would other- 
wise remain dumb and unutterable in the pupil's mind. ^ * * The photographic art 
has made possible schoolroom instruction in the great works of architecture, sculpture and 
painting. The greatest works should be selected rather than third or fourth rate ones. 
* * * Taking the Parthenon for one specimen of architecture, add a large photograph 
of the Cologne Cathedral for Christian architecture — all of its lines aspiring towards the 
heavens and seeming to be supported from above rather than from the earth below. 

For painting let the school get good photographic reproductions of Raphael's 
Transfiguration, Sistine Madonna, and St. Cecilia ; of Holbein's Dresden Madonna ; of 
Correggio's Holy Night, and Da Vinci's Last Supper. On stated occasions, say twice a 
month, explain to the pupils the motives that the artist has depicted in the composition — 
for the composition is the first thing to study in a work of art. The pupils will become skill- 
ful in interpreting pictures after the analysis of a few famous ones from the great masters. 

For sculpture, besides the figures on the Parthenon, get photographs of the Apollo 
Belvedere, the Laocoon, Michael Angelo's Moses, and the Medici marbles, and also of 
the antique busts of Zeus Otricoli and Hera Ludovisi. 

If these photographs of architecture, sculpture and painting are made to adorn the 
walls of the schoolroom, they will produce a permanent effect on the pupil's mind in the 



II 

INTRODUCTORY NOTES (Continued). 

way of refining his taste, even if no studies are made of the motives that the artist has 
brought into their composition. But, of course, the composition lessons should be pro- 
vided for in the programme of every school. 

As to music, our High School pupils learn to perform selections from Mendelssohn, 
Rossini, Schubert, Mozart, Beethoven, Wagner, and Schumann. There ought to be 
studies of the motives of a piece of Beethoven, or Wagner, corresponding to those made 
on Raphael, or Da Vinci. 

It is through this study of the motives of the artist and his use of them in creating 
what is called the organic unity of his work of art that the pupil can be made to see that 
art is as serious as history, and even more truthful, as containing a logical consistency in 
the return of the deed upon the doer. 

Art and literature preserve for us the precious moments of elevated insight of 

those seers who are, next to the religious seers, the greatest teachers of the human race. 

DR. WILLIAM T. HARRIS, in an address before the Department 

OF Superintendence on the Nationai. Educational Association. 

Everything that encourages the taste for the beautiful in nature or in art adds to 
the sum of human happiness. I know of nothing which exerts a more wholesome or 
refining influence upon the minds of children than familiarity with works of art in draw- 
ing, painting, and sculpture. If we would have our children love the beautiful and live 
the beautiful, we must surround them in our schools and in our homes with influences 
which suggest beauty both in life and conduct. 

HON. CHARLES R. SKINNER, 
State Superintendent of Pubi^ic Instruction, Albany, N. Y. 

The adornment of public schoolrooms with reproductions of fine works of art is a 
movement fraught with great consequences for the future. If it is carried far enough, 
and if the pictures are wisely selected, it will probably result in introducing beauty and 
taste into homes that are still desecrated by ugliness and vulgarity, in improving the 
architecture of our public buildings and private dwellings, and in enhancing the value of 
products of American manufacture through the application of art to industry. 

Its more immediate effects, however, may be seen in any school whose walls are 
adorned with artistic pictures. The pupils are more gentle, neater in their dress and 
appearance, and are gradually forming higher ideals of life. If this movement is wisely 
directed there need be no fear of the consequences. The great danger is that, in the zeal 
which always accompanies a new movement, many unsuitable pictures will find their way 
into our schoolrooms. Mr. Goodnough and his assistants, with infinite care and labor 
have made a wise selection of pictures which will be of inestimable service to all who are 
urging forward this good work. 

WILLIAM H. MAXWELL, City Superintendent of Schools, 

Department of Education, City of New York. 

I am strongly in favor of the introduction of art works in public schools. Their 
value there for refined, aesthetic culture is almost inestimable. They unfold the sense of 
beauty; and beauty is one of the ladders upon which the soul climbs up to the heights of 
virtue. DR. EDWARD BROOKS, 

Superintendent of Public Schools, Philadelphia, Pa. 



12 

INTRODUCTORY NOTES (Continued). 

The objects sought are in every way commendable and great good has been accom- 
plished in beautifying the schoolrooms and making them so attractive that pride, pleasure, 
and interest are aroused in the children every time they enter them. Familiarity with 
the best in art will necessarily bring culture. 

ALBERT G. LANE, from his Report as 

Superintendent of the Pubi^ic Schools of Chicago, for 1897-98. 

We make strenuous efforts that children's minds may be fed with proper nutriment 
through the ears, but give comparatively little attention to that which is constantly 
reaching their minds through the eyes. The latter is vastly more important. I doubt if 
anyone can properly estimate the great gain that would follow if we could see to it that 
only that which is elevating should be seen by children through the process of education. 
To this end, it is not enough that objects used for the ornamentation of schoolroom walls 
be not hideous, they should represent the highest order of art appreciable by the children 
for whom they are intended, that they may unconsciously acquire that taste which is so 
closely associated with ideals, and hence with morals. 

Superintendent C. B. GILBERT, Newark, New Jersey, 

The movement towards a rational system of schoolroom decoration is to my mind 
a hopeful sign of the tendencies of modern education. The influence of a good picture is 
analogous to that of a good book, only more persuasive and more refining. Whenever 
good pictures enter a schoolroom, coarse and crude ones soon disappear, through the 
gradual growth of taste in teachers and children. To secure the best influence, however, 
only great pictures should be chosen, those which express the aspirations and hopes of 
universal humanity, and which have gathered into themselves through the ages, new 
interest through associations. 

L. H. JONES, Superintendent of Schools, Cleveland, Ohio. 

I have learned with pleasure of the enterprise whereby there is in preparation a 
work which will be of standard reference and of great value at the present time. 

The movement in schoolroom decoration, which has been so vigorously set on foot, 
finds many teachers and school principals unable, from lack of necessary information or 
training, properly to select desirable material. The school world will look with impa- 
tience for the appearance of this work, and, I am sure, will find it helpful. So far as I 
know, no condensed reference in this matter has been issued; we are obliged to depend 
upon our artist friends, in conversation and in their various writings. 

AARON GOVE, Superintendent of Schools, Denver, Colorado. 

The whole idea of the greater emphasis of the aesthetic in education is to make the 
individual more companionable, more quick to respond to appeals on the sympathetic 
nature. 

DR. JOHN DEWEY, Professor of Pedagogy, Chicago University. 

The greatest educational movement of the present day is the effort to co-ordinate 
the school, the home, and the church in the training and culture of childhood. All the 
best influences of religious, educational, social, and family life, should work together for 



13 
INTRODUCTORY NOTEvS (Continued). 

the upguiding of the race by focusing the highest feeling and thought for the develop- 
ment of the child. It is infinitely better to upguide humanity than to uplift it. One of 
the most practical ways in which ministers, artists, and cultured fathers and mothers 
can co-operate with teachers is by the organization of art leagues for the purpose of raising 
money to purchase carefully selected pictures for the schools, and arranging for occasional 
loan exhibitions of good pictures, and special addresses on art subjects for teachers and 
pupils. No other department of voluntary educational effort is likely to accomplish more 
excellent work during the next few years than the art leagues. 

MR. JAMES L. HUGHES, Inspector of Schools, Toronto, Canada; 

in an address on " Art in its Relation to Education," before the Western 
Drawing Teachers' Association, St. Louis, Mo., April, 1897. 

I believe in the beautifying of schoolrooms, and in the educative influence of works 
of art that may be placed therein. The casual glance at a beautiful object is not enough; 
it is the constant presence that is needed, — that presence that grows imperceptibly but 
surely into the soul of the observer. 

We are ready, as never before, for the refining influence of aesthetic elements 
among our children. 

HON. FRANK A. HILL, 
Secretary of the State Board of Education of Massachusetts. 

We hope within a reasonable time to have a good representation of masterpieces in 
all our schools. I may add that we have gone far enough with this undertaking to satisfy 
ourselves that the presence of beautiful pictures and impressive statues in our schools is a 
distinctive educational factor. They help to elevate snd ennoble the atmosphere of the 
school, give dignity to the place, inspire the teachers, and react impressively upon all who 
enter the room. When it comes to be understood that the schoolroom is to be made as 
pleasant and well furnished as the model home, then the school is likely to take the place 
that it should hold as a social factor. 

MR. SAMUEL T. DUTTON, 
Superintendent of Schools, Brookline, Mass. 

You know we have hitherto been in the habit of conveying all our historical 
knowledge, such as it is, by the ear only, never by the eye; all our notions of things 
being ostensibly derived from verbal description, not from sight. Now, I have no doubt 
that as we grow gradually wiser — and we are doing so every day — we shall discover at 
last that the eye is a nobler organ than the ear; and that through the eye we must in 
reality obtain or put into form nearly all the useful information we have in this world. 
Even as the matter stands, you will find that the knowledge which a boy is supposed to 
receive from verbal description is only available to him so far as in an}^ underhand way he 
gets a sight of the thing you are talking about. I remember well that for many years of 
my life the only notion I had of the look of a Greek Knight was complicated between 
a recollection of a small engraving in my pocket Pope's Homer, and a reverent study of 
the Horse Guards. And though I believe most boys collect their ideas from more varied 
sources, and arrange them more carefully than I did, still, whatever sources they seek 



H 
INTRODUCTORY NOTES (Continued). 

must always be ocular. If they are clever boys, they will go and look at the Greek vases 
and sculptures in the British Museum and at the weapons in our armories; they will see 
what real armor is like in luster and what Greek armor was like in form, and so put a 
fairly true image together, but still not, in ordinary cases, a very living or interesting 
one. 

Now, the use of our decorative painting would be, in myriads of ways, to animate 
their history for them, and to put the living aspect of past things before their eyes as 
faithfully as intelligent invention can, so that the master .shall have nothing to do but 
once to point to the schoolroom walls, and forever afterwards the meaning of the word 
would be fixed in the boy's mind in the best possible way. It is a question of classical 
dress — what a tunic was like, or a chlamys, or a peplus. At this day you have to point 
to some vile woodcut in the middle of the dictionary page, representing the thing hung 
upon a stick; but then you would point to a hundred figures wearing the actual dress, in 
its fiery colors, in all actions of various stateliness or strength; you would understand at 
once how it fell across the people's limbs as they stood, how it drifted from their shoul- 
ders as they went, how it veiled their faces as they wept, and how it covered their heads 
in the day of battle. Now, if you want to see what a weapon is like, you refer, in like 
manner, to a numbered page, in which there are spearheads in rows, and sword hilts in 
symmetrical groups: and gradually the boy gets a dim mathematical notion how one 
scimitar is hung to the right and another to the left; and one javelin has a knob to it 
and another none, while one glance at your good picture would show him, and the first 
rainy afternoon in the schoolroom would forever fix in his mind the look of the sword 
and spear as they fell or flew, and how they pierced, or bent, or shattered — how men 
wielded them and how men died by them. 

But far more than all this is it a question not of clothes or weapons, but of men. 
How can we sufficiently estimate the effect on the mind of a noble youth, at the time 
when the world opens to him, of having faithful and touching representations put before 
him of the acts and presence of great men ? How many a resolution which would alter 
and exalt the whole course of his inner life might be formed when, in some dreamy 
twilight, he met, through his own tears, the fixed eyes of those shadows of the great 
dead, unescapable and calm, piercing to his soul, or fancied that their lips moved in dread 
reproof or soundless exhortation. And if for but one out of many this were true ; if yet 
in a few you could be sure that such influence had indeed changed their thoughts and 
destinies, and turned the eager and restless youth, who would have cast away his energies 
on the race horse or the gaming table, to that noble life race, that holy life hazard, which 
would win all gloiy to himself and all good to his country, would not that, to some pur- 
pose, be " political economy of art?" 

JOHN RUSKIN, ON " The Decoration of Schoolrooms." 

Of the many questions and profound social problems that are now brought before 
us to consider, no subject has greater significance and is of more signal importance than 
the question of the improvement of the condition of the masses of our people through a 
better and cleaner environment ; no phase of our social development gives greater hope 
and promise for the future than the interest manifested by the State and b}^ purely social 
organizations in this great question. This spirit of research and inquiry, evident in so 



15 
INTRODUCTORY NOTES (Continued). 

many directions at home and abroad, indicates conclusively that at least a remedy is being 
sought, for one of the greatest evils of our modern life. 

Very naturally the schoolhouse itself has not escaped the eye of public opinion, 
which, in other directions, has often been seemingly too sluggish or too indifferent to the 
best interests of the community to recognize and suppress an evil once for all. There is, 
however, sufficient evidence of an active general interest in the health and welfare of our 
children to encourage a strong and enlightened minority of our citizens in their efforts to 
introduce fresher and better conditions in the environment of our public schools. * * 

If we are to e-'ucate the individual to the end that the nation may become stronger, 
that the race may progress, we must begin at the period of life before the mind has 
become trammelled, or habituated to its accidental environment ; for very early does the 
child begin to create an environment for himself, through the dual nature of education : 
** that which he gives to himself, and that which is given to him." 

If, in the education of our children we strive to improve the whole and not a part 
of the child, have we a right to ignore that part of a child's nature which is artistic, 
imaginative and poetic ? Shall the ever * * practical ' ' and materialistic side of education 
be developed to the exclusion of the spiritual and poetic ? 

We have just as much reason to say that the child shall not study, say, geometry 
or chemistry, and shall not know anything about the best literature, as to deny it the 
right to be brought up with an artistic and healthful environment. * * 

First, we must surround the child in his earliest years with an environment that 
will stimulate the creative and artistic sense. Second, we must provide for the child the 
best instruction and training in our power to exercise and develop his own gifts of artistic 
appreciation and creation. * * 

Art in the schools has a purpose higher and more serious than mere adornment or 
ornamental appendages on the walls of a room. * * We should discourage any and every 
attempt at mere * * prettiness " in our scheme of schoolroom decoration. It is quite true 
that little children are easily pleased with mere gayety in color and imitativeness in 
pictures, but the purpose of the school is not simply to please them, but to get them to 
take honest pleasure in the very best things. * * 

We must begin with the kindergarten; the walls of the schoolroom must be a prime 
factor in the art education of a child. We should adorn the walls of the schoolroom with 
objects intended to create for the child an artistic atmosphere; the child would then grow 
surrounded by what is good and wholesome in art ; he would become familiar with the 
master works of all ages and absorb unconsciously what is true and good and beautiful. 

ROSS TURNER, in his book "Art for the Eye." 

We should have no blank walls in our schoolrooms. It is just as important to 
hang reproductions of great paintings and frescoes upon the walls as to place books under 
the eyes. Many of the city children have never seen a meadow or the country in the 
springtime. They know nothing of the sweet delights of nature and her delicious silences. 
These are all shut out from them. It may be that the}?- will never have an opportunit}^ to 
see nature at her best. City life becomes so habitual that many of them will never care 
for such a delight, never appreciate it if the opportunity is offered to them in after life. 
How, then, shall we keep alive and cherish in the child this love of nature, this sacred 



i6 

INTRODUCTORY NOTES (Continued). 

kinship with all green things ? I know of one sure way — by placing before their eyes the 
pictures of nature's sweetest haunts, which great artists have transcribed for us with such 
loving care. I believe it has been with many others as with the writer. Born in and 
bred to city life, he has learned to love beautiful nature from beautiful pictures. The 
time is not far distant when the introduction of pictures and statues will be considered as 
essential to our schoolrooms as are the windows; then shall we be greatly economical. * * 
By thus inculcating a love for art in a child, you will make of him a citizen who will help 
to embellish your cities, making them like Athens, Venice, and Florence, — beautiful forever. 
WILLIAM ORDWAY PARTRIDGE, in his book "Art for America." 

The coloring of schoolroom walls and the choice of arrangement of pictures on the 
walls should be given thoughtful and energetic attention by persons competent to judge 
of such matters. Pictures and casts for schoolroom decoration should avoid both pedantry 
and inanity. They should be chosen with intelligent reference to the age and general 
attainments of the children who are to be made acquainted with them through daily com- 
panionship. At the same time, they should always appeal to the very best instincts and 
highest possibilities of these children in order to not merely entertain them, but to develop 
in them capacities of art appreciation which are at first only germinal. 

Such practical experience as is already on record in regard to the educational 
influence of beautiful school buildings and schoolroom decorations is emphatically to the 
effect that these are strong allies of direct instruction in art. They are a positive and 
evident help in refining the manners, cultivating the imagination , and quickening interest 
in the higher, that is, the ideal side of life. 

PROF. WALTER S. PERRY, 

Director Department Fine Arts, Pratt Institute, 

In a Report to the Art Department of the National Educational Association, 

at Buffalo, July, 1896. 

Several conditions influence the choice of pictures for the schoolroom. First and 
foremost is that of art culture; in choosing pictures we must think of their enduring, 
artistic qualities. Only the best should be given a lasting place on the walls. These are 
the things to live with and to carry permanently in heart and mind. But there are also 
pictures of transient interest, belonging to some particular age or experience, which 
worthily minister to temporary needs or desires — pictures good in their own lesser fashion, 
but not of enduring value, pictures which we outgrow as we pass from childhood and 
youth to maturity. Ihese are like the acquaintances whom we enjoy for the time and 
who contribute to the largeness of our conception of life, but they are not quite like the 
friends who become a necessary part of our very lives. And, lastly, there are pictures 
which relate directly to details of school life and work, to nature study in plant and 
animal life, to the progress of the seasons, to literature, history, and geography. These 
may indeed be of intrinsic artistic worth, and may deserve a place on the walls at least for 
a time; but, if they possess only a slight artistic value, they would better form part of a 
portfolio collection, to be brought out when needed for special reference, like a dictionary 
or other useful reference book, and then put away. 

MISS STELLA SKINNER, Director of Drawing, New Haven, Conn. 

In M. S. Emery's Book, " How to Enjoy Pictures." 



17 
INTRODUCTORY NOTES (Continued). 

During the last decade a happy change for the better has effected the sources of 
inspiration which brood over the material exercises of the elementary school curriculum; 
a change which has raised the level of those sources nearer to the grand ideals from which 
our current thought in literature and art have sprung. Ever increasing attention is being 
paid to the spirit rather than to the form of our great Hterary masterpieces; and pupils 
are led to appreciate the sublime thought of the master before the analytic study of the 
grammatical structure of the composition is begun. 

Furthermore, a contemplation of the broad field of art instruction has made us 
conscious of the anomaly of studying only the masterpieces of our great literary geniuses, 
while ignoring those of the world's great painters and sculptors. 

This deficiency in our school instruction is now being supplied by the study of 
pictures. No pedantic or analytic treatment is here to be tolerated; but rather a 
sympathetic contemplation of the grand purpose of the picture. Every great picture 
commands our admiration by reason of its human sympathy. This appeals to youth as 
much as to the adult; while the warmth and seductiveness of the art treatment, as well as 
the possibility of its more continuous study, make the picture quite as powerful a vehicle 
for conveying grand thoughts as poetry or prose. I believe that picture study is destined 
to soften and elevate the tastes and impulses of our youth as much as anything that we 
may do for them. 

PROF. WIEIylAM A. MASON, 

Director of Drawing, Pubi^ic Schools of Philadelphia, Pa. 

The introduction of works of art into the schoolroom will familiarize the pupils 
with the best in art, will gradually form their taste for the best, will inspire them to make 
their own expression of thought the best possible, will lead to a broader culture, to 
more complete living, if in that same room there is a teacher who knows when to let the 
works speak for themselves, and when to interpret them truly to the children. 

HENRY T. BAILEY, Massachusetts State Supervisor of Drawing. 

The public school is the place to which we should turn chief attention in our effort 
to promote a more beautiful public life in America. * * * 

If we can once give beauty its rights in the schools, we shall have done the greatest 
thing which we can do towards securing for our people a more beautiful public life. 

EDWIN D. MEAD, from "A More Beautiful Life." 

How shall our life, public and private, be raised to a higher plane ? What better 
means can be used to inspire patriotism and chasten private life than the influence of those 
arts which embody the ideal? In youth the mind is most open to the nobler influences; 
and further, it is so true that it is trite to say that impressions then formed are most 
lasting. Moreover all classes mingle together in the public school. * * * 

In a decorated schoolroom it is the conscious, cumulative influence which the 
pupils will feel, and for which it has been the despair of teachers to create a substitute 
from books and set lessons alone. * * * 

Pictures and statuary, — the principal kinds of adornment proposed, — are among 
the best means of cultivating the taste or the power of apprehending the beautiful. * * ^ 



i8 

INTRODUCTORY NOTES (Continued). 

Surround young people during school hours with pictures and statuary, set off b3^ 
tinted walls and ceilings, and the silent beauty irradiating therefrom will quicken and 
purify the taste without encroaching upon school time or in any way interfering with 
school work, ^f^ ^ -i^ 

From the Pamphlet of the Public School Art League of America. 

We urge, first of all, that the school buildings be of good architecture, attractive 
without, and worthy to receive adornment within. 

We would decorate the corridors, rooms and halls, with reproductions of the 
masterpieces of art, — photographs, casts, and, should our means ever permit, with the 
more costly works of art, selecting, arranging, and grouping according to the grade and 
mental range of the pupils concerned. 

This movement, though still in its infancy, has already produced visible results, 
not only in Boston and in many other cities and towns in New England, but throughout 
the entire country, being taken up with a zeal which would seem incredible to those who 
see in art only a form of luxury. 

The Boston Public School Art League. 

The joy that little children take in a beautiful picture, in a beautiful vase, or some 
exquisite color, calls for the warmest response on our part. It is to this innate love of 
the beautiful that we can safely trust ourselves in offering to children the best in art, and 
lest we should blunt this wonderful sensibility of theirs, we must take care to offer noth- 
ing less than the best. They are, many times, keen, though unknowing critics, and the 
more sordid, mean, and unwholesome their surroundings, the more eagerly will they turn 
to the light of beauty that is offered to them. 

Great care should be taken in the selection of the picture that it may, in itself, be 
pleasing in composition and good in its values; effective in its general lines. It is by no 
means enough to present any reproduction of a good thing; it must be a good reproduction 
which is presented, or otherwise, however valuable the original may be in itself, the pic- 
ture of it will not have art value. 

Report of the Boston Committee on Decoration in the Schoolroom. 

This movement for a broader culture on the part of our future citizens is here, and 
here to stay; to remain unchallenged as a legitimate part of the education of our bo3'S and 
girls. 

A generation hence this movement will show fruition in an art-loving people 
imbued with a true taste, not alone a favored class of so-called art patrons, but a broad- 
minded American people, rich in a worthy civic taste, which neither knows wealth or 
poverty, nor recognizes race or creed. 

Education in its broadest sense is conceived to be the training of the mind to see, 
to think, and to act; to the development of power, and not to the slavish working out of 
tasks. It means the bringing of broadening influences to bear upon the mind, and the 
development of a true culture which shall lead to wise, right living, and the attainment 
of a more beautiful public life. * -'' * This is the reason for the introduction of the 
stud}' of literature based upon the masterpieces of the great authors; and this, if we are 



19 
INTRODUCTORY NOTES (Continued). 

consistent in our theory, is the reason for the introduction of art education with its all- 
uplifting influences, for wider appreciation of the artistic monuments of all the ages. 

If we are to look to a greater appreciation of art reproductions and a more refined 
public taste in the citizens of the future, we must lay the foundations for that mental 
development in the public schools of to-day. We must surround the child, at least while 
in school, with walls which are clean and pleasantly tinted, and hung with appropriate art 
reproductions in photography or engraving. 

J. FREDERICK HOPKINS, 

Director of Drawing, Public Schools, Boston, Mass. 

With the various elements that we have to deal with in the mixed population of 
this country, it is quite time, as a matter of self-protection and from purely selfish 
motives, that we should use all the refining influences possible in order to promote good 
citizenship and insure proper respect for our institutions. 

A proper interpretation of art to the children will throw wide open the doors of the 
past, and reveal the wealth and beauty of the ages. 

HANNAH JOHNSON CARTER in the "Journal of Education." 

We are all more or less moulded by our environment. Pictures of the noble men 
of history and the stately works of art wrought by the world's great masters stimulate 
the youth to the highest achievements in patriotic and faithful work. The scholars, by 
becoming accustomed to see what is high and pure in art, will unconsciously absorb its 
influence and learn to appreciate that which elevates and ennobles our lives. The result 
will be better work at their hands all through life, whether that work be at the bench, in 
the mart, or in the forum. 

W. G. CORTHELIy, in an Address at Quincy, Mass. 

We may all well agree with Mr. Turner when he says that he believes ' * that the 
future of art in this country depends not so much upon the patronage and appreciation of 
the comparatively few who have means and leisure as upon the cultivation of good taste 
among the great mass of the people, made possible through a familiarity with beautiful 
and artistic things." By beautifying the surroundings of children in the schoolroom, 
they would thus become accustomed to what is good and true in art; they would uncon- 
sciously absorb its influence, and they would inevitably learn to appreciate true art almost 
intuitively. The result necessarily must be better architecture both in public buildings 
and in the homes of the people, and the exercise of a better taste in the embellishment of 
the same. The influence of these pictures and this statuary will inevitably tend to 
broaden the knowledge the children will acquire in their geography and history, stimulate 
their love for these studies, and in a marked degree influence their patriotic appreciation 
of our own country. 

Salem, Mass., School Report for 1892. 

Next to the introduction of "scientific temperance" teaching a few years ago, 
nothing has occurred, educationally, in fifty years, so significant as the beautifying of 
the schoolrooms by the placing of works of art on their walls. There is scarcely a city 



20 

INTRODUCTORY NOTES (Continued). 

or town of any size in New England that has not one or more genuinely beautiful school 
buildings, because of numerous works of art, and this without the appropriation of a 
dollar from the public treasury. To attempt to name the schools or even the cities that 
have made a record would be to make invidious comparisons. Nor should it be under- 
stood that this is in any sense confined to New England, for Denver and St. lyouis and 
other cities have records not to be challenged by any New England cities; but, possibly, 
the adornment is more universal here than in any other section. 

Journal of E^ducation, Nov. ii, 1897. 

The aesthetic sense is the center and dominating spiritual sense in childhood, and 
many mature persons never rise above it. While the relations of utility and morality are 
yet unseen, or in embryo, " the aesthetic relations make their appeal " to the child " and 
find a warm and sympathetic reception." * * * 

Art works must be brought into our schools for most children if they are to be 
reached at all. It is not enough that children shall occasionally see art works in picture 
galleries or art museums; and even in schools art works will be comparatively useless 
unless explained by the teachers. 

Their introduction will make schools more attractive and joyful for the children. 
This pleasure will react favorably on all school work, and ultimately on the characters of 
the children. 

Their introduction would help reveal to many children their own spiritual nature 
— their highest qualities, of the existence of which they are not now even aware. Before 
children can aspire they must have ideals. They must know of beautiful works they 
cannot easily produce and they must know of admirable persons of high character, heroic 
conduct. Every child must admire something or die spiritually. We say, then, in the 
language of another, "Stir his nature with admiration of beautiful things, and you give 
him not merely a new pleasure, but also new fellow creatures, able like himself to admire. 
Enable him to enjoy a picture which he could not make and he feels vaguely that among 
his fellow creatures are people of higher powers than his own, and his conception of life 
rises to a higher level. It is no exaggeration to say that to enable a child who has never 
felt it before to feel joy in the beauty of nature and art is to give him a new earth and a 

new heaven." 

DR. LANGDON S. THOMPSON, 
Supervisor of Drawing, Jersey City, New Jersey. 

I believe that the right use of art in elementary schools will effect an improvement 
in the taste of English work-people and employers, which all persons conversant with 
English manufactures know to be very desirable; that it will reveal to many children who 
live in the crowded parts of large towns some of the highest qualities of their own nature 
and that of their fellow creatures, of the existence of which most children, and many also 
of those who live in pleasanter places, are not aware. ^ * ^ 

If a child is led in school, as he easily may be by a few words spoken by his 
teacher, to notice the form and color of a flower in a picture, or the forms and colors in a 
picture of landscape, and to find a little pleasantness in them, he will be sure to notice 
with pleasure the next flower or place of the kind he meets with, and pleasure in the 



21 

INTRODUCTORY NOTES (Continued). 

thing will make him care more for the picture, and will give meaning to the name when 
he next reads it in a book, and thus will begin for.him that interaction of art, literature, and 
nature, to which each of the three owes most of its power to give us ennobling pleasure. 

T. C. HORSFAIvL, in an Address in London, England, 

BEFORE THE INTERNATIONAL CONFERENCE ON EDUCATION, 

1 884, ON * 'The Use of Pictures in Elementary Schools. ' ' 

To know about the good lives lived by others tends to incite us to live good lives 
ourselves, and pictures offer us the means of gaining much knowledge of such lives. For 
great and good men and women, and events in their lives, have in many ages been 
amongst the subjects which artists have delighted to hold up for admiration ; and though 
a portrait of a man or a picture of an event in his life can by itself give us little informa- 
tion, unless we hear or read something about him, yet, providing we gain some knowledge 
by hearing or reading, pictures have great power in enabling us to realize that the man's 
greatness or goodness consisted chiefly in the conquest of just such weaknesses as beset 
us, and of enabling us to realize and to remember the quality of his life. 

T. C. HORSFALL, in Handbook to Art Museum, Manchester, England. 

Last Christmas vacation a crowded city schoolroom in a tenement house section 
was taken by a little company of women, disinfected and thoroughly cleaned. The room 
was painted a soft red, and on the wall in front of the children's desks two good pictures 
were hung, large enough for all the sixty pairs of eyes to see — alas! that there should ever 
be more than thirty in a room ! and over the teacher's desk between the pictures was 
placed a cast of the marvelous Greek horsemen from the Parthenon frieze. The little 
children, from eight to ten, came wonderingly back to their new room — their ** Sunday 
room," they said. They could not work the first day for the surprise and joy of it ; so 
their teacher told them to write her a letter, to tell her how they liked it. "Dear 
Teacher," wrote the first, " I promise you never to stick pins into Johnny any more ;" 
and another boy said, "I won't play hooky again, never all the year." A little girl wrote 
" I'll ask my mother to let me wear my good dress to-morrow." What if they insist 
upon tenderly calling the superb Greeks " Washington's Army Crossing the Delaware? " 
What matter as long as young eyes are trained to see, and young hearts to love elevated 
beauty. 

ALICE FREEMAN PALMER, in the "Independent." 

Look to the environment of the child, and you are laying the corner stone of an 
intellectual nation. 

Beauty, which is the natural food of the healthy imagination, should be sought 
after by every one who wishes to achieve the great end of existence, that is, to make the 
most of himself. If it is true, as we have just remarked, that man liveth not by books 
alone, it is also true that he liveth not by knowledge alone. Poetry, painting, music, the 
fine arts generally, which delight to manifest the sublime and the beautiful in every 
various aspect and attitude, fall under the category not of an accidental accomplishment, 
but of an essential and most noble blossom of a cultivated soul. 

JOHN STUART BLACKIE. 



22 



NOTES ON SCHOOLROOM DECORATION. 



In the endeavor to make the schoolroom more attractive, first attention should be 
given to the walls. Glaring white walls are not only inartistic, but injurious to the eyes, 
straining and weakening them through the reflection of strong, white light. 

Walls are sometimes painted a dull, uninteresting color which is positively depress- 
ing, and whose chief merit would seem to be that it does not readily show dirt. If proper 
thought be given to tlie matter, and it be placed in skilled hands, it will cost little more 
to make the room not only bright, cheerful and attractive, but artistic. 

Each room should be treated for itself, / according to its exposure. A room filled 
with sunlight most of the day may have its wall tints of cooler tones, as greenish or 
bluish grays, of varying depths, according to the amount of light; whereas a room into 
which the sunlight seldom or never enters, should receive warmer treatment, the depth 
of color depending on the amount of light. It should be remembered that the warmer 
colors are more exciting, and consequently more fatiguing to the eyes. They should 
never be used in very great strength for the walls of class rooms. To the light tints or 
low tones generally used there can be no objection. 

The prevailing color in the wood work of the class room should be the key note 
for the color scheme of the walls. If the wood work be of oak, ash, or other light wood, 
to be finished without paint, and to receive a slight stain or filler before varnish to give it 
a richer tone, the walls may be a creamy color, the frieze above the picture moulding 
being of a deeper tone, and possibly decorated with good and appropriate design. 

The ceiling should be a lighter tone than the walls. If there be ornamental metal 
ceilings, so much used just now, opportunity presents itself to give added decorative 
effect by the use of different tones of the prevailing color in the room, or of harmon- 
izing color, in emphasizing slightly some of the leading lines or parts of the relief 
ornament. 

When the wood work of the class room is of cherry in natural finish, or of other 
wood of a reddish tone, the walls may be a light salmon color, or a light tone of terra 
cotta or other tint of red, the depth of tone depending upon the amount of sunlight in 
the room. When the wood work is painted, the color used should determine the color of 
walls, ceiling and other fittings, either lighter tones of the same color or of a complemen- 
tary color being employed. A rich, low toned olive green may be used for the wood 
work, the wall being of a buff yellow, with a frieze of a tint of red-orange of harmonizing 
tone. If the room be on the cool side of the house, with no sunlight, a reddish buff or a 
light tone of russet or terra cotta may be used for the walls; and if the room has much 
sunlight, a cool effect may be obtained by using for the walls a light tone of green or 
olive gray. 

'I'he picture moulding may be finished in a tone to harmonize with the walls, or it 
may be of the same finish as the wood work. 

The window shades should be selected with reference to the general color tone of 
the room. 

Wall registers should be painted or enameled the same color as the wall, and never 
be of the unsightly black so often seen, creating a most discordant note. 



23 

The blackboards are usually the most difficult features to manage in any scheme 
of decoration. When the building is already fitted and occupied, the only plan seems to 
be to have hangings of appropriate material and color, to be kept drawn when the black- 
boards are not in use. This can be arranged by having a small curtain rod to extend the 
length of the board, supported by brackets at the ends, and if necessary, in the middle. 
The hangings should be suspended by ring-hooks, allowing them to slide readily, or to be 
quickly taken off for cleaning. A shelf might be placed at the top of the blackboard, ex- 
tending its full length, on which casts, or vases of beautiful form and color, could be 
placed. 

Where a new building is being planned, it may be possible to obtain blackboards 
that will not be out of harmony with the decoration of the room. If composition black- 
boards be used, it is possible to have coloring matter mixed with the composition so as to 
give a tone desired, or at least something less objectionable than the usual black. 

Picture frames should be simple, and such as will not be out of harmony with the 
prevailing color of the room; but more especially each frame should be carefully selected 
with reference to the color tone, character and size of the picture. 

If the casts selected for schoolroom decoration are of ivory finish, they will, as a 
rule, be in better harmony with any color scheme likely to be used, and can be more 
readily cleaned. 

In the decoration of assembly halls, or hallways, deeper or stronger and richer 
color may be employed for the walls, and' large casts of statuary or bas-reliefs can be used 
with striking effect. 

The size of the pictures used should be determined by the size of the room or wall 
space available, and the general effect of the room with its decorations should be simple, 
quiet, harmonious, and satisfying. 



24 



SAMPI^E OF OUR BLACK AND WHITE PRINTS. 



Our Black and White Prints are all made from original photographs. Most 
pictures of this kind are made from second reproductions or engravings, thus losing the 
finer details of the picture. 




Academy of St. I^uke, Rome. 

Baby Stuart, 

Raffaello Canivari, (1791-1876). 
Study after Van Dyke, (1599-1641.) 

NOTE— Owing to tlie light weight of the paper, this print is much inferior to our series of Black and White Prints 



25 

List of Black and White Prints given to advance subscribers with this catalogue 
and representing largely our secondary exhibits. 

We supply these i oo prints and this catalogue for $i . 50. The catalogue alone $1 .00. 
The 100 prints, $1.00. 



PAINTINGS. 

Adan, Emile, 

The Close of Day. 

Alma-Tadema, Lorenz, 

A Reading from Homer. 

Angelico, Fra Giovanni da Fiesole, 

The Angel with the Trumpet. 

Bastien-Lepage, Jules, 

Joan of Arc listening to the Heavenly Voices. 

Bonheur, Rosa, 

Ploughing. 
Shepherd and Sheep. 

Botticelli, Alessandro, or Sandro, 

The Virgin, Infant Jesus and St. John. 

Breton, Jules Adolphe, 

The Song of the Lark. 

Burne-Jones, Sir Edward, 

The Golden Stairs. 

Canevari, Raffaello, 

Study of a child; after Van Dyke's " Baby Stuart." 

Corot, Jean Baptiste, 

A Morning Landscape; the Dance of the Nymphs. 

Landscape. 

Fording the Stream. 

Correggio, Antonio Allegri da, 

The Night; the Adoration of the Shepherds. 

Dagnan-Bouveret, Pascal Adolphe Jean, 

Madonna and Child. 

Defregger, 

Madonna and Child. 

Delaroche, Paul, 

The Princes, sons of Edward IV. in the Tower. 

Dicksee, Margaret J. 

The Child Handel. 



26 



PAINTINGS 

(Contiimed.) 

Dupre, Julien, 

The Meadow. 

Resting in the Pasture. 

Dyck, Anton Van, 

Portrait of Van Dyck. 

Portrait of three children of Charles I. 

Elsley, Arthur J., 

* Goodbye. 

* Wait a Minute. 

Gardner, Elizabeth, 

Two Little Mothers. 

Guido Reni. 

Aurora. 

Greuze, Jean Baptiste. 

The Broken Pitcher. 

Hoffman, 

Christ in the Temple. 
Head of Christ. 

Holbein, Hans (the younger). 

Madonna and Child. 

Jaeger, C., 

Mozart. 

Landseer, Sir Edwin, 

King Charles Spaniels. 

Laugee, Georges, 

A Shower. 

Le Brun, Madame Elizabeth Louise Vigee, 

Portrait of Madame Le Brun and her daughter. 

Lerolle, Henri, 

In the Country (The Shepherdess). 

Lorraine, Claude, 

The Ford. 

Melozzo da Forli, 

Angel with Mandolin. 
Angel with Violin. 

Mesdag, Hendrik Willem, 

Night ; Marine. 

* In the catalogue as illustrations, and not supplied separately. 



PAINTINGS . 

(Continued.) 

Michelangelo Buonarotti, 

The Delphic Sibyl. 

Millet, Jean Francois, 

The Gleaners. 
Feeding her Birds. 
The Shepherdess. 

Murillo, Bartolome Esteban, 

St. Anthony of Padua and the Infant Jesus. 
The Immaculate Conception. 

Raphael Sanzio, 

Sistine Madonna. 
Madonna of the Chair. 

Rembrandt van Ryn, 

Head of an Old Man. 
Portrait of Rembrandt, 

Reynolds, Sir Joshua, 

Angels' Heads. 

Richter, Gustav, 
Queen Louise. 

Rubens, Peter Paul, 

Child with Bird. 

Ruysdael, Jacob Van, 

The Forest of Oaks. 
The Hunt. 

Sargent, John, 

Section of the " Frieze of the Prophets." 

Sperling, H., 

* Saved. 

Titian or Tiziano, 

Portrait of Titian. 

Troyon, Constant, 

Oxen going to labor ; Morning. 

Van Marcke, 

The Water Gate. 

Velasquez, Diego Rodriguez de Silva y. 

Equestrian Portrait of Don Baltazar Charles. 

* In the catalogue as an illustration, and not supplied separately, 



28 

PAINTINGS 

(Continued.) 

Vinci, Leonardo da, 

Mona Lisa, (La Joconde.) 
Portrait of Leonardo da Vinci. 

Wagrez, Jacques Clement, 

Joan of Arc and the Heavenly Voices. 

Watts, George Frederic, 

Sir Galahad. 



ARCHITECTURE 

Egyptian, 

The Pyramids and Sphinx. 
Island of Philae, and Temple. 

Greek. 

The Parthenon, view from the end. 
The Erechtheum and Porch. 

Roman, 

The Arch of Constantine. 

The Roman Forum; general view. 

Byzantine and Romanesque, 

Church of St. Mark, Venice; facade. 

Saracenic, 

The Alhambra; Court of Lions. 

Gothic, 

Cathedral of Notre Dame; facade. 
Cathedral of Milan. 
Cologne Cathedral; front. 
The Grand Canal; Venice. 
Cathedral of Lincoln; southwest view 

Renaissance, 

St. Peter's. 

Miscellaneous, 

Shakespeare's House. 
Anne Hathaway' s Cottage. 



SCULPTURE 



Venus of Melos. 
Victory of Samothrace. 
Moses, (Michelangelo.) 



29 

DRAWINGS OF THE OLD MASTERS. 

Particularly valuable to Drawing Teachers and as examples for study by pupils. 

Correggio, (Antonio AUegri), 

Head of a Young Girl. 

Durer, Albert, 

Head of an Old Man with a Long Beard. 
Study of Joined Hands. 

Dyck, Anton Van, 

Bust of a Child. 

Gainsborough, Thomas, 

Portrait of Gainsborough. 

Lorraine, 

Landscape with Figures and Cattle. 
Landscape from '* Book of Truth." 

Michelangelo Buonarotti, 

Profile Study of a Man sitting and bending a stick. 

Millet, Jean Francois, 

The Knitter. 

A Woman with a Pitcher. 

Raphael Sanzio, 

Head of an Old Man; study for the " Transfiguration." 

Rembrandt Van Ryn, 

Seated Male Figure. 

An Old Woman Seated Spinning. 

Reynolds, Sir Joshua, 

Bust of a Woman. 

Rubens, Peter Paul, 

Draped Female Figure, seated. 

Sarto, Andrea del. 

Figure of a Young Man. 

Velasquez, Diego Rodriguez de Silva y, 

Head of a Laughing Boy. 

Vinci, Leonardo da. 

Head of a Young Woman; copy of a drawing in the Louvre. 



30 

PAINTINGS. 

Abbey, Edwin A. 

Philadelphia, 1852. 

Modern. 



Quest of the Holy Grail. 

(Boston Public Library. 

tt I (I) 

(2) 



tt 7* 
8 

9 

lO 

tt II* 

12 

13 



15 

i6 



4 GO 



Price. 

The Vision, Platinum Print $3 50 

Oath of Knighthood, 

(3) Round Table of King Arthur " 

(4) The Departure, 

(5) Castle of the Grail, 

Adan, Emile. 

Paris, 1839. 

Modern. 

Ferryman's Daughter, 

Salon, 1883 ; IvUxembourg Gallery, Paris. 
Close of Day, . _ _ . 

Before the Festival, . . - 

Return from the Vintage, - _ - 

Eventide, 

Summer Eve, . _ . _ 

Returning from the Fields, 
Across the Fields, - - . - 

In the Hay, - - - - 

Albertinelli, Mariotto. 

Florence, 1474-1515. 

Florentine School. 

Visitation of the Virgin to St. Elizabeth - 4 00 
Uffizi Gallery, Florence. 

Detail of 15 - - - - 4 00 



Alexander, John W. 

Allegheny City, Pennsylvania. 

Modern. 



The Evolution of the Book. 

Decoration in the Library of Congress. 
The Cairn, 
Oral Tradition, 
Egyptian Hieroglyphics, 
Picture Writing, 
The Manuscript Book, 
The Printing Press, 



Size. 

125^x10 



3 


50 


10x14 


7 


50 


10x29 


6 


00 


10x23 


II 


00 


10x38 



III 



III 
III 



18 


(l) 


19 


(2) 


20 


(3) 


21 


(4) 


22* 


(5) 


23 


(6) 



Grade. 
G H 
G H 
G H 



G 
G 



4 00 II] 


P 


G 


4 00 11: 


[ P 




4 00 II] 


[ P 




4 00 11; 


[ P 




4 00 IIj 


[ P 


G 


4 00 11; 


[ P 




4 00 II' 


[ P 


G 


4 00 11: 


r p 


G 



H 
H 



G H 



G H 
G H 



Platinum Print 


2 50 


7^x13 


G 


H 




2 50 


7>^xi3 


G 


H 




2 50 


7^x13 


G 


H 




2 50 


7>^xi3 


G 


H 




2 50 


7)^x13 


G 


H 




2 50 


7^x13 


G 


H 



The sizes given in this catalogue are only approximate. 



M 



Allegri ; see Correggio. 

AUori ; see Bronzino. 

Alma-Tadema, Lawrence. 

West Friesland, Hollajid, 1836. 

Modern. 

24 Sappho, Photogravure, - 

25 Same subject, Photograph 
tt 26** A Reading from Homer, Photogravure 

27 Same subject. Photograph 

28 Spring, Photogravure 

Amerighi ; see Caravaggio. 
Angelico, Fra Giovanni da Fiesole, 

Vicchio (ii Mugello. 1387-1455. 

Florentine School. 



Price. 


Size. 


Grade. 


$5 00 


iixi9>^ 


H 


15 00 


II 


H 


12 00 


16x38 


G H 


4 00 


I 


G H 


16 50 


35>^xi8 


G H 





29* 


Virgin and Infant Jesus Surrounded by Saints 
and Angel Musicians, 
Uffizi Gallery, Florence. 


15 00 


II 


P 


G 


H 




30 


Same subject, . _ . . 


4 00 


III 


P 


G 


H 


tt 


31** 


'■ Angel with Trumpet, . - _ 
Detail of 29. 


4 00 


III 


P 


G 


H 


t 


32* 


Angel with White Tambourine, 
Detail of 29. 


4 00 


III 


P 


G 


H 


t 


33* 


Angel with Flageolet, 
Detail of 29. 


4 00 


III 


P 


G 


H 


t 


34* 


Angel with Violin, - - - 
Detail of 29. 


4 00 


III 


P 


G 


H 


t 


35* 


Angel with Red Tambourine, 
Detail of 29. 


4 00 


III 


P 


G 


H 


t 


36* 


Angel with Trumpet, 
Detail of 29. 


4 00 


III 


P 


G 


H 


t 


37* 


Angel with Drum, 
Detail of 29. 


4 GO 


III 


P 


G 


H 


t 


38* 


Angel with Zither, - - - - 
Detail of 29. 


4 00 


III 


P 


G 


H 




39, 


Angel with Reed Organ, 
Detail of 29. 


4 00 


III 


P 


G 


H 




40 


Angel in Prayer, _ . _ _ 
Detail of 29. 


4 00 


III 


P 


G 


H 




41 


Angel with Crossed Hands, 
Detail of 29. 


4 00 


III 


P 


G 


H 




42 


Angel with Cymbals, _ . _ 
Detail of 29. 


4 00 


III 


P 


G 


H 




43 


Coronation of the Virgin, 
Uffizi Gallery, Florence. 


15 00 


II* 






H 




44 


Same subject, _ _ _ _ 


4 00 


III 






H 




45 


Madonna with Infant and Saints, 
Academy of Fine Arts, Florence. 


4 GO 


III 




G 


H 




46 


Paradise ; detail of the Last Judgment, 
Academy of Fine Arts, Florence. 


4 GO 


III 


P 


G 


H 



32 








Aublet, Albert. 








Paris. 1851. 








Modern. 










Price. 


Size. 


Grade. 


. 


4 oo 


Ill 


P 



t 47* Ivittle Sailors, 

Barbarelli ; see Giorgione. 

Barbieri; see Guercino. 

Barillot, Leon. 

Montigny-lez-Metz, 1844. 
MODKRN. 

f 48* Autumn in lyorraine, - - - $4 00 III G H 

Barocci, Federigo Fiori. 

Urbino, 1528-1612. 

Roman ScHooiy. 

49* Portraitof Prince Frederick of Urbino as a Child, 400 III P 

Pitti Gallery, Florence. 

Barth, Ferdinand. 

Partenkirchen, 1842. 
MODKRN. 

t 50 Choosing the Casket ; scene from The Merchant 

of Venice, Photogravure, - 12 00 20x29^ H 

51 Same subject, - - - - 4 00 1314^x19^ H 

Bartolommeo, Fra di Paolo del Fattorino. 

Savignano, 1475-1517. 
FivORKNTlNE SCHOOI.. 



52 


Prophet Isaiah, - - _ . 
UfBzi Gallery, Florence. 


4 GO 


III 




H 


53 


St. Mark, - - . . 
Pitti Gallery, Florence. 


4 00 


III 


•G 


H 


54 


Holy Family, - . . . 
Borghese Gallery, Rome. 


4 00 


III 


P G 




55 


Virgin and Child, 

Hermitage Museum, St. Petersburg. 


- ' 4 GO 


III 


P G 


H 



Bastien-Lepage, Jules. 

Damvillers, 1848; Paris, 1884. 

Modern. 

tt 56''' Joan of Arc Listening to the Heavenly Voices, 15 00 II P G H 

Metropolitan Museum of Art, New York. 

57 Same subject, - - - - 4 00 III P G H 



33 



Bazzi ; see Sodoma. 
Becker, Carl. 

Berlin, 1820. 
MoDKRN. 

Price. Size. Grade. 

58* Charles V. at Fugger's, Photograph, - $15 00 II H 



Beeldemaecker, Adriaen. 

The Hague, 1030-1710. 

Dutch SchooIv. . 

59^ Hunters with Dogs, - - - 4 00 III P G H 

Museum, Amsterdam: 



Bellini, Gentile. 

Padua, 1426; Venice, 1507. 

Venetian Schooi.. 

60* Portraits of Two Men ; (Gentile and Giovanni 

Bellini)? - - - - 4 00 III H 

Louvre, Paris. 

Bellini, Giovanni. 

Venice, 1428-1516. 

Venetian School. 

61 Madonna, - - - - 4 00 III P G H 

Royal Museum, BerHn. 

62 Portraits of Two Young Venetian Noblemen ; 

(School of Bellini.) - - - 4 00 III H 

Royal Museum, Berlin. 

63 Doge Leonardo Loredano - - 4 00 III H 

National Gallery, London. 

64 Same subject, Photogravure, - - 5 00 14x18 H 

65 Portrait of BelHni, - - - 2 00 IIII H 

Gallery of the Capitol, Rome. 



Benner, Jean. 

Mulhouse, Alsace, 1830. 

Modern. 
66 Chill of Autumn, - - - - 4 00 III P G H 



34 



Benson, Frank Weston, 

Salem, Mass., 1862. 

Modern. 



Price. 



The Graces. 

Decoration in the Library of Congress. 

67 (i) Aglaia, Platinum Print, 

68 (2) Thalia, 

69 (3) Euphrosyne, " " 



The Seasons. 




Decoration in the Library of Congress. 


t 70 


(1) Spring, Platinum Print, 


t 7' 


(2) Summer, 


t 72 


(3) Autumn, 


t 73 


(4) Winter, 



74 
75 
76 



77 



Berthelemy, Pierre. 

Rouen, 1818. 

Modern. 

Fishing Boat, - - - - 400 

Fishing with Drag Net at Barfleur, - 4 00 

Departure of Ships from the Port of Courcelles, 4 00 

Blackburn, Jonathan B. 

Portrait of James Otis, Photogravure, - $5 00 



Blashfield, Edwin H. 

New York, 1848. 

Modern. 
The Progress of Civilization. 

Decoration in the Library of Congress. 

79 (i) Egypt, typifying Written Records; 

Judea, typifying Religion; Greece, 
typifying Philosophy ; Platinum 
Print, - - - - 4 50 

80 (2) Rome, typifying Administration ; 

Islam, typifying Physics ; The Mid- 
dle Ages, typifying Modern lyan- 
guages ; Platinum Print, - - 4 50 

81 (3) Italy, typifying the Fine Arts; Ger- 

many, typifying the Art of Printing; 
Spain, typifying Discovery; Platinum 
Print, - - *- - 4 50 

82 (4) England, typifying Literature; France, 

typifying Emancipation; America, 
typifying Science; Platinum Print, 4 50 

83 Human Understanding, Platinum Print, - 2 75 

Decoration in the Library of Congress. 

84 Justice, Platinum Print, - - 3 50 

A Mural Decoration in the Lawyer's Club, New York. 



Size. 



2 


50 


10x10 


2 


50 


10x10 


2 


50 


10x10 


2 


50 


10x10 


2 


50 


10x10 


2 


50 


10x10 


2 


50 


10x10 



III 
III 
III 



l6>^X2I 



10x20 



10x20 



10x20 



10x20 

I0^X20>^ 
7x20 



Grade. 



G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 



P G H 
P G H 
P G 



G H 



G H 



G H 



G H 



G H 
G H 

G H 



lOO 



35 

Bodenhausen, Carl. 

Modern. 



Price. Size. Grade. 



85 


Nydia, Photogravure, 


86 


Same subject, 


87 


Madonna, 


88 


Same subject, 


89 


Same subject, Photogravure, 


90 


Detail of 87, 


91 


Same subject. 


92 


Same subject, 


93 


Lurlei, 



5 00 


III 




G 


H 


4 00 


III 




G 


H 


15 00 


II 


P 


G 




4 00 


III 


P 


G 




5 00 


III 


P 


G 




15 00 


II 


P 


G 




4 GO 


III 


P 


G 




3 00 


IV 


P 


G 




4 00 


III 




G 


H 



Bodenmuller, Friedrich. 

Munich, 1845. 

Modern. 

94 Beethoven's Sonata ; Adagio, - - 4 00 III G H 

Boetzel, Ernest Philip. 

Sarre-Union, ? 

Modern. 

95 Portrait of Leon Gambetta, - -4 00 III H 

Bol, Ferdinand. 

Dordrecht, 1611 ; Amsterdam, 1680. 

Dutch School. 

96 Portrait of a Mathematician, - - 4 00 III H 

Ivouvre, Paris. 

97 Portrait of Bol, - - - - 4 00 III G H 

Royal Gallery, Dresden. 

9«* Mother and Children, - - - 4 00 III P* G H 

Museum, Amsterdam. 

99 Seven Regents of the Hospital, - - 4 00 III G H* 

Museum. Amsterdam. 



Portrait of Admiral de Ruyter, - - 4 00 III G H 

Royal Museum, The Hague. 



Bonheur, Rosa, 

Bordeaux, 1822—1899. 

Modern. 

tfioi* Ploughing. - - - - $15 00 II* P G H 

Salon, 1849; I/Uxembourg Gallery, Paris. 

102 Same subject, - - - - 4 00 III P G H 

103** Detail of loi, - - - - 400 III P G H 

tio4* lyoading Hay, - - - - 15 00 II* P G H 

Salon, 1855; Luxembourg Gallery, Paris. 

105 Same subject, - - - - 4 00 III P G H 



36 
Bonheur, Rosa (Continued) 







Price. 


Size. 


( 


Grade. 


ft 1 06^^* Shepherd and Sheep, 
Chantilly. 


4 GO 




P 


G 


H 


fioy* 


Flock of Sheep, 
Tedesco Collection. 


4 GO 




P 


G 




tro8^ 


Yoke of Oxen, . _ _ _ 
Tedesco Collection. 


4 GO 




P 


G 




109 


American Mustangs, - - - 
Tedesco Collection. 


4 GO 




P 


G 




no 


Stud}' of a Lioness, _ _ _ 
Tedesco Collection. 


4 GO 




P 


G 




II I 


A Herd on the Mountain, 
Tedesco Collection. 


4 GO 




P 


G 


H 


^112*^-^ 


Sheep, ----- 
Tedesco Collection. 

Bonnat, Leon, 

Bayonne, 1833. 

Modern. 


4 GO 




P 


G 


H 


113 


Portrait of Thiers, 


4 oo 


Ill 






H 


114 


Portrait of Victor Hugo, . - . 


4 00 


III 






H 


115 


Portrait of Ferdinand de Lesseps, 


4 00 


III 






H 


116 


Portrait of Puvis de Chevannes, 


4 00 


III 






H 



Bordone, Paris, 

Treviso, 1.500; Venice, 1570. 

Venetian School. 

117 Portrait of a Man, - - - 4 oo III H 

Louvre, Paris. 

Botticelli, Alessandro, or Sandro, 

(Real Name, Alessandro di Mariano Filipe 
Florence, 1447—1515. 

Florentine School. 

118* The Magnificat, _ - . . 

Louvre, Paris. 

f-[iig^'' Virgin, Infant Jesus and St. John, 
Louvre, Paris. 

120 Same subject, . . _ . 

121 lyUcretia Tornabuoni, mother of Lorenzo de 

Medici, . . . . 

Stadel Museum Frankfort. 

122 Virgin, Infant Jesus and St. John, 

Stadel Museum, Frankfort. 

123 Portrait of a young Florentine, 

Royal Museum, Berlin. 

124 Virgin and Child, - - - - 

National Gallery, London. 



4 GO 


III 


P 


G 


H 


15 00 




P 


G 


H 


4 GO 


III 


P 


G 


H 


4 GO 


III 




G 


H 


4 GO 


III 






H 


4 GO 


III 




G 


H 


30 GO 




P 


G 


H 



125 
126 
127 

tti28* 



tti29 

130 

.I3r 



>!<>!< 



132 

133 



^-^ 



ti34** 
135 

136* 

ti37* 

138 
139* 
ft I 40** 
141 
142 



37 
Botticelli, Alessandro or Sandro 



Same subject, 
Same subject, 
Same subject, Photogravure, 

Virgin and Child Crowned by Angels, 

Uffizi Gallery, Florence, 
Same subject, - - - - 

Detail of 128 showing Angels, 

Virgin with Infant Jesus and Angels, 
Uffizi Gallery, Florence. 

Same subject, 
Detail of 131, the Angels, 
Detail of 131, 

Power, - - - - 

Uffizi Gallery, Florence. 

Virgin and Child under a Portico, - 

Uffizi Gallery, Florence. 
Spring, _ - - - 

Academy of Fine Arts, Florence. 

Same subject, - - - 

Same subject, - - - - 

The Three Graces; detail of 137, 

Same subject, - - - _ 

Virgin, Infant Jesus, St. John and Angels, 
Borghese Gallery, Rome. 



(Continued.) 








Price. 


Size. 


Grad( 


J. 


15 00 


II 


P 


G 


H 


4 00 


III 


P 


G 


H 


5 00 


14x18 


P 


G 


H 


30 00 


I 


P 






4 GO 


III 


P 






4 00 


III 


P 


G 


H 


30 GO 


I 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 GO 


III 




G 


H 


4 GO 


III 


P 


G 


H 


70 OG 


I 




G 


H 


15 OG 


II 




G 


H 


4 OG 


III 




G 


H 


15 GG 


II 




G 


H 


4 GG 


III 




G 


H 


4 00 


III 


P 







tM3 



144 

145 
146 

147 
148 
149 
150 

tti52* 

tti53 
ti54** 
155 
156 

157 

158 



Bouguereau, William 

La Roclielle, 1825. 

Modern. 

The Blind Homer, Platinum Print, 

The Iveightoh Gallery, Milwaukee. 
Breakfast, - - . _ _ 

A Shepherdess, 

The Ivcsson, _ _ _ _ 

Madonna; Our Lady of the Angels, 
Same subject, - 

The Mulberries, 
Madonna; detail of No. 147, 
The Broken Pitcher, 

Innocence, - - - - - 

Salon, 1896. 
Same subject, - - - - 

Detail of 152, _ . _ _ 

Same subject, - - - - 

lyUncheon, 
Salon, 1896. 

An Agreeable Burden, - 
Salon, 1896. 

Portrait of Bouguereau, 
Salon, 1896. 



Adolphe, 



$5 GG I4>^X] 



H 



4 00 


III 


P 






4 00 


III 


P 


G 




4 GG 


III 


P 






15 GG 


II 


P 


G 


H 


4 OG 


III 


P 


G 


H 


4 OG 


III 


P 






4 GG 


III 


P 


G 


H 


4 GG 


III 


P 


G 




15 GG 


II 


P 






4 GG 


III 


P 






15 00 


II 


P 






4 OG 


III 


P 






4 OG 


III 


^^ 


G 




4 GG 


III 


P 






4 OG 


III 






H 



38 



ti59 



I 60 



Braith, Anton, 






Biberach, 1836. 






Modern. 






Price. 


Size. 


Grade. 


Return of the Flock, - - - 4 00 


Ill 


P G 


Brascassat, Jacques-Raymond, 






Bordeaux, 1804; Paris, 1867. 






French School. 






Landscape, - - - - - 4 00 
Louvre, France. 


III 


P G 


Bray, Jan de 






Harlem ?— 1697. 






Dutch School. 







161* Regents of the Hospital for Poor Children, 4 00 

Museum, Harlem. 



Ill 



P G 



Bremen ; see Meyer. 



162 Sunset at Sea, 



Breton, Emile Adelard, 

Courrieres, 1831. (?) 

Modern. 

4 GO 



III 



P G H 



Breton, Jules Adolphe, 

Courrieres, (Pas-de-Calais), 1827. 

Modern. 



■ti63* 


Song of the Lark, - 


ti64* 


Return from the Fields, 


165 


Same subject. 


166 


Weeders, 


167 


Same Subject, 


t-168* 


Close of Day, - 


169 


Same subject. 


170 


Central Group of 168, - 


171* 


The Gleaner, 


172 


Day's Labor Done, 


173 


The Last Gleaners, - 




Salon, 1895. 


174* 


The Gleaner, 




Salon, 1877; Luxembourg, Paris. 


175 


Same subject, 



4 09 


III 


P 


G 


H 


5 00 


II 


P 


G 




4 GO 


III 


P 


G 




5 GG 


II 


P 


G 




4 GO 


III 


P 


G 




5 00 


II 


P 


G 


H 


4 OG 


III 


P 


G 


H 


4 GO 


III 


P 


G 




4 GO 


III 


P 


G 




4 GO 


III 


P 


G 




4 GO 


III 




G 




5 00 


II 


P 


G 


H 


4 00 


III 


P 


G 


H 



39 

Breton, Virginie Demont, 

Modern. 

Price. Size. Grade. 

ft 1 75 A The Twins, Platinum Print, - - 4 oo 14x11^ P 

Bridgman, Frederick Arthur, 

Tuskegee, Alabama, 1847 

Modern. 

176* Music of Olden Times, - - - 4 00 III G H 

Salon, 1894. 

177* Women of Algiers, - - - 4 00 III G H 

Bronzino, Agnolo, 

(Real name, Agnolo dl Cosimo Allori). 
Monticelli, 1502—1572. 

F1.0RENTINE School. 

178 Portrait of a Knight, - - - 4 00 III H 

Borghese Gallery, Rome. 

Buonarotti ; See Michelangelo. 
Burgel, Hugo, 

Modern. 
ti79* Dawn, Photogravure, - - - 5 00 iTfj4iLigj4 P G H 

Burne-Jones, Sir Edward, 

Birmingham, 1833—1898. 

Kngi^ish School. 

tfiSo* The Golden Stairs, - - - 18 00 16x37 G H 

181 Same subject, - - - - 6 00 12^x23^ G H 

tti82 Hope, Platinum Print, - - - 5 00 I2>^x23>^ G H 

Cabanel, Alexander, 

Montpellier, 1824; Paris, 1889. 

Modern. 

183 A Noble Venetian Lady of the i6th Century, 4 00 III G H 

Cagnacci, Guido, 

Castel Sant' Arcangelo, 1601; Vienna, 1681. 

BoLOGNESE School, 

184 A Sibyl, - - - - 4 00 III G H 

Borghese Gallery, Rome. 



40 



Caliari : see Veronese. 



Canevari, Raffaello, 

1791—1876. 

Italian School. 







Price. 


Size. 


85* 


Baby Stuart; Study of a Child; after Van Dyck, 
Academy of St. Luke, Rome. 

Cano, Alonzo, 

Grenada, 1607—1667. 

Spanish School. 


4 00 


Ill 


86 


The Apostle Paul, - - - 
Royal Gallery, Dresden. 


4 00 


III 



Grade. 



G H 



Caravaggio, Michelangelo da, 

(Real name, Michelangelo Amerighi) . 
Caravaggio, 1569; Porto Ercole, 1609. 

Naturalist. 



187 Portrait of Olof of Vignacourt, Grand Master of 

Malta; in armor, with page, - - 4 00 III 

Louvre, Paris. 

188 Lute Player, - - . - 4 00 III 

Lichtenstein, Vienna. 



G H 
G H 



Cardi, Ludovico, 

Cigoli. 1559; Rome, 1613. 

Flore:ntink School. 



189 St. Francis of Assisi, 
Louvre, Paris. 



4 GO 



III 



H 



Carucci : See Pontormo. 



Carolus-Duran, Charles Auguste Emile. 

Lille, 1837. 
MODKRN. 

190 Portrait of the Countess of V - $4 00 III 

ti9i* Portrait of Gounod, - - - 4 00 III 

192 Portrait of a Child, - - - 4 00 III 

ti93* Golden Dawn, - - - - 4 00 III 

Salon, 1894. 



G H 
H 
P G 
G H 



41 

Carracci, Annibale. 

Bologna, 1560; Rome, 1609. 

Eclectic School. 



Price. 


Size. 


Grade. 


4 oo 


Ill 


P G 


4 oo 


III 


P H 


4 oo 


III 


H 



194 Madonna of the Cherries, 

Louvre, Paris. 

195 Sleep of the Infant Jesus, 

Louvre, Paris. 

196 ^ The Hunt, 

Louvre, Paris. 



Carracci, Antonio. 

Venice, 1583; Rome, 1618. 

BoLOGNESK School. 

197 The lyUte Player, - - - - 4 00 III H 

Royal Museum, Vienna. 



Carracci, Lodovico. 

Bologna, 1555-1619. 

BoLOGNESE School. 

98 Madonna and Child, - - - 4 00 III G H 

Louvre, Paris. !. 



Champaigne, Phillippe de. 

Brussels, 1602 ; Paris, 1674. 

Flemish School. 

99 Full length Portrait of Cardinal Richelieu, 4 00 III H 

Louvre, Paris. 



Champney, J. Wells. 

Boston, 1843, 

Modern. 

200 Portrait of a Child, Platinum Print, - 6 00 15x20 G H 

Pastel after a painting by Gainsborough in the National Museum, London. 



Chantron, Alexander Jacques. 

Nantes, 

Modern. 

201* Child with Flowers, - - - 4 00 III 

Salon, 1894. 



42 

Chardin, Jean Baptiste Simeon. 

Paris, 1699-1779. 

Frknch School. 

Price. Size. Grade. 

202 The Blessing, - - - - $4 00 III P G 

Louvre, Paris. 

203 After School, - - - - 4 00 III P G 

IvOuvre, Paris. 

204 The Cook, - - - - - 4 00 III P - G H 

Lichtenstein Gallery, Vienna. 

205 Preparing Breakfast, - - - 4 00 III P G H 

Ivichtenstein Gallery, Vienna. 

Chavannes, see Puvis de Chavannes. 
Cimabue, Giovanni Gualtieri. 

Florence, 1240-1302. 

Florkntink School. 

206 St. Cecilia, ----- 4 00 III H 

Uffizi Gallery, Florence 

Cione, see Verrochio. 
Cipriani, N. 

Modern. 

207 The Grand Canal, Venice, - - 4 00 III G H 





Claude Gellee; see Lorraine. 








Glaus, W. A. J. 










Mainz, Germany, 1862. 










Modern. 








tt2o8* 


Innocence, Platinum Print, 

Commans, F. H. 

Modern. 


5 00 


14^X18 


G 


209 


Madonna and Child, 


4 00 


III 


P G 


2IO 


St. Joseph, ----- 


4 GO 


III 


P G 



H 



Constable, John. 

East Bergholt, 1776; London, 1837. 

English School. 

211 A Country Road, - - - 400 III G H 

National Gallery, London. 

212 The Farm, - - - - - 4 00 III P G H 

National Gallery, London. 



43 



213 Samuel Adams, 

Museum of Fine Arts, Boston. 

214 General Joseph Warren, 



Copley, John Singleton. 

Boston, 1737 ; London, 1815. 

Modern. 

Price. 

$5 00 
5 00 



tt2i5 



^^ 



216 

tt2I7* 

218 

219 
220 

221 

222 

223 
214 

225* 

ff226** 

227 

t228** 

229 
t230* 

231 

232 

t233* 

234 

235 
t236* 

237* 
t238* 



Corot, Jean Baptiste. 

Paris, 1796-1875. 

French School. 

Morning Landscape ; Dance of the Nymphs, 
Louvre, Paris. 

Same subject, - - . - 

Landscape, _ _ . _ 

Louvre, France. 
Same subject, _ _ . _ 

A Souvenir of Castle Gondolfo, 
Louvre, Paris. 

Lion Park at Port Marly, 
Collection of G. Rodrigues. 

The Great Oak, Fontainebleau, 
Brun Collection. 

Nymphs playing with a Tiger, 
Brun Collection. 

Orpheus leading Eurydice, 

The Wagon, - - 

A Hillside Road, 
Collection of H, Vever. 

Fording the Stream, Ville D'Avray, 
Collection of H. Vever. 

Gathering Fagots, 

The Ford, ----- 

Collection of H. Vever. 
Same Subject - . - _ 

Crossing the Ford, - - 

Collection of Durand-Ruel. 
Same subject, - - - - 

The Dunes of Zuydcote, - - 

Collection of Durand-Ruel. 
Orpheus, . . . _ 

Collection of Durand-Ruel. 
The Angler, . . . _ 

Collection of Durand-Ruel. 

Morning on the Pond, 
Collection of Durand-Ruel. 

Evening Dance of the Nymphs, 
Collection of Arnold and Tripp. 

The Ferryman, 

Collection of Arnold and Tripp, 
Morning on the Lake, . - _ 

Collection of Arnold and Tripp. 



15 GO 



Size. Grade. 

i6>^x2o>^ G H 

17x20^^ G H 



II 



G H 



4 00 


III 




G 


H 


15 00 


II 




G 


H 


4 GO 


III 




G 


H 


4 GO 


III 




G 


H 


4 GG 


III 




G 


H 


4 GG 


III 


P 


G 


H 


4 GG 


III 




G 


H 


4 GG 


III 




G 


H 


4 GG 


III 




G 


H 


4 GG 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 


15 GG 


II* 


P 


G 


H 


4 00 


III 


P 


G 


H 


15 GG 


II 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 OG 


III 


P 


G 


H 


4 GO 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 



44 
Corot, Jean Baptiste, (Continued) 



Price. 


Size. 


Grade. 


4 oo 


Ill 


P 


G 


H 


4 oo 


III 






H 


15 00 


II 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


15 00 


II 


P 


G 


H 


4 00 


III 


P 


G 


H 



239 lyake Albano, Italy 

Collection of Arnold and Tripp. 

240 Dante and Virgil, 

Collection of G. Rodrigues. 
t24i* The Lake, _ . . . 

Collection of Count Fressinet. 
242 Same subject, 

t243* A Morning in Italy, 

Collection of Arnold and Tripp. 

244 Overhanging Tree 

Collection of Arnold and Tripp. 

245 Goatherd, - _ _ . 

Collection of Arnold and Tripp. 

246* Bend of the River Seine at Port Marly, 
Collection of G. Rodrigues. 

247* Country 

Collection of H. Gallice. 

248 Garden Lake. 

Collection of G. Lutz. 

249 Same Subject, - - - 



Correggio, Antonio AUegri da. 

(Real Name, Antonio Allegri.) 
Correggio, 1494-1534. 

Lombard School. 

tt250- The Night ; Adoration of the Shepherds, 1500 II* P G H 

Royal Gallery, Dresden. 

251 Same subject, - . _ _ 

tt252'''* Detail of 250 ; Virgin and Child, 

253* Virgin and Child, 

Royal Gallery, Dresden. 

254 Correggio's Physician, 
Royal Gallery, Dresden. 

255"^^ St. Margaret ; (School of Correggio), 
Royal Gallery, Dresden. 

256 Ganymede, ----- 

Royal Museum, Vienna. 

257 Virgin Adoring Infant Jesus, 

Uffizi Gallery, Florence. 



Courbet, Gustave. 

Ornans, 1819 ; Tour de Peilz, 1877. 

French Schooi.. 

258 Deer in dense Wood, - - - $4 00 III G H 

lyouvre, Paris. 

259 Man with the Leather Belt; portrait of Courbet, 4 00 III H 

lyouvre, Paris. 



4 00 


III 


P 


G 


H 


4 00 


III 


p>K 


C 


H 


4 00 


III 


p* 


G 




4 00 


III 






H 


4 00 


III 


P 


G 


H 


4 00 


III 


P 


G 




4 00 


III 


P 


G 





45 
Couder, Louis Charles Auguste. 

Paris, 1790-1873. 

French School. 

Price. Size, Grade. 

t26o* Taking of Yorktown, Oct. 17th, 1781, 400 III G H 

Versailles. 

Cox, Kenyon. 

Warren, Ohio. 1856. 
MODKRN. 

261 The Arts, - - - - - 4 00 8x20 G H 

Decoration in the Library of Congress. 

Credi, Lorenzo di. 

Florence, 1459-1537. 

Florentine School. 

262 Virgin adoring the Infant Jesus, - 4 00 III P G 

Uffizi Gallery, Florence. 

Crofts, Ernest. 

Leeds, 1847, 

Modern. 

263 Napoleon's last great attack ; Waterloo, Photo- 

gravure, - - - - 13 50 i8>^x29 G H 

Cuyp, Aalbert. 

Dordrecht, 1620-1691. 

Dutch School. 

264 I^andscape, - _ - _ 

Louvre, Paris. 

265 Shepherd and Flock, 

Stadel Museum, Frankfort. 

266 Portrait of Cuyp, 

Royal Gallery, Dresden. 

267 A Dutch Family, - - _ _ 

Museum, Amsterdam. 

268 The Cavalier, - - - - 

Buckingham Palace, London, 

Dagnan-Bouveret, Pascal Adolphe Jean. 

Paris, 1852. 

Modern. 

269 Madonna, - - - - - 4 00 III G H 

270 The Recruits, . - - - 4 00 III G 
271* In the Pasture, - - - - 4 00 III P G 



4 GO 




p 


G H 


4 GO 






G H 


4 00 






G H 


4 OG 




p 


G* H 


4 GO 






G H 



46 



272 

273 



274 
275 

276 

277 
278 

tt279' 



Daubigny, Charles Francois. 

Paris, 1817-1878. 

French Schooi.. 

Price. 

Springtime, - - - - $4 00 

Louvre, Paris. 

Autumn, - - - . - - 4 00 

Collection of H. Vever. 

David, Jacques Louis. 

Paris, 1748; Brussels, 1825. 

French School. 
Belisarius asking Alms, - - 4 00 

Louvre, Paris, 

Portrait of Madame Recamier, - - 15 00 

Louvre, Paris. 

Same subject, - - - - 4 00 

Head of Madame Recamier, detail of 275, - 4 00 

Portrait of David, - - - 4 00 

Louvre, Paris. 

Napoleon crossing Mt. St. Bernard, 

November 20th, 1800, - - 4 00 



Versailles. 



Da Vinci ; see Vinci. 
Debat-Ponsan, Edward. 

Toulouse. 

Modern 



280 
281 
282 

283 



Watchful, - 

A Bit of Chat, - 

The Shepherd's Dog, 
Salon, 1895. 

In Gascony, 
Salon, 1896. 



4 00 



Decamps, Alexander Gabriel. 

Paris, 1803—1860. 

French School. 



284 
285 



286 
287 



Dray Horses, 
Louvre, Paris. 

Little Navigators, 
Louvre, Paris. 



Achilles' Head; Marine, 
Salon, 1896. 

In the Bay of Galloway, 
Salon, 1896. 

In the Lagoon of Chioggia 
Salon, 1896. 



Size. 
Ill 

III 



III 

II 

III 
III 
III 

III 



III 



Grade. 
P G H 

P G H 



H 

H 

H 
H 
H 

G H 



4 00 


III 


P 


G 


4 GO 


III 


P 


G 


4 00 


III 


P 


G 



- 


4 00 


III 


G 




• - 


4 00 


III 


P 




De Champeaux. 










French School. 










- 


4 GO 


III 


G 


H 


- 


4 OG 


III 


G 


H 


a. 


4 GO 


III 


P G 


H 



4f 



289 Madonna, 

290 Same subject, 

291 Detail of 289, 

292 Same subject, 

293 Same subject, 



Defregger, Franz. 

Dolsacli, 1835. 

Modern. 



*rice. 


Size. 


Grade. 


5 00 


II 


P G 


4 GO 


III 


P G 


5 00 


II 


P G 


4 00 


III 


P G 


3 00 


IV 


P G 



Delacroix, Ferdinand Victor Eugene. 

Charenton, 1798; Paris, 1863. 

French School. 



294 


Surrender of Constantinople to the Crusaders, 
Ivouvre, Paris. 


4 GO 


III 


H 


295 


Tlie Foscari, 
Chantilly. 


4 GO 


III 


H 



Delaroche, Paul. 

Paris, 1797—1856. 

French Schooi.. 

tt296* The Two Princes, Sons of Edward IV. in the 
Tower, . _ _ . 

lyouvre, Paris. 



4 00 



III 



G H 





Delobbe, Francois Alfred. 








Paris, 1835. 








Modern. 






297 


Two Daughters of the Sea, - - 4 gg 


III 


P G 


298 


At the Sea, - - - - 4 gg 


III 


P G 


299 


Infant Caresses, - - - 4 gg 


III 


P 



3GG The Departure, 



;gi 



Del Sarto ; See Sarto. 
Denneulin, Jules. 

Lille, 1835. 

Modern. 



4 00 



Desportes, Francois. 

Champigneul, 1661; Paris, 1743. 

Modern. 

Bonne, Nonne and Ponne; Dogs from the 
Kennels of I^ouis XIV., 
lyOuvre, Paris. 



4 GO 



III 



III 



G H 



P G H 



48 
Detaille, Jean Baptiste Edouard. 

Paris, 1848. 

Modern. 





Price. 


Size. 




Grade. 


302 
303 


The Scotch Piper, - - - - 4 00 
The Soldier's Dream, - - - 400 

Deyrolle, Theophile Louis. 

Paris. 

Modern. 


Ill 
III 




G H 
G H 


304* 


Spring Song, - - - - 4 00 


III 


P 


G 



Dhurmer, Levy. 

French Schooi.. 

305 Souvenir of Leonardo da Vinci - - 4 00 III H 

Salon, 1896. 

Diaz de la Pena, Narcisse Virgile. 

Bordeaux, 1809—1876. 

Modern. 

306 Woods in Sunlight, - - - 4 00 III G H 

Dicksee, Margaret J. 
Modern. 

tt307** Child Handel, Photogravure, - - 5 00 15^^x21 G H 

308 Same subject, Photograph, - - 10 00 11^ G H 

309 Same subject, Photograph, - - 4 00 III G H 
tt3io Swift and Stella, Photogravure, - 5 00 15^x20)^ G H 

31 1 Angelica Kauffman Introduced to Sir Joshua 

Reynolds in his Studio, - - 4 00 III H 

Dielitz, K. 

Berlin, 1845. 

Modern. 

312 Fire (Wotan's Farewell to Brunhild), 

Photograph, - - . 15 00 II H 

313 Same subject, Photograph, - - 4 00 III H 

Dielman, Frederick. 

Hanover, Germany, 1848. 

Modern. 

314 History, Mythology, Tradition, Platinum Print, 5 00 

Decoration in the Library of Congress. 

315 Law, Platinum Print, - - - 5 00 

Decoration in the Library of Congress. 

316 Industry, Peace, Truth, Platinum Print, - 3 00 

A Detail of the Decoration "lyaw." 



IO}^X2I 


G 


H 


10^X21 


G 


H 


13x10 


G 


H 



49 



13 1 7* 

318 

319* 

320* 

321 



Dolci, Carlo. 

Florence, 1619—1686, 

Florentine School. 



St. Cecilia, 

Royal Gallery, Dresden. 

Same subject, 

Detail of 317, 

Angel with a Lily, 
Uffizi Gallery, Florence. 

Virgin and Child, 

Borghese Gallery, Rome. 



Price. 


Size. 




Grade. 


15 00 


II 




G H 


4 00 


III 




G H 


4 00 


III 




G H 


4 00 


III 


P 


G H 



4 00 



III 



Douzette, Louis. 

Triebsees, 1884. 

Modern. 



tt32 2** Moonlight Landscape, Photogravure, 
tt323** The Silvery Moon, Photogravure, 



5 00 
5 00 



15x21 
20x15 



P G H 
P G H 



Dow (or Dov or Dou) Gerard. 

Leyden, 1613—1675, 

Modern. 



324 
325 


Portrait, - - - - 
Lichtenstein Gallery, Vienna. 

The Tailoress, - - - - 
Royal Museum, The Hague. 

Doyen, Gustave. 

Festieux. 

Modern. 


4 00 
4 00 


III 
III 


P G 


H 


326* 
327 


Joan of Arc, _ . . _ 
The Friends, - . - - 


4 00 
4 00 


III 
III 


G 
P G 


H 
H 



328 



Dutch Kitchen, 
Louvre, Paris. 



Drolling, Martin. 

Oberberglieim, 1752; Paris, 1817. 

French School. 



4 00 



III 



P G 



Duccio di Buoninsegna. 

Sienna, 1260 ? : 1320 ? 

SiENNESE School. 



329 The Nativity, 

Royal Museum, Berlin. 



4 00 



III 



H 



50 



330 



331 



Dufaux, Frederic. 

Geneva. 

Modern. 

Price. 
Boat Returning from Market, - - $4 oo 

Dughet, Gaspard or Guaspre. 

(Called Poiissin), 
.Rome, 1613—1675. 

French School. 



Size. 
Ill 



Landscape, 

National Gallery, London. 



4 GO 



III 



Duplessis, Joseph Silfrede. 

Carpentras, 1725; Versailles, 1802. 

French School. 



Grade. 



P G H 



332 


Louis XVI., King of France, 
Versailles. 


4 GO 


III 






H 


333 


Portrait of Benjamin Franklin, Platinum Print, 

Dupre, Jules. 

Nantes, 1812; L'Isle Adam, 1889. 

Modern. 


5 00 


I5>^xi8 




G 


H 


334 


Morning, 

Luxembourg, Paris. 


4 00 


III 




G 


H 


335 


Evening, . _ . _ 
Luxembourg, Paris. 


4 00 


III 




G 


H 


336 


Landscape, _ _ . _ 
Chantilly. 


4 OG 


III 




G 


H 


337 


The Oak, . - - . 
Collection of Arnold and Tripp. 

Dupre, Julien. 

Paris, 1851. 

Modern. 


4 00 


III 




G 


H 


338 


The Balloon, - - . . 

Metropolitan Museum, New York. 


4 00 


III 


P 


G 




t339* 


In the Field, - - . . 


15 GG 


II 


P 


G 


H 


340 


Same subject, - . _ . 


4 OG 


III 


P 


G 


H 


-j-j-341** 


The Meadow, - - - . 


4 GG 


III 


P 


G 


H 


342 


Haying, - _ . _ _ 


4 GO 


III 


P 


G 




343 


The White Cow, 
Luxembourg, Paris. 


4 GG 


III 


P 






344* 


Carting the Hay, _ - - _ 


4 GG 


III 


P 


G 


H 


tt345* 


Resting in the Pasture, 


4 GG 


III 


P 


G 




346* 


Before the Storm, 


4 OG 


III 


P 


G 




347 


The Return to the Village, 
Salon, 1895. 


4 GG 


III 


P 


G 




348 


Valley of the Durdent, 
Salon, 1896. 


4 GO 


III 


P 






349 


Cows in the Shade, 
Salon, 1897. 


4 GG 


III 


P 


G 





51 



Diirck, Friedrich. 








Leipsic, 1809; Munich, 1884. 








Modern. 


Price. 


Size. 


Grade. 


_ 


$3 oo 


IV 


P G 



350 Young Italian, 

Diirer, Albert. 

Nuremburg, 1471—1528. 

Gkrman Schooi.. 

351 Portrait of Bernard de Ressen, - 4 00 III G H 

Royal Gallery, Dresden. 

f 352* Portrait of Diirer at the age of Twenty-six Years, 4 00 III G H 

Uffizi Gallery, Florence. 

353 Head of the Apostle, St. Philip, - - 4 00 III H 

Uffizi Gallery, Florence. 

354 Portrait of Diirer, - - - 4 00 III G H 

Prado Museum, Madrid. 

355 Portrait of Imhoff , a friend of Diirer, - 4 00 III H 

Prado Museum, Madrid. 

356 Portrait of Lucas Baumgartner, - 4 00 III G H 

Munich. 

Dvorak, F. 

Modern. 

357 Who is it? - - - - - 4 00 III P 

Dyck, Anton van. 

Antwerp, 1599; London, 1641. 

Flemish School. 

t358* Portrait of Charles I. King of England, 

with Groom and Horse, - ^5 00 II G H 

I/Ouvre, Paris. 

359 Same subject, _ _ _ 

360 Detail of 358, _ - - - 

361* Portraits of Three Children of Charles I. 
Ivouvre, Paris. 

362 Portraits of Charles Louis, Duke of Bavaria, 

and his Brother, Robert, afterwards 

Duke of Cumberland; in Armor, 4 00 III H 

Louvre, Paris. 

363 Portrait of a Lady and her Daughetr, - 4 00 

Louvre, Paris. 

tt364* Portrait of Van Dyck, - - - 4 00 

Louvre, Paris. 

365 Portrait of Jean Grusset Richardot, President 

of the Privy Council of the Netherlands, 
and his Son, (attributed also to Rubens), 15 00 
Louvre, Paris. 

366 Same subject, - - - 4 00 



4 00 


III 


G 


H 


4 00 


III 


G 


H 


4 00 


III 


P G 


H 



II 




H 


II 


G 


H 


II 


G 


H 


11 


G 


H 



52 



Dyck, Anton van, (Continued.) 

Price. Size. Grade. 

tt367*^^ Children of Charles!., - - - $400 III P G 

Royal Gallery, Berlin. 

368^^ Detail of 367, - - - - 4 00 III P G 

369 Portrait of Charles I., - - . 4 00 III G H 

Royal Gallery, Dresden. 

370 Detail of 369, - - - - 4 00 III G H 

371 Portrait of Henrietta Maria, Wife of Charles I., 400 III * G H 

Royal Gallery, Dresden. 

372^''^ Portraitsof Three Children of Charles I., - 400 III P* G H 

Royal Gallery, Dresden. 

373 Portrait of Engelbert Taie, Baron of Wemmel, 4 00 III G H 

Royal Gallery, Dresden. 

374 Portrait of Rubens' Brother, - - 4 00 III G H 

Royal Gallery, Dresden. 

375* Portrait of a Man in Armor, - - 4 00 III G H 

Royal Gallery, Dresden. 

376 Count John of Nassau, - - - 4 00 III G H 

Lichtenstein Gallery, Vienna. 

377 William of Orange and his Betrothed, Marie 

Stuart, - - - - 15 00 II G* H 

Museum, Amsterdam, 

378 Same subject, . . . _ 

379 Detail of 377, . - . . 

380* Portraits of Three Children of Charles I., - 

Windsor Gallery. 

tt38i* Portraits of Five Children of Charles I., 
Windsor Gallery. 

382* Portrait of Charles II. as a Boy ; in Armor, 

Windsor Gallery. 

383* Portrait of George, Duke of Buckingham, and 

his Brother, lyord Francis Villiers, - 4 00 III P G 

Windsor Gallery. 

384 Portrait of Van Dyck, . . . 4 00 III G H 

Uffizi Gallery, Florence. 

385* Equestrian Portrait of Charles I., in Armor, 4 00 III G H 

Uffizi Gallery, Florence. 

386 Portraits of Charles I. of England and Henrietta 

of France, - - - 4 00 III G H 

Pitli Gallery, Florence. 

387-''^ Equestrian Portrait of Charles I. of England, 4 00 III G H 

Prado Museum, Madrid 

388 Portrait of Henry, Count of Berg, - 4 00 III G H 

Prado Museum, Madrid. 

389 Portrait of a Musician, - - - 4 00 III H 

Prado Museum, Madrid. 

390 Same subject, Photogravure, - - 5 00 16^x13 H 

391 Portrait of Van D3^ck and his Patron, the Count 

of Bristol, - - - - 4 00 III H 

Prado Museum, Madrid. 

392 Head of Van Dyck ; detail of 391, - 4 00 III H 



4 00 


III 




G 


H 


4 GO 


III 




G 


H 


4 00 


III 


p 


G 


H 


4 GO 


III 


p 


G 




4 GO 


III 


p 


G 





53 



Dyck, Anton van, (Continued.) 







Price. 


Size. 


Grade. 


t 393* 


Portrait of William of Nassau, 
Hermitage Museum, St. Petersburg. 


$4 00 


Ill 


P 


G 


H 


394 


Same subject, Photogravure, 


5 00 


i8%xi5>^ 


P 


G 


H 


395 


Sir Thomas Wharton, 

Hermitage Museum, St. Petersburg. 


4 00 


III 




G 


H 


396 


Same subject. Photogravure, 


5 00 


18^x15 




G 


H 


tt397 


Child of Charles I. ; Baby Stuart (after painting 
by Van Dyck), Platinum Print, 
Pinacoteca, Turin. 

Edelfeldt, Albert. 

Helsingfors, Finland. 

Modern. 


2 00 


10x13 


P 


G 




398 


Eventide in Finland, 

Elsley, Arthur J. 

MODKRN. 


4 00 


III 


P 


G 




tt40o* 


Good-bye, Photogravure, 


5 00 


21x15 


P 






tt40i* 


'•Wait a Minute," " , 


5 00 


21x15 


P 






399 


A Dead Heat, '' - 


5 00 


2IXI3>^ 


P 






402 


Chicks, 


5 00 


I9>^xi4 


P 






1894. Copyrightecl by Photographische Gesellchaft. 




]893 








GOOD-BYE. 



WAIT A MINUTE. 



A DEAD HEAT. 



403 At Close of Day, 



Entraygues, Charles Bertrand d' 

Brives. 

Modern. 

4 GO 



III 



54 



Eyck, Jan and Hubert van. 

Jan van Eyck. Maesyck, 1381-1440. 
Hubert van Eyck, Maesyck, 1366 (?)-1426. 

Flemish School. 



404 Detail of Singing Angels, 
Royal Museum, Berlin. 

Faes ; see Lely. 
Farquharson, J. 

Modern. 

tt405* Over Snow Fields, Waste and Pathless, Photo 
gravure, 
t4o6** "And Winter's Breath Came Cold and Chill, 
Photogravure, - 



Price. 

$4- 00 



Size. 
Ill 



Felix, 

407 Vincenzia Bellini, Barito Print, - 

408 Verdi, 

409 Rubenstein, " " 

Ferrari, Gaudenzio.* 

Valduggea, 1484-1550. 

Lombard School. 

410 The Annunciation, - - - - 

Royal Museum, Berlin. 

Ferrier, Gabriel. 

Nimes, 1847. 

Modern. 

411 His Friend, - - - - 

Salon, 1894. 

412 Little Red Riding Hood, 

Salon, 1894. 

Feyen, Eugene. 

Bey-sur-Seille, 1815. 

Modern. 



413 



4 00 



4 00 

4 GO 



Heroism, - 
Salon, 1895. 



4 00 



Filipepi ; see Botticelli. 
Firle, Walter. 

Breslau, 1859. 

Modern. 
414* Harmony, Photogravure, - - - 12 00 



ni 



in 

III 



III 



Grade. 



H 



- 


6 00 


23x17/^ 


P 


G 




md Chill," 












" " 


6 00 


16x22 


P 


G 


H 


_ 


5 00 


12x17 






H 


- 


5 00 


12x17 






H 


- • 


5 00 


12x17 






H 



H 



P G H 



26x23 



G H 



55 



4i6 



417 



418 
419 

420 



Fisher, W. Mark. 

American. 

Modern. 



415* November, Photogravure, 



Price. Size. 

$5 00 20^x14^ 



Flinck, Govaert. 

Cleves, 1615; Amsterdam, 1660. 

Dutch School. 



Isaac Blessing Jacob, 
Museum, Amsterdam. 



4 00 



Portrait of Pasteur, 
Salon, 1896. 



Forli ; see Melozzo da Forli. 
Fournier, Louis Edouard. 

Paris. 

French School. 

4 00 



Madonna, Photogravure, 
Same subject, 
Same subject, 



III 



III 



Froeschl, C. 






Modern. 






- 


5 00 


III 


_ . 


15 00 


II 


- 


4 00 


III 



Grade. 
P G H 



G H 



P G 
P G 
P G 



Fromentin, Eugene. 

La Rochelle, 1820-1876. 

French School. 



421 


Falcon Hunt, 
Louvre, Paris. 


- 


4 GO 


III 


G 


H 


422 


Arabian Encampment, 
Louvre, Paris. 


Fyt, Jan. 

Antwerp, 1611-1661. 

Flemish School. 


4 GO 


III 


P G 


H 


423 


Boy with a White Dog, 
Royal Gallery, Dresden. 


Gagneau, Leon. 

Paris. 

Modern. 


4 go 


III 


P* G 




424 


Ashore, 


. 


4 go 


III 


G 




425 


Returning from the Market, 


4 GG 


III 


P G 





56 



t 426- 

t 427^' 
428 
429 
430 



Gainsborough, Thomas. 

Sudbury, 17-r/; London, 1788. 

English School. 



The Drmking Pool, 
National Gallery, London, 

Portrait of Mrs. Siddons, 
National Gallery, London. 

Three Daughters of George III., 
Buckingham Palace, London, 

George III., King of England, 
Windsor Gallery. 

Portrait of George, Prince of Wales, 
Windsor Gallery. 



Price. 


Size. 


Grade. 


$4 00 




P G H 


4 00 




G H 


4 00 




G H 


4 00 




H 


4 00 




G H 



431 



Galland, Pierre Victor. 

Geneva, 1822 ; Paris, 1892. 

Modern. 

Frieze, from the Hotel de Ville, Paris, (Eighteen 
plates representing the Manual Arts), 



Photographic reproductions. 



10 GO 



P G H 



Gardner, Elizabeth. 

Exeter, New Hampshire. 

Modern. 



432 The Improvised Cup, 

433 Feeding the Bird, 

434 The Farmer's Daughter, 

tt435** Two Little Mothers, 

436 Three Friends, 
Salon, 1894. 

t 437* Crossing the Brook, 
Salon, 1894. 

438 David, the Shepherd, 
Salon, 1895. 



439 



- 


4 00 


III 


P 


G 


. 


4 00 


III 


P 




- 


4 00 


III 


P 


G 


. 


4 00 


III 


P 




- 


4 00 


III 


P 




- 


4 00 


III 


P 




- 


4 GO 


III 


P 


G 


Gautherot, Claude. 










Paris, 1769-1825. 










French School. 











Napoleon Wounded Before Ratisbon; April, 1809 4 og 
Versailles. 



Ill 



H 



440 



Gericault, Jean Louis Andre Theodore. 

Rouen, 1791; Paris, 1824. 

French School. 

4 00 III 



Officer of the Imperial Guard, 
Louvre, Paris. 



H 



57 
Gerome, Jean Leon. 

Vesoul, 1824. 

Modern. 



Price. Size. Grade. 



44 1 Reception of the Siamese Ambassadors b}' Napo- 

leon III at Fontainebleaii, June 27, 1861, J4 00 III H 

Versailles. 

Ghirlandajo, Domenico. 

Florence, 1449-1494. 

Florentine School. 

442 The Visitation, - - - - 4 00 III H 

Louvre, Paris. 

443 The Nativity, - - - - 4 00 III P H 

Royal Gallery, Dresden. 

444 The Call of St. Peter and St. Catharine, Fresco, 4 00 III H 

Sistine Chapel, Rome. 

Ghirlandajo, Ridolfo Bigordi. 

Florence 1483-1561. 

Florentine School. 

445 Portrait of a Woman, - - - 4 00 III G H 

Pitti Gallery, Floience. 

Giotto di Bondone. 

Vespignano, 1276 ('?)-1337. 

Florentine School. 

446 Prayer of the Saviour in the Garden of Olives, 4 00 III H 

Uffizi Gallery, Florence. 

Giorgione, II. 

(Real name, Giorgio Barbarelli.) 
Castelfranco. 1477-1511. 

Venetian School. 

447 Portrait of Giorgione, - - - 4 00 III G H 

Uffizi Gallery, Florence. 

448* Portrait of General Gattamelata with Groom, 4 00 III G H 

Uffiizi Gallery, Florence. 

449 Portrait of a Knight of Malta, - - 4 00 III H 

Uffizi Gallery, Florence. 

450* Chamber Music, - - - - 4 00 III G H 

Pitti Gallery, Florence. 

Giovine ; see Palma the younger. 



58 



Goodman, Maude, 
Modern. 



451 Suspense, Photogravure, 



Price. 

$5 00 



Size. 
18x12 



Grade. 



452 



453 
454 



Goubie, Jean Richard, 

Paris, 1842. 

Modern. 



Percheron Horses, 
Salon, 1896, 



4 00 



Gow, Andrew, 

London, 1848. 

Modern. 

After Waterloo, Photogravure, - - 15 00 

On the Sands of Boulogne; Photogravure, 12 00 



III 



24x34 

5X28>^ 



P G 



G H 
G H 



tt456* 
457 

tt458* 

459 
460 
461 
462 
463 



464 



Grafle, Albert, 

Freiburg, 1809. 

Modern. 



455 Beethoven and his Friends, 



4 00 



Greuze, Jean Baptiste, 

Tournus, 1725 ; Paris, 1805. 

French ScHooiy. 

Portrait of Bonaparte as lyieutenant of Artillery, 

The Emperor Severus, and his son, Caracalla, 
Louvre, Paris. 

The Broken Pitcher, 
Ivouvre, Paris. 

Young Girl; a Study, - - - 

Louvre, Paris. 

Portrait of Greuze, - - - - 

Louvre, Paris. 

Napoleon as Consul, 
Versailles. 

Girl with Lamb, 
National Gallery. 

Portrait of a Boy, 

Hermitage Museum, St. Petersburg. 

Gros, Antoine Jean, 

Paris, 1771-1835. 

French School. 



4 


00 


4 


00 


4 


00 


4 


00 


4 


00 


4 


00 


4 


00 


4 


00 



Napoleon at Arcole, 
Louvre, Paris. 



Ill 



4 GO 



III 



G H 



III 






H 


III 






H 


III 


p 


G 




III 




G 


H 


III 






H 


III 




G 


H 


III 


p 


G 




III 


p 


G 





G H 



59 



465 Spring Song, 



Grust, T. 








Modern. 










Price. 


Size. 


Grade. 


- 


$3 00 


IV 


P G 



Guardi, Francesco, 

Venice, 1712-1793. 

Vknktian School. 



466 Church of the Salutation, Venice, 
Louvre, Paris. 



4 GO 



III 



H 



467 
468 
469 
470 



Guercino, II, 

(Real name, Griovanni Francesco Barbierl.) 
Bologna, 1591-1666. 

KcLKCTic School. 



The Samian Sibyl, - 
Uffizi Gallery, Florence. 

Endymion Asleep, 
Uffizi Gallery, Florence. 

The Prodigal Son, ' - 
Borghese Gallery, Rome. 

Samson and his Parents, 
Borghese Gallery, Rome. 



4 00 



4 00 



4 GO 



4 OG 



Guidi : see Masaccio. 



Ill 


G 


H 


III 


G 


H 


III 


G 


H 


III 


G 


H 





Guido Reni, 












Bologna, 1575-1642. 












EcLKCTic School. 










471* 


Jesus and St. John, - - - - 
National Gallery, London. 


4 GG 


III 


P G 




472 


Portrait of Beatrice Cenci, 
Barberini Gallery, Rome. 


4 OG 


III 


G 


H 


473 


Head of Beatrice Cenci; detail of 472, 


4 GG 


III 


G 


H 


tt474** 


Aurora, ----- 
Palace Rospigliosi, Rome. 


70 GG 


I 


G 


H 


475 


Same subject, 


15 GO 


II 


G 


H 


476 


Same subject. 


4 GG 


III 


G 


H 


477 


Same subject, 


35 OG 


19^X47)^ 


G 


H 


478* 


Repose in Egypt, 

Hermitage Museum, St. Petersburg. 


4 GG 


III 


P* G 




479 


St. Peterj ----- 
Hermitage Museum, St. Petersburg. 

Guignard, Gaston, 

Bordeaux. 
MODKRN. 


4 00 


III 




H 



48G Eventide, 



4 00 



III 



6o 





Guillou, Alfred, 










Concariieau. 










MODKRN. 












Price. 


Size. 


Grade. 


481 


Grandfather's Advice, 
Salon, 1894. 


$4 GO 


Ill 


P 


482 


Napoleon's Adieu to France, 
Salon, 1896. 


4 GO 


III 


H 


t483* 


Napoleon at St. Helena, 
Salon, 1897. 


4 00 


III 


G H 



Hagborg, August, 

Gothemttourg, Sweden, 1852. 

Modern. 



484 


The Alarm, . _ _ _ 


4 GG 


III 


P G 


485 


A Squall, - - - . - 
Salon, 1896, 

Hals, Franz, 

Antwerp, 1584; Harlem, 1666. 

Dutch Schooi.. 


4 GG 


III 


G 


486 


Portrait of Nicolas von Beresteyn, - 
Louvre, Paris. 


4 GG 


III 


H 


487 


Portrait of a Young Man, 


4 GO 


III 


G H 



Royal Museum, Berlin. 

488* Detail (the right side), from the " Banquet of 

the Archers of St. George, 16 1 6," - 4 go III G H 

Museum, Harlem. 

489 Banquet of the Officers of the Archers of St. 

George, - - - - - 4 og III G H 

Museum, Harlem. 

490 Detail of ' ' Reunion of the Officers of the 

Archers of St. Adrien, 1633," - - 4 00 III H 

Museum, Harlem. 

491* Detail (The Halberdier), from the " Reunion 
of the Officers of the Archers of St. Adrien, 

1633," - - - - - 4 GG III G H 

Museum, Harlem. 

492 Detail (two figures from the right side) from 

' 'The Reunion of the Archers of St. Adrien, ' ' 
Museum, Harlem. 

493 Officers and Sub-Officers of the Archers of St. 

George, _ . . _ 

Museum, Harlem. 

494 Detail (the right side), from the " Officers and 

Sub-Officers of the Archers of St. George, ' ' 
Museum, Harlem. 

495 Two figures from the right side of ' ' The Offi- 

cers and Sub-Officers of the Archers of St. 

George," - - - - 4 gg III G H 

Museum, Harlem. 



4 GG 


III 




H 


4 GG 


III 


G 


H 


4 GG 


III 


G 


H 



6i 
Hals, Franz— Continued. 

Price. Size. Grade. 

496 Detail from ' ' The Regents of the Hospital of 

St. Elizabeth, - - - - $4 00 III G H 

Museum, Harlem, 

497 Detail ; Portrait of Hals and his wife, Lysbeth 

Reiniers, - - - - 4 00 III G H^^ 

Museum, Amsterdam. 

498 Detail from **The Civic Guard, under Captain 





Reynier Reael, 1637,' 
Museum, Amsterdam, 


' - - 


4 GO 


III 




G 


H 


499* 
500 


Portrait of Hals, _ . . _ 
Hermitage Museum, St. Petersburg, 

The Music I^esson, - - 
Cassel Gallery. 


4 GO 
3 OG 


III 

IV 


P 


G 
G 


H 






Halswelle, Keeley, 


,/ 














Richmond, England, 1834. 
















Modern. 












501 


Highlands and Islands ( 


Photogravure), 
Haquette, Georges, 

Paris, 
MoDKRN. 


5 OG 


18x21 


P 


G 


H 


502 


Outward Bound, 


- 


4 GG 


III 


P 


G 




503 
■504* 


Adverse Winds, - 
Salon, 1896. 

Return to the Harbor, 




4 GO 
4 GG 


III 
III 


P 


G 
G 




505 


Caught in a Storm, 
Salon, 1894. 


- 


4 GG 


III 




G 


H 



Harpignies, Henri, 

Valenciennes, 1819. 

Modern. 

506 On the Banks of the Sarth, 

507 After Sunset, _ _ . _ 

508 The Loire, - - - - - 

Salon, 18^6. 

509 Solitude ; landscape, - _ . 

Salon, 1897. 

51G On the Banks of the Rhone, 
Salon, 1897. 

Healy, George Peter Alexander, 

Boston. 1818-1894. 

Modern, 

511 Webster's Reply to Hayne, Platinum Print, 4 00 14x20 G H 

512 Detail of 511, showing Webster more plainly 4 gg 14x20 G H 



4 GG 


III 


P 


G 




4 GG 


III 




G 




4 GG 


III 




G 


H 


4 GO 


III 




G 


H 


4 GG 


III 




G 


H 



62 



Heist, Bartholommeus van der 

Harlem, 1611 ; Amsterdam, 1670. 

Modern. 



5 1 3 Award of the Prize for Archery , 

Louvre, Paris. 

514 Portrait of Paul Potter, 1654, 

Royal Museum, The Hague. 



Price. 

$4 00 

4 00 



515 Adagio, Photograph 



516 The Maiden's Pets, 



Herterich, J. C. 

Munich. 
MODKRN. 

Heyden, Carl, 

Cologne, 1845. 

Modern. 
Hobbema, Meindert, 

Amsterdam, 1638-1709. 

Dutch School. 

517 Landscape, ----- 

Louvre, Paris. 

518 The Water Mill, 

Louvre, Paris. 

519 The Same Subject, 

520 Opening in the Woods - - - 

Stadel Museum, Frankfort. 
t52i* The Water Mill, . - . _ 

Museum, Amsterdam. 
522 Same Subject, - - - . 

1523 An Avenue in Holland . - - 

National Gallery, London. 

524 Wooded Landscape, . - _ 

Buckingham Palace, London. 

525 Water Mill, - - - - 

Buckingham Palace, London. 

Hoecker, Paul, 

Oberlangenau, 1854. 

Modern. 
t526 " What is the Kettle Singing? " 

Hoesslein, George, 

Modern. 
527 Questioning the Oracle, Photogravure, 



15 00 



4 GO 



15 GO 



3 00 



4 GO 



Size. 
Ill 

III 



II 



III 



II 



IV 



III 



Grade. 
G H 

G H 



G H 



P G H 



4 GG 


III 




G 


H 


15 00 


II 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 GO 


III 




G 


H 



P G H 



4 GG 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 



P G 



G H 



63 



Hofifman, Heinrich Johann M. F. 

Darmstadt, 1824. 

Modern. 

Price. 

tt528** Christ in the Temple, Photogravure, - $io oo 



Size. 

uy2 



Grade. 
P G H 




CHRIST IN THE TEMPLE. 



529 


Same Subject, _ _ _ _ 


15 00 


II 


P 


G 


H 


530 


Same Subject, - - - - 


10 00 


II>^ 


P 


G 


H 


531 


Same Subject, _ _ _ . 


4 00 


III 


P 


G 


H 


532 


Christ and the rich young Man, Photogravure, 


10 00 


11^ 




G 


H 


533 


Same Subject, - - _ - 


15 00 


II 




G 


H 


534 


Same Subject, . . _ _ 


10 00 


II>^ 




G 


H 


535 


Same Subject, - - - - 


4 00 


IV 




G 


H 


tt535A**Head of Christ, detail of 528 


4 00 


III 




G 


H 


535B 


Head of Christ, detail of 532 


4 00 


III 




G 


H 



Hogarth, William, 

London, 1697-1764. 
KNGI.ISH SCHOOI.. 



536 Portrait of Hogarth, 

National Gallery, London. 



4 00 



III 



G H 



64 
Holbein, Hans (the Younger). 

Augsburg, 1497; London, 1543. 

German School. 

Price. Size. Grade. 

537 Portrait of Nicolas Kratzer, Astronomer to 

Henry VIII. of England, - $4 00 III H 

lyouvre, Paris. 

538 Portrait of William Warham, Archbishop of 

Canterbury, - - - 4 00 III H 

Ivouvre, Paris. 
539* Portrait of Erasmus, - - - 4 00 III H 

Louvre, Paris. 

540 Portrait of Anne of Cleves, wife of Henry VIII, 400 III H 

Louvre, Paris. 

541 " Meyer " Madonna, - - - 15 00 II P G H 

Royal Gallery, Dresden. 

542 Same subject. Photogravure, - - 15 00 24^x35 P G H 

543 Same subject, - - - - 4 00 III P G H 
544** Detail of 543, Madonna and Infant, - 4 00 III P* G H 
545 Portrait of Hubert Moret, Goldsmith of 

Henry VIII., - - - - 4 00 III G H 

Royal Gallery, Dresden. 
546* Portrait of Robert Cheseman, Falconer of 

Henry VIII, . - - 4 00 III G H 

Royal Museum, The Hague. 

547 Portrait of Erasmus, - - - 4 00 III H 

Museum, Antwerp. 

548 Portrait of Edward VI. of England, as a Boy, 4 00 III ■ G H 

Windsor Gallery. 

549 Portrait of Hans Holbein, - - - 2 00 IV G H 

Uffizi Gallery. 
550* Edward VI. of England, - - 4 00 III G H 

Hermitage Museum, St. Petersburg. 
551 Portrait of Jane Seymour, - - 4 00 III G H 

Imperial Museum, Vienna. 



Homer, Winslow. 

Boston, wm. 

Modern. 

552 The Fog Warning, Platinum Print, - 15 00 20x35 G H 

Museum of Fine Arts, Boston. 

553 Same subject. Platinum Print, - 5 00 ii_^xi8^ G H 
-554* The Lookout; "All's Well," Platinum Print, 500 14^^x18 G H 



65 



Honthorst, Gerard van. 

Utrecht, 1590- 165G. 

Dutch School. 

Price, 

555 Holy Family, and two Angels Adoring the 

Infant Jesus, - - - $4 oo 

Uffizi Gallery, Florence. 



Size. 



Ill 



Grade. 



P G 



556 Putch Interior, 

Stadel Museum, Frankfort 

557* Dutch Interior, 

Royal Museum, Berlin. 

558 The Flute Player, 

Borgliese Gallery, Rome. 



Hooche (or Hooghe), Peter de. 

Rotterdam, 1C30 (?); Amsterdam, 1681. 

Dutch School. 

4 00 

4 GO 
4 GO 



III 


G 


H 


III 


P G 




III 


G 


H 







Hoppner, J. B. 














MODKRN. 










559 


Sheep Shearing, 


_ 


4G GO 


I 


P 


G 


560 


Same subject, 


- 


.15 GO 


II 


P 


G 


561 


Same subject, - 


_ 


6 00 


III 


P 


G 



Hunt, William Morris. 

Brattleboro, Vermont, 1824-1879. 

Modern. 



562 Hamlet, Platinum Print, 

563 The Bugle Call, 

564 Heads of Horses, " 

A Detail from " The Flight of Night. 

565 The Singers, Platinum Print, 

From the original Charcoal Sketch. 

tt565A Flight of Night, 



.6 GO 

5 OG 

3 00 

6 GG 
6 GG 



2GXI4 

i8xi4>^ 
9/^x13 

19x16^ 

1.^x21 



G H 

G H 

G H 

G H 

G H 



66 



Ingres, Jean August Dominique. 

Montauban, 1780; Paris, 1867. 

French School. 







Price. 


Size. 


Grade. 


566 


Homer Deified, - . _ 
IvOuvre, Paris. 


$4 00 


Ill 


H 


567 


Portrait of Cherubini, . . . 
Louvre, Paris. 


4 GO 


III 


H 


1568* 


Joan of Arc assisting at the Coronation of 
Charles VII. in the Cathedral of Rheims, 
Louvre, Paris. 


15 GO 


II 


H 


569 


Same subject, - . - - 


4 GG 


III 


H 


570 


Portrait of Ingres, 

Uffizi Gallery, Florence. 


4 OG 


III 


H 



571 John Marshall, Photogravure, 
Law Association, Philadelphia. 



572 



Inman, Henry. 

Utica, N. Y., 1801; New York City, 1846. 

Modern. 

5 00 



Israels, Josef. 

Groningen, 1824. 

Modern. 



Waiting, 
Salon, 1896. 



4 OG 



Jacobsen, Sophus. 

Frederiksliald, 1833. 

Modern. 
573* lyandscape in Winter, Photogravure, 5 gg 

Jacque, Charles. 

Paris, 1813-1890. 

Modern, 



574 The Drinking Pool, 



4 00 



Jaeger, C. 
Modern. 



575 lycssing, Barito Print, - 

576 Goethe, Photogravure, 

577 Schiller (bust), Photogravure, 
tt578** Mozart, Photogravure, 

579 Beethoven " 

580 Meyerbeer, Barito Print, 



5 00 
5 00 
5 00 
5 00 
5 00 

4 GG 



2x15 



III 



21x14 



III 



12x17 
15x19 
15x19 
15x19 
15x19 
12x17 



G H 



P G H 



P G H 



P G 





H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 



67 
Jameson, Middelton. 

Edinburgh. 
MODKRN. 



581 The Fisherman's Daughter 



Price. 


Size. 


Grade. 


ter, - - $4 00 


Ill 


. P G 


Johnson, Marshall. 






Modern. 







4 00 


III 


P 






4 00 


III 




G 


H 


4 00 


III 




G 


H 


4 00 


III 




G 


H 



582 U. S. Frigate Constitution ; " Old Ironsides," 

Photogravure, - - - 5 00 i6>^x2i GH 

Kauffman, Angelica. 

Coire, 1741; Rome, 1807. 

German SchooIv. 

583 Portraits of Baroness Krudner, and her daughter 4 00 

Louvre, Paris. 

tt584** A Sybil, - - - - - 

Royal Gallery, Dresden. 

-j-585** The Vestal Virgin, 

Royal Gallery, Dresden. 

586 Portrait of Angelica Kauffman, 

Uffizi Gallery, Florence. 

Kaulbach, Friedrich August. 

Hanover, 1850. 

Modern. 

587 '' Give us our Daily Bread," - - 4 00 III P 

Keyser, Thomas de. 

Amsterdam, 1595-1667. 

Dutch School. 

588 Equestrian Portrait of John of Austria, and 

his Aide-de-camp, - - - 4 00 III G H 

Museum. Amsterdam. 



68 
Knille, Otto. 

Osnabruck. 1832. 

Modern. 



Price. 



Size. 



0^x351^ 



589 Weimar, 1803, Photogravure, - - $10 00 

(An allegorical group of the German heroes of the world of art 
and science at the beginning of the century). 

t590 Greek Games, - - - - 16 00 16x60 



Grade. 



H 



H 



Kotzebue, Alexander, 

1815-1889. 

Modern. 
591 Peter the Great founding St. Petersburg, - 4 00 



III 



H 



Kramer, P. 

Modern. 

1592 Henry Wadsworth Longfellow, Barito Print, 

593 Same subject, . - . _ 

t594 Chaucer, Barito Print, 

t595 Milton, Barito Print, 

t596 Goldsmith, Barito Print, 

597 Sheridan, Barito Print, 

t598 Burns, Barito Print, 

599 Same subject, . . _ _ 

600 Scott, Barito Print, 

601 Same subject, _ _ _ _ 
t6o2 Byron, Barito Print, - - - 

603 Same subject, . . - . 

604 Heine, Barito Print, 

605 vSame subject, - . - _ 
t6o6 Tennyson, Barito Print, 

607 Same subject, . _ . . 



6 GO 


I5%X2I>^ 


P G 


H 


5 00 


12x17 


P G 


H 


5 00 


12x17 




H 


5 00 


12x17 




H 


5 00 


12x17 




H 


5 00 


12x17 




H 


6 00 


I5^X2I>^ 


G 


H 


5 00 


12x17 


G 


H 


6 00 


I5^X2I>^ 


G 


H 


5 00 


12x17 


G 


H 


6 00 


is%x2iy2 




H 


5 00 


12x17 




H 


6 00 


I5^X2I>^ 




H 


5 00 


12x17 




H 


6 GO 


15^x21^ 


G 


H 


5 00 


12x17 


G 


H 



Kroner, Christian Johann, 

Rinteln in Hesse, 1838. 

Modern. 
608* At Early Dawn, Photogravure, - - 5 00 



I5>^X20l^ 



69 
La Farge, John, 

New York, 1835. 
MODKRN. 

Price. Size. Grade. 

609 Halt of the Wise Men, Platinotype, - $5 00 15x21 G H 

Museum of Fine Arts, Boston, 

610 Kuwannon, or the Goddess of Meditation, 

Platinum Print, - - - - 3 00 12^x9^ GH 

611 (i) Music, Platinum Print, - - 4 00 7^x20 G H 

612 (2) The Drama, *' " - - 4 00 7^x20 G H 

Decorations in the residence of Whitelaw Reid, 
New York. 

613* Suonatore, Platinum Print, - - 3 00 12^x9^ GH 

Part of the McKim Memorial Window, Trinity. 

Lambert, Eugene, 

Paris, 1825. 

Modern. 

614* A Family of Cats, - - - - i 50 IV P 

Luxembourg. 

Landelle, Charles, 

Laval, 1821. 
615 Jerusalem — Easter Night, - - - 4 00 III G 

Landseer, Sir Edwin, 

London, 1802-1873. 

English School. 

tt6i6* King Charles Spaniels, 
National Gallery, London. 

t6i7** Highland Music, 

National Gallery London. 

618 The Sleeping Hound, 

National Gallery, London. 

tt6i9 Dignity and Impudence, - 
National Gallery, London. 

tt62o* The Horse Shoer, - - - - 

National Gallery, London. 

621 Highland Dogs, 

National Gallery, London. 



4 00 




P 






4 GO 




P 


G 


H 


4 GO 




P 


G 




4 00 




P 


G 




4 OG 




P 


G 




4 00 




P 


G 





622 Evening, 



,aronze, Jean, 








Genelard. 








Modern. 










Price. 


Size. 


Grade. 


_ 


$4 oo 


Ill 


G 



623 



La Tour, Maurice Quentin de 

Saint Quentin, 1704-1788. 

French School. 

lyouis of France, Son of Ivouis XV., as a Child, 4 00 
Louvre, Paris. 



Ill 



P G 



624 St. Cecilia, 



Lauenstein, Heinrich, 

Hiddensen, 1836. 

Modern. 



4 00 



III 



G H 



Laugee, D. Francois, 

Maromme, 1823. 

Modern. 



625 Approach of Autumn, 



4 00 



III 



P G 



Laugee, Georges, 

Monti villiers. 

Modern. 



626 Sunset, 

627 Return from the Fields, 
t628** The Favorite, 

tt629** A Shower, 
630 Close of Day, 
t63i* Between the Showers, 
Salon, 1895. 



4 GO 
4 00 
4 00 
4 00 
4 GO 
4 GG 







G 








G 






p 


G 






p 


G 


H 




p 


G 






p 


G 


H 



Laurens, Jean Paul. 

Fourquevaux, 1838. 

Modern. 



632 The Hostages, 
Salon, 1896. 



4 00 



III 



633 

634 

*635t 



Lawrence, Sir Thomas, 

Bristol, 1769; London, 1830. 

English School. 



At the Brook, 

National Gallery, London. 
Prince Charlotte of Wales, 

Windsor Gallery. 
Portrait of Sir Walter Scott, 

Windsor Gallery. 



Price. 


Size. 




$4 GO 


Ill 


P 


4 GO 


III 


P 


4 oo 


III 





Leader, Benjamin Williams, 

(Real Name, Benjamin Williams.) 
1831. 

Modern. 



636 Valley of 'the Llugwy, Photogravure, 
f-637* Eventide, Photogravure, 
t638* Solitude, Photogravure, 
ff 639** The Silent Evening Hour, Photogravure, 
64G Silvery Morn, Photogravure, 
641 Golden Eve, . _ - - 



Grade. 



IG GG 17x29 P 

10 GG 17x29 P 

6 OG 22XI7>^ P 

IG GG 19x28^ P 

6 GG I5>^X23>^ P 

6 OG I5>^X23>^ P 



G H 



G 
G 
G 



H 
H 

H 



G H 
G H 
G H 



Le Brun, Charles, 

Paris, 1619-1696. 

Frknch School. 



642 A Commandant in Armor, 
Lichtenstein Gallery, Vienna. 



4 GG 



III 



Le Brun, Madame Elizabeth Louise Vigee. 

Paris, 1755-1842. 

Frknch School. 

tt643** Portrait of Madame Le Brun and Daughter, 70 gg 
Louvre, Paris. 

644 Same Subject, - - - - 15 og 

645 Same Subject, - - - - 4 gg 

1646* Portrait of Madame Le Brun and Daughter ; 

with Turban, - - - - 15 og 

Louvre, Paris. 

647 Same Subject, - - - - 4 gg 

648 Portraits of the Dauphin and Dauphiness of 

France, son and daughier of Louis XVI. 

and Marie Antoinette, - - - 4 gg 

Versailles. 

649* Portrait of Madame Le Brun, - - 15 go 

Uffizi Gallery, Florence. 

650 Same Subject, - - - - 4 go 



T 



G H 



P G 





p 


G 




III 


p 


G 






p 


G 




III 


p 


G 




III 


p 


G 


H 






G 


H 


III 




G 


H 



72 



651 Vittoria Colonna, 

652 Clemence Isaiire, 

653 Reading, 

654 Venetian Girl, 

655 Ancient Poetry, 



Lefebvre, Jules Joseph, 

Touriian, 1834. 

Modern. 



Price. 


Size. 


Grade. 


>4 00 




H 


4 00 




H 


4 00 




H 


4 00 




G H 


4 00 




G H 



Leighton, Sir Frederick, 

ScarlDorough, 1830-1890. 

Modern. 



t656 Portrait of Sir Frederick lycighton, 
Uffizi Gallery, Florence. 
tt^S? Captive Andromache, Photogravure, 

658 Greek Girls Playing at Ball, Photogravure, 

659 Same Subject, 



2 00 



IV 



12 00 i6>4x35 

12 GO 19x34 

4 00 III 



G H 

H 
H 
H 



Lely, Sir Peter, 

(Real name, Peter. van der Faes.) 
Soest, 1617; London, 1680. 

Modern. 



660 Portrait of Oliver Cromw^ell, 
Pitti Gallery, Florence. 



4 GO 



III 



H 



166 1* 
662 

663 

664* 

665 

666^!-^ 

667 



Lenbach, Franz von, 

Sclirobenliausen, 1836. 

Flemish School. 

Prince Otto von Bismarck, Photogravure, 
Prince Otto von Bismarck, (bust portion of 

preceding picture,) 
Count von Moltke, Photogravure, 
Wagner, Photogravure, 
Same Subject, Photograph, 
Liszt, Photogravure, 
Same Subject, Photograph, 



12 GG 28^^X24 



G H 



5 00 


I9>^xi6^ 


G 


H 


5 00 


18x14 


G 


H 


5 00 


17x13 




H 


4 00 


III 




H 


5 00 


17x13 




H 


4 OG 


III 




H 



Leonardo ; see Vinci. 



73 







Lerolle, Henri, 
















Paris. 
















MoDKRN. 


















Price. 


Size. 


( 


Srade. 


tt668** 


■ In the Country (the shepherdess), 


$15 00 


II 


P 


G 


H 




Luxembourg, Paris. 














669 


Same subject, 


- 


4 00 


III 


P 


G 


H 


tt67o** 


Along the River, 


. 


4 00 


III 


P 


G 


H 




Museum of Fine Arts, Boston. 












671* 


Same subject, Platinum 


Print, - 


5 00 


15x20 


P 


G 


H 


t672* 


Arrival of the Shepherds, - - - 


4 00 


III 


P 


G 




673 


Outskirts of the Forest, 


_ 


4 GO 


III 


P 


G 




674 


Flight into Egypt, 


- 


4 GO 


III 


P 


G 


H 


675 


The Seashore, 


Le Roux, Hector, 

Verdun, 1829. 

Modern. 


4 OG 


III 


P 


G 


H 


676 


School of the Vestals, 


_ 


15 00 


II 




G 




677 


Same subject, 


- 


4 00 


III 




G 





Le Senechal de Kerdreoret, Gustave, 

Hennebont, 1860. 

Modern. 
678* A Squall, Harbor of Treport, - - 4 og 



III 



P G H 



679 Calliope, 

Louvre, Paris. 



Lesueur, Eustache, 

Paris, 1617-1655. 

Fr:rnch School. 



4 OG 



III 



G H 



Leutze, Emanuel, 

Gmiind, Wurtemlberg, 1816; Washington, D. C, 1868. 

Modern. 

10 GO 



68g Washington Crossing the Delaware, 
Metropolitan Museum of Art, New York, 



20x34 



G H 



74 
Lippi, Fra Filippo, 

Florence, 1412; Spoleto, 1469. 

Florentine School. 



Price. Size. Grade. 



4 oo 


III , 


P 


G 


H 


4 oo 


III 






H 


4 oo 


III 




G 


H 


4 oo 


III 


P 


G 





68 1 Madonna, - - - - - $4 oo III G H 

Royal Museum, Berlin. 

682 Virgin Adorning the Infant Christ, - 4 00 III G H 

Royal Museum, Berlin. 

683* An Angel Placing Jesus in the Arms of the 
Virgin, - - - . . 

National Gallery. London. 

684 The Annunciation, - . _ 

National Gallery, London. 

685 The Archangel Gabriel and Mary, 

Academy of Fine Arts, Florence. 

686 Virgin Adoring the Infant Jesus, 

Academy of Fine Arts, Florence. 

Lippi, Filippino, 

Florence, 1459—1504. 

Florentine School. 

687 Group of Angels, from "The Holy Family 

Surrounded by Angels," - - 4 00 III P G H 

Pitti Gallery, Florence. 

Lippi, Lorenzo, 

Florence, 1606-1664. 

Naturalist. 

688* St. Catharine, - - - - 4 00 III P G H 

Uffizi Gallery, Florence. 

Longfellow, Ernest W. 

Cambridge, Mass., 1845. 

Modern. 

689 Portrait of Henry Wadsworth Longfellow, at 

the Age of Seventy, Photogravure, - 5 00 15)^x20 P G H 

Lorraine, Claude, 

(Real Name, Claude Gellee.) 
Champagne, 1600; Rome, 1682. 

French School. 



690 


A Seaport at Sunrise, 
Louvre, Paris. 


4 00 


III 


H 


691 


A Seaport at Sunset, 
Louvre, Paris. 


4 00 


III 


H 


692 


Ulysses Restores Chryseis to her Father, - 
Louvre, Paris. 


4 00 


III 


G H 



75 



Lorraine, Claude — Continued. 

Price. 

693 Seaport in a Fog, - - - $4 00 

Louvre, Paris. 

tt694* The Ford, - - - - - 4 00 

Ivouvre, Paris. 

695 Landscape in Italy, - - - 4 00 

Royal Museum, Berlin. 

1696* The Flight into Egypt, - - - 4 00 

Royal Gallery, Dresden. 

697 A Seaport, - - - - 4 00 

National Gallery, London. 

698 Embarkation of St. Ursula, - - 4 00 

National Gallery. London. 

699 A Seaport, - - - - 4 00 

Windsor Gallery. 

700 Port of Ostia, - - - - 4 00 

Prado Museum, Madrid. 

701 Landscape, with effect of the setting sun, 4 00 

Prado Museum, Madrid. 

702 Evening, - - - - - 4 00 

Hermitage Museum, St. Petersburg. 



Size. 


Grade 


Ill 


G H 


III 


G H 


III 


G H 


III 


P G H 


III 


G H 


III 


G H 


III 


G H 


III 


H 


III 


H 


III 


G H 



Lotto, Lorenzo, 

Treviso, 1480 (?); Loreto. 1554. 

Venetian School. 



703 The Three Ages of Man, 
Pitti Gallery, Florence. 



4 00 



III 



G H 



Low, Will H., 

Albany, N. Y., 1853 

Modern. 

Decorations in the Waldorf-Astoria Hotel, New York. 



704 


ligypt, Platinum Prir 


705 


Greece, 


706 


Italy, 


707 


Spain, " " 


708 


Germany, " *' 


709 


Holland, 


710 


Hungary, '' 


711 


Russia, " ** 


712 


England, " " 


713 


Scotland, ' * ' ' 


714 


Ireland, *' " 


715 


America, " " 


716 


Japan, 



6 00 


14x22)^ 


G 


H 


6 00 


14x22^ 


G 


H 


6 00 


14x22}^ 


G 


H 


6 00 


14x22^ 


G 


H 


6 00 


1 4x2 2 >^' 


G 


H 


6 00 


14x22^^ 


G 


H 


6 00 


I4X22>^ 


G 


H 


6 00 


14x22^^ 


G 


H 


6 GO 


14x2 1 >^ 


G 


H 


6 GO 


14x22^^ 


G 


H 


6 GG 


14x22^^ 


G 


H 


6 GG 


I4X22>^ 


G 


H 


6 GG 


14x22^^ 


G 


H 



76 



Lowe, Margaret, 








Modern. 








. 


Price. 


Size. 


Grade. 


. 


$4 oo 


Ill 


P G H 



III 


P 


III 




III 


P 


III 


P 



717 Mignon, 

Luini, Bernardino, 

Luino, 1460-1530. 

Lombard Schooi.. 

718 Sleep of the Infant Jesus, - - - 4 00 

lyouvre, Paris. 

719 Christ and the Doctors, - - 4 00 III H 

National Gallery, London. 

720 Infant Jesus and St. John - - - 4 00 

Prado Museum, Madrid. 

721 St. Catherine and two Angels, - - 4 00 

Hermitage Museum, St. Petersburg. 

Mass, (or Maes), Nicholas, 

Dordrecht, 1632; Amsterdam. 1693. 

Dutch School. 

722* The Spinner, - - - - 4 00 III P* G 

Van der Hoop Collection, Amsterdam. 

Mantegna, Andrea, 

Padua, 1431-1506. 

School of Padua. 

723 Triumph of Scipio, right half of picture, - 4 00 III G H 

National Gallery, London. 

724 Triumph of Scipio, left half of picture, 4 00 III G H 

National Gallery, London. 

Marais, Adolphe, 

Honfleur. 

Modern. 

725 At Saint Nic ; Bay of Douarnenez, - 4 00 III G 

726 On the Moors ; Finisterre, - - 4 00 III P 

Maratta, Carlo, 

Camerano, 1625-1713. 

School of Rome. 

727 Virgin and Infant Jesus, - - - 4 00 III P G 

Royal Gallery, Dresden. 

728 The Reading I^esson ; the Virgin teaching the 

Child Jesus, - - - - 4 00 III P G 

Hermitage Museum, St. Petersburg. 



77 
Marcke, Emile van, 

Sevres, 1827-1890. 

Modern. 

Copyrighted by E. E. Soderholtz & Co.. 1898. 




THE WATER GATE 



1729* The Meadow Pool, Platinum Print, 
Stetson Collection. 
tt730** The Water Gate, 

The Iveyton Gallery, Milwaukee. 



Price. Size. 

$4 50 13x16 

5 00 I4>^xi8 



Marionez, George P. C, 

Douai. 

Modern. 
731 Return from the Fields, - - - 4 00 



Grade. 
P G H 

P G H 



III 



P G 



7B 



Masaccio, Tommaso, 

(Real name, Tommasso di Giovanni di Simone Guidl.) 
San Giovanni. 1402-1429. 

Fl^ORENTlNK SCHOOI.. 

Price. 



733 



Florentine Scene, 
Royal Museum, Berlin. 

Portrait of an old Man, 
Uffizi Gallery, Florence, 



GO 



4 GO 



Size. 


Grade. 


Ill 


H 


III 


H 



Matsys; see Metsys, 



Massys; see Metsys, 



Mauve, Anton, 

Zaandam, 1838-1888. 

Modern. 

tt734'^* Shepherd's Lane, Platinum Print 
735^'- The Woodcutters, Pla 



736 Madonna, 

737 Same subject, 

738 Madonna, 



739 Haymaker, 

740 Day's Labor Ended, 

741 Gleaners Going Home, 



im Print - 


5 00 


16x21 


p 


G 


H 


im Print, 


15 00 


18x34 


p 


G 


H 


Max, Gabriel. 












Prague, 1840. 












Modern. 












_ 


4 GO 


III 


p 


G 


H 


- 


3 00 


IV 


p 


G 


H 


- 


4 OG 


III 


p 


G 




Mayan, Henry T. 












Marseilles. 












Modern. 












- 


4 GG 


III 


p 


G 




_ 


4 00 


III 


p 


G 




- 


4 GO 


III 


p 


G 





Maynard, George W. 

Washington, 1843. 

Modern. 



742 Discovery, Platinum Print, 

Decoration in the Library of Congress. 



4 GG 



8X21 



G H 



79 
McEwen, Walter. 

Chicago, 1860. 

Modern. 
THE GREEK HEROES. 

Decoration in the Library of Congress. 



743 


(I) 


Paris, Platinum Print, 


744 


(2) 


Orpheus, 


745 


(3) 


Prometheus, " 


746 


(4) 


Achilles, 


747 


(5) 


Hercules, " 



Price. 


Size. 


Grade. 


\2 50 


7>^xi3 


G H 


2 50 


7>^xi3 


G H 


2 50 


7^x13 


G H 


2 50 


7>^xi3 


G H 


2 50 


7>^xi3 


G H 



Meer, Jan van der (or Vermeer). 

Delft, 1632-1675. 

Dutch School. 
748 The Lace Maker, - - - - 2 00 7x9 G 

Louvre, Paris. 

Meissonier, Jean Louis Ernest. 

Lyons, 1815; Paris. 1891. 

Modern. 



749 


" 1814," - - - - 


15 GO 


II 


G 


H 


750 


Same subject, - - 

Melchers, Gari. 

Detroit, 1860. 

Modern. 

Decorations in the Library of Congress. 


4 00 


III 


G 


H 


751 


(i) Peace, Platinum Print, 


4 00 


8x21 


G 


H 


752 


(2) War, 


4 00 


8x21 


G 


H 



Melozzo da Forli. 

Forli. 14:58-1494. 

• Florentine School. 

753 Angel with Tambourine, - - - 4 00 III P G 
Sacristy of St. Peter's, Rome. 

ti'754'^* Angel with Mandolin, - - 15 00 II P G 
Sacristy of St. Peter's, Rome. 

755 Same subject, - - - - 4 00 III P G 

756 Angel with Mandolin, - - - 4 00 III P G 

Sacristy of St. Peter's, Rome. 

757 Angel with Rebeck, - - - 4 oo III P G 

Sacristy of St. Peter's, Rome. 
tt758** Angel with Viol, - - - 15 00 II P G 

Sacristy of St. Peter's, Rome. 
759 Same subject, - - - - 4 00 III P G 



8o 
Mengs, Anton Raphael. 

Aiissig in Bohemia, 1728; Rome, 1779. 

Gkrman SchooIv. 

Price. Size. Grade. 

760 Portrait of Mengs in his Youth, - $4 00 III G H 

Royal Museum, Dresden, 

761 Virgin and Infant, - - - 4 00 III P G H 

Imperial Museum, Vienna. 

762 Portrait of Mengs, - - - 4 00 III G H 

Hermitage Museum, St. Petersburg. 

Menzel, Adolf Frederic Erdmann. 

Breslau, 1815. 
MODKRN. 

763 Concert at the Court of Frederic the Great, 

Photogravure, - - - 15 00 22x315/^ H 



Mesdag, Hendrik Willem. 

Groningen, 1831. 

Modern Dutch School. 

tt764** Night; marine, 

765* Morning; marine, - - - 

766* Return of the Fishing Boats at Scheveningen, 

767 Evening in November, _ _ . 

Salon, 1896. 

768 Stormy Weather; marine, - - 4 00 III G H 

Salon, 1896. 
tty^Q** The Morning, Photogravure, - - 5 00 20x16 P G H 

•|"770'^-* The Return of the Fishing Boats, Photogravure, 5 00 20x16 P G H 



Metsu, Gabriel, 

Ley den, 1G30; Amsterdam, 1GG7 

Amsterdam School. 

771 Vegetable Market in Amsterdam, - 

Louvre, Paris. 

772 The Chicken Merchant, 

Royal Museum, Dresden. 

773 The Amateur Musicians, - - - 

Royal Museum, The Plague, 

774 The 'Cellist, . - - - 

Buckingham Palace, London, 



4 00 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 




G 


H 



4 00 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 




G 


H 


4 00 


III 




G 


H 



8i 



Metsys, (Matsys or Massys,) Quentin, (or Quintin) 

Antwerp, 14C0-1530, 

Flemish School. 







Price. S 


;ize. 


Grade. 


775 


Portrait of Quentin Matsys,-- 
Uffizi Gallery, Florence 

Meyer, Johann George, 


$4 00 
(von Bremen) 


Ill 


G H 




Bremen, 1813-1886. 








Modern. 








776* 


Siesta, Photogravure, 


5 00 


l6>^XI2 


P 


777 


Same Subject, Photograph, 


4 00 


26x33)^ 


P 


778 


The Wounded lyamb. Photogravure, 


5 00 


l6>^XI2 


P 


779 


Same Subject, Photograph, 


4 00 


26x33]^ 


P 



Meyerheim, Paul Freidrich, 

Berlin, 1842. 

Modern. 



780 . lyions. Photograph, 



15 00 22>^x34>^ P G 



Michelangelo Buonarotti, 

Castle of Caprese, near Arezzo, 1475; Rome, 1564. 

Florentine School. 



t78i* 
782 

783* 

784 

tt785* 
786 
787 
788 
789* 



Portrait of Michelangelo, 
UflSzi Gallery, Florence. 

The Fates, 

Pitti Gallery, Florence. 

lyibyan Sibyl, 

Sistine Chapel, Vatican, Rome. 

Prophet Daniel, - 
Sistine Chapel, Vatican, Rome. 

Delphic Sibyl, 

Sistine Chapel, Vatican, Rome. 

Prophet Zacharias, 

Sistine Chapel, Vatican, Rome. 

The Erythrean Sibyl, 

Sistine Chapel, Vatican, Rome. 

Prophet Kzekiel, 

Sistine Chapel, Vatican, Rome. 

Prophet Jeremiah, - 
Sistine Chapel, Vatican, Rome. 



4 GO 


III 


G 


H 


4 00 


III 


G 


H 


4 00 


III 


G 


H 


4 00 


III 




H 


4 00 


III 




H 


4 GO 


III 


G 


H 


4 GO 


III 


G 


H 


4 00 


III 




H 


4 00 


III 




H 



790 



Portrait of Millais, - 
Uffizi Gallery, Florence. 



Millais, Sir John Everett, 

Southampton, 1829-1896. 

English School. 

2 GG 



IV 



G H 



82 



Millet, F. D. 

Mattapoisett, Mass., 1846. 

Modern. 



791 Thestnophoria, Platinum Print, 

A decoration in the Bank of Pittsburgh. 



Price. Size. Grade. 

$5 00 io>^x2i G H 



Church at Greville, 
Louvre, Paris. 

Spring, - 
Louvre, Paris. 

■\-\jg^^^ The Gleaners, 
Louvre, Paris. 



792 



793 



Millet, Jean Francois, 

Greville, 1814; Barbizon, 1875. 

French School. 



4 00 

4 00 

15 00 



III 



III 



G H 



G H 



II P G H 






THE GLEANERS. 










795 


Same Subject, - - - . 


4 00 




P G 


H 


796* 


Shepherdess and Flock (drawing), 


4 GO 




G 


H 


797* 


Portrait of Millet (drawing), 


4 GO 




G 


H 


798 


Feeding the Geese, 


4 OG 




P 




799 


The Fall of the Leaves, 


4 GO 




G 


H 



83 
Millet, Jean Francois — Continued. 









Price. 


Size. 


Grade. 


800* 


The New-born Lamb (drawing), 


$4 00 




P* G 


801 


Flight of Wild Geese, 


. 


4 GO 




P 


G 


802 


Fagot Gatherer, - 


_ 


4 GO 






G H 


803 


Shepherdess Resting, 


_ 


4 GO 






G H 


tt8o4* 


Feeding her Birds, - 


- 


4 GO 




P 


G 


805 


Water Carriers, - 


- 


4 OG 






G H 


806 


Peasant Girl and Cow, 


- 


4 00 




P 


G 


807 


The Sower, 


_ 


4 GO 




P 


G H 


808 


The First Step, 


_ 


4 GO 




P 




tt8o9*^ 


■ The Shepherdess, 


_ 


15 OG 




P 


G H 


810 


Same Subject, 


_ 


4 GO 




P 


G H 


811 


Millet's Garden (drawing), 


4 GO 




P 


G H 


812* 


The Winnower, 


_ 


4 OG 




P 


G H 


t8i3* 


The Angelus, Pastel, 


- 


4 GO 






G H 


814 


Italian Landscape, 
Munich Gallery. 


1 
Minet, Emile Louis 

Rouen. 

Modern. 


4 GO 






G H 


815 


Return of the Reapers, 


_ 


4 GO 


Ill 


P 


G 


816 


Raising the Nets, 


_ 


4 OG 


III 


P 


G 



Montagna, Bartolommeo, 

Orzinovi, 1450; Vicenza, 1523. 

Vknktian School. 

817 Young Musicians, - - - - 4 go III P 

Louvre, Paris. 

Moisson, Raymond, 

Meudon. 

Modern. 

818 Moonrise, - - - - - 4 og III P G H 

Moore, Henry, 

York, 1831. 

Modern. 
tt8i9** Clearing After Rain, Photogravure, ig go 20x29)^ P G H 



84 

Morgan, Fr. 
Modern. 



Price. Size. Grade. 



820 A Heavy Load, Photogravure, - - $5 00 21x14 P 

821'^ The Tired Gleaners, Photogravure, - 5 00 21x14 P 

tt822 Watching and Waiting, Photogravure, - 5 00 16x20 P 

Morland, George. 

London, 1763-1804. 

EngIvIsh School. 

823* Return to the Stable, - - - 4 00 III P* G H 

National Gallery, London, 

Moor, (Mor, or Moro) van Dashorst, Antonis. 

Utrecht, 1512; Antwerp. 1578. 

Dutch School. 

824 Portrait of Edward VI., King of England, 4 00 ' III H 

Louvre, Paris. 







Moreau, Adrien. 












Troyes, 1843. 












French School. 








825 


In Autumn, 


- 


4 GO 


III 


P G 


826 


The Drinking Pool, 


- 


4 GO 


III 


P G 



III 


P G 


H 


III 


P G 


H 


III 


G 


H 



Morion, Antoine Paul Emile. 

Sully-snr-Loire. 

Modern. 

827 Safe Ashore before the Storm, - - 4 gg 

828 Fishing Boat Tacking, - - 4 00 

829 Venetian Fishing Boats, - - - 4 go 

830 Fishing Smacks Running before Storm, 4 gg III P G 

/ 
Munier, Emile. 

Paris, (?); 1895. 

Modern. 



(child and kitten). 



831 


At the Spring, 


t832* 


Robin Redbreast, 


833 


" Kiss Me Quick 


834 


Youth, - 



4 00 


III 


P 


4 GG 


III 


P 


4 OG 


III 


P 


4 GO 


III 


P 



85 



Munthe, Ludwig. 

Aaroen, Norway, 1843. 
MODKRN. 



835 Winter, Photogravure, 



Price. 

$5 00 



Size. 



Grade. 
G H 



Murillo, Bartholome Esteban. 

Seville, 1616-168-.J. 

School of Skvii^le. 



tt836* The Immaculate Conception, 
Louvre, Paris. 



70 GO 



I* 



P G H 




THE IMMACULATE CONCEPTION 



86 



Murillo, Bartholome Esteban — Continued. 

Price. Size. 



837 
838 

tt839* 

840 
841 



Same subject, 
Same subject, 
Holy Family, 
Louvre, Paris. 
Same subject, 
Same subject. 



Grade. 



)i5 00 


II* 


P 


G 


H 


4 00 


III 


P 


G 


H 


70 00 


I* 




G 


H 


15 00 


IP 




G 


H 


4 00 


III 




G 


H 




ST. ANTHONY OF PADUA AND INFANT JESUS. 



tt842 



*>!< 



843 
844 

tt8^5** 
t846* 

847 
848* 



St. Anthony of Padua and Infant Jesus, 

Royal Museum, Berlin, 
Same subject, Photogravure, 
Same subject . . . . 

Detail of 842, 
Virgin and Infant Jesus, 

Royal Gallery, Dresden. 
Same subject, . - _ 

Detail of 846, . - . - 



15 GO 



II* 



P G H 



15 00 


24x25 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


15 00 


II 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 GO 


III 


P 


G 


H 



87 





Murillo, Bartholome Esteban- 


-Continued. 












Price. 


Size. 


( 


Srade. 


849 


Infant St. John, - . . - 
National Gallery, London. 


$4 00 


Ill 


P 






850 


Same subject, Photogravure, 


5 00 


19x14 


P 






851 


The Virgin; detail of " The Virgin with the 














Rosary," - . . . 


4 00 


III 


P 








Pitti Gallery, Florence. 












852 


Detail of "The Virgin and Infant Jesus," 
Pitti Gallery, Florence. 


4 GO 


III 


P 


G 




853 


Rebecca and Eliezar, 
Prado Museum, Madrid. 


4 00 


III 






H 


854 


Same subject, - - - . 


5 00 


13x18 






H 


tt855* 


The Divine Shepherd, 
Prado Museum, Madrid. 


15 00 


II 


P 






856 


Same subject. Photogravure, 


5 00 


i8xi4>^ 


P 






857 


Same subject, - - - - 


4 00 


III 


P 






t858* 


St. John the Baptist as a Child, 
Prado Museum, Madrid. 


4 00 


III 


P 






859 


Same subject, Photogravure, 


5 00 


17^x14^ 


P 






tt86o** 


Children of the Shell; (St. John and Jesus), 
Prado Museum. Madrid. 


15 00 


II 


p* 


G 


H 


861 


Same subject, . - . . 


4 00 


III 


P 


G 


H 


862 


Half figure of the Virgin; -detail of The 














Immaculate Conception, 


4 00 


III 




G 


H 




Prado Museum, Madrid. 












863 


Same subject. Photogravure, 


5 00 


2GXIG^ 




G 


H 


864* 


St. Joseph and Infant Jesus, 
Hermitage Museum, St. Petersburg. 


4 00 


III 


P 






865 


Flight into Egypt, - - - - 
Hermitage Museum, St. Petersburg. 


4 00 


III 


P 


G 




866 


Laughing Peasant Lad, 

Hermitage Museum, St. Petersburg. 


4 GO 


III 


P 


G 




867* 


Infant St. John the Baptist, 
Hermitage Museum. St. Petersburg. 


4 GG 


III 


P 


G 




868>f^* 


Detail of 868, - - - . 


4 GO 


III 


P* G 




869 


The Melon Eaters, - - - - 
Munich Gallery. 

Naujok, G. 
Modern. 


4 GO 


III 


P 


G 





870* St. Cecilia, Photogravure, 



5 00 



2GXI5>^ 



P G H 



88 



Neal, David. 

Lowell, Massacliiisetts, 1887. 

Modern. 



871 Oliver Cromwell visiting John Milton, 
Photogravure, 



Price. 

$5 00 



Size, 



I4>^Xl8>: 



Grade. 



G H 



Neer, Aert van der. 

Amsterdam, 1608-1677. 

Dutch School. 



872 Dutch Village by Moonlight, 
Royal Gallery, Dresden. 



4 00 



III 



G H 



Normann, Adelsteen, 

Bocloe, Norway, 1848. 

Modern Norwegian School. 



873*^ 


= Port of Bodoe, - - - 


15 00 


874 


Same subject, _ - - _ 


4 GO 


875* 


Moonlight at I^ofoden _ _ _ 


4 00 


876 


Norwegian Waters, . _ _ 


4 GO 


877 


Evening in Norway, 


4 GG 


878 


Cape North, Norway, 


4 OG 


879 


Summer Night ; Rafssund, Norway, 


4 GG 


880 


Summer Night at Lofoden, 
Salon, 1896. 


4 GG 


881 


Off the Norwegian Coast. 
Salon, 1897. 


4 GO 


882 


Sunset, Norwegian Coast ; marine. 
Salon, 1897. 

Olivie, Leon, 

Narbonne. 

Modern. 


4 GG 


883 


Anxiety, ----- 


4 GG 


884 


A Captive, 


4 GG 



II 

III 
III 
III 
III 
III 
III 
III 

III 

III 



G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 




G 


H 


G 


H 



III 
III 



885 The Philosopher, 
Museum, Bruges. 



Oost, Jacob van (the elder) 

Bruges, 1600-1671. 

Flemish School. 

4 GG 



III 



G H 



4 oo 


III 


P 


G 


H 


4 oo 


III 


P 


G 


H 


4 oo 


III 


P 


G 


H 



89 

Ostade, Adriaen van, 

Harlem, 1610-1685. 

Dutch Schooi.. 

Price. Size. Grade. 

886 Family of Adriaen van Ostade, - - $4 00 III G H 

Louvre, Paris. 

887 The Fiddler, - - - - 4 00 III P G 

Royal Museum, The Hague. 

Ostade, Isaak van, 

Harlem, 1621-1649. 

The Halt, - - - - 

L/Ouvre, Paris. 
Frozen Canal in Holland, 
Louvre, Paris. 
890 Frozen Canal in Holland, - - - 

Louvre, Paris. 



Oudry, Jean Baptiste, 

Paris, 1686; Beauvais, 1755." 

French School. 

891* Blanche ; a dog from the kennels of lyouis XV. 4 00 III P 

Louvre, Paris. 

892 Dog and Bowl, - - - - 4 00 III P 

Louvre, Paris. 

893 Mignonne and Sylvie ; dogs from the kennels 

oflvOuisXY., - - - 400 III P G 

Louvre, Paris. 



Pallik-Bela, 

MODKRN 

t894* In Mother's Keeping, Photogravure, - 5 00 20x1414^ P 

Palma, Jacopo (the younger) 

i (called II Giovine.) 
Venice, 1544-1628. 

Venetian School. 

895 Saint Margaret, - - - - 4 00 III G H 

Uffizi Gallery, Florence. 



90 



Palma, Jacopo (the elder) 

(called II Vecchio.) 
Serenalta, near Bergamo, 1480 ; Venice, 1528, 

Venetian School. 



896 The Three Sisters, - - - - 

Royal Gallery, Dresden. 
tt897** Saint Barbara; church of Santa Maria, Formosa 
Venice, - - - - 

898 Same Subject, . . . . 

899 Detail of 897. - 

900 Same Subject, . _ . . 



Price. 


Size. 


Grade. 


54 00 


Ill 


G H 


12 GO 


34x15 . 


G H 


5 00 


21x9 


G H 


12 GO 


32x23 


G H 


5 00 


21x16 


G H 



Panini, Giovanni Paolo, 

Piacenza, 1695; Rome, 1768. 

School of Rome. 



901 Interior of St. Peter's, Rome, 
Louvre, Paris. 



4 00 



III 



H 



Pearce, Charles Sprague, 

Boston, 1851. 

Modern. 

Decorations in the Library of Congress. 



902 


(0 


The Family, 


Platinum Print, 


4 50 


10x21 


G 


H 


t903* 


(2) 


Religion, 


( ( ( ( 


2 50 


7>^xi3 


G 


H 


t904^^ 


(3) 


I^abor, 


i ( c t 


2 50 


7^x13 


G 


H 


t9G5* 


(4) 


Study, 


( ( ( ( 


2 50 


7^x13 


G 


H 


t9G6* 


(5) 


Recreation, 


( i < » _ 


2 5G 


7^x13 


G 


H 


t907* 


(6) 


Rest, 


( ( ( ( 

Peel, Paul, 

London, Canada. 

Modern. 


2 5G 


7>^xi3 


G 


H 



908 An Unexpected Meeting, 



4 00 



III 



Pelouse, Leon Germain, 

Pierrelaye, ; died 1890. 

Modern. 



909 A Morning near Perrouse, 



4 00 



III 



P G H 



91 



910 A Lapful (kittens), 

911 The Reading lyesson, 



Perrault, Leon Beli: 


ze, 






Poitiers. 








Modern. 










Price. 


Size. 


Grade, 


- _ _ 


$4 00 


Ill 


P 


- 


4 00 


III 


P 


Perret, Aime, 








Lyons, 1847. 








MODKRN. 









G 


H 


G 


H 


G 


H 



912 The Shepherd, - - - - 4 00 III P G 

Perugino, Pietro, 

(Real name, Pietro di Cristoforo Vannucci,) 
Citta della Pieve, 1446-1524. 

Umbrian Schooi.. 

913 Portrait of Perugino, - - - 4 00 III 

Uffizi Gallery, Florence. 

914 Detail from "The Virgin and two Saints," 4 00 III 

Uffizi Gallery, Florence. 

9 1 5 Detail from * ' The Adoration , " - 4 00 III 

Pitti Gallery, Florence. 

Piazzetta, Giovanni Battista, 

Venice, 1682-1754. 

Venetian Schooi.. 

916* A Standard Bearer, - - - - 4 00 III P G 

Royal Gallery, Dresden. 

Piloty, Carl Theodore, 

Munich, 1826-1886 

Modern. 

917 Columbus, - - - - - 4 GO III G H 

Pinell, B., 

Modern. 

918 Adagio ----- 4 00 III G H 

Plockhorst, Bernhard, 





Brunswick. 1825. 












Modern. 










919 


Christ Blessing Little Children, 


15 00 


II 


P 


G 


920 


Same Subject, - - . . 


4 00 


III 


P 


G 


921 


Summer Delight, - - - - 


4 00 


III 


P 




922 


Madonna, . _ - _ 


4 00 


III 


P 




923 


Same Subject, - - . - 


3 00 


IV 


P 





92 



924 Old Songs, 



Poetzelberger, Robert, 

Vienna, 1856. 

Modern. 



Price. Size. Grade. 

$5 GO 13^x20 G 



Pontormo, Jacopo da, 

(Real name, Jacopo Carucci.) 
Pontormo, 1494; Florence, 1557. 

Florentink School. 



925 Portrait of a Lapidary, 
I^ouvre, Paris. 



4 00 



III 



H 



Pordenone, Bernardino Licinio. 

Early 16th Century; Died after 1541. 

Venetian School. 



926 Portrait of a Venetian Noble lyady, 
Royal Gallery, Dresden. 



4 GO 



III 



G H 



Potter, Paul. 

Enckhuysen, 1625; Amsterdam, 1654. 

Dutch School. 



927* 


The Meadow, 




Louvre, Paris. 


928 


Pasture with Cattle and Sheep, 




Royal Gallery, Dresden. 


-j-929^'!^ 


I^andscape with Animals, 




Museum, Amsterdam. 


930 


Same subject. 


931* 


Young Bull, 




Royal Museum, The Hague. 


932 


Detail of 931, 


t933 


Head of Bull from 931, 


934 


Sheep; detail of 931, 


935 


Field with Cattle, 




Royal Museum, The Hague. 


936 


Landscape, 




National Gallery, London. 


t937* 


Wolf Dog, 




Hermitage Museum, St. Petersburg. 


938 


Same subject. 


939 


Cattle Grazing, 




Cassel Gallery. 



4 00 


III 


P 


G 


H 


4 GO 


III 


P 


G 


H 


15 GG 


II 




G 


H 


4 GG 


III 




G 


H 


4 00 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 OQ 


III 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 GO 


III 


P 


G 




4 00 


III 


P 


G 


H 


15 GG 


II 


P 






4 00 


III 


P 






3 00 


IV 




G 


H 



93 
Poussin, Gaspard ; see Dughet. 

Poussin, Nicolas. 

Andelys, 1594; Rome, 1665. 

French ScHooiy. 



940 Finding of Moses, 

Ivouvre, Paris. 

941 Summer, or Ruth and Boaz, 

Louvre, Paris. 

942 Portrait of Poussin, 

IvOuvre, Paris. 

943 Portrait, Head of Poussin, 

Royal Gallery, Dresden, 

944 Theseus at Trezine, 

Uffizi Gallery, Florence. 



Price. 


Size. 


Grade. 


$4 00 




P G 


4 GO 




G 


4 00 




H 


4 GO 




P G H 


4 GG 




G H 



Pratt, Bela L. 
Modern. 



Decorations in the I^ibrary of Congress. 

945 (i) Spring, Platinum Print 

946 (2) Summer " 



int. 


2 50 


lOXIG 


G 


H 


- 


2 50 


IGXIO 


G 


H 


Prudhon, Pierre. 










Cliiny, 1758; Paris, 1823. 











French Schooi.. 



947 Portrait of the Empress Josephine, 
L/Ouvre, Paris. 



4 OG 



III 



H 



Puligo, Domenico. 

Florence, 1475-1527. 



948 Virgin, Infant Jesus, and an Angel, 

Pitti Gallery, Florence. 
949* Holy Family, . _ _ 

Pitti Gallery, Florence. 



4 00 

4 OG 



III 

III 



94 
Puvis de Chavannes, Pierre. 

Lyons, 1824; Paris, 1898. 

Modern. 



950* The Art of Pottery, 

Museum of Ceramics, Rouen. 

951 Ceramic Art, . _' _ _ 

952 Inspiration, . _ . _ 

Museum, Lyons. 

953 Portion of the Hemicycle of the Sorbonne, 

Paris. 

954 Winter, - - - - 

City Hall, Paris. 

955 Victor Hugo doing homage to the City of Paris, 4 00 

City Hall, Paris. 

956 History Invoking the Past, 

Salon, 1896. 

957 Virgil; Rural Poetry, 

Salon, i8c,6, 

958 Eschylus; Dramatic Poetry, 

Salon, 1896 

959 Homer Crowned by the Odyssey and Iliad, 

Salon, 1896. 

960 Muses welcoming the Genius of Enlighten- 

ment, Platinum Print, 
Boston Public Library. 

t96i Philosophy, Platinum Print, 
Boston Public Library. 

t962 Astronomy, Platinum Print, 

Boston Public Library. 
t963 History, Platinum Print, - - _ 

Boston Public Library. 

1964 Chemistry, Platinum Print, 
Boston Public Library. 

t965 Physics, Platinum Print, 
Boston Public Library. 

966 Pastoral Poetry, Platinum Print, 

Boston Public Library. 

967 Dramatic Poetry, Platinum Print, 

Boston Public Library. 

968 Epic Poetry, Platinum Print, 

Boston Public Library. 

969 Entire Frieze, including the preceding nine 

numbers. Platinum Print, - - 25 00 13x86 G H 

Boston Public Library. 



Price. 


Size, 


Grade. 


$4 00 


III 


G 


H 


4 00 . 


III 


G 


H 


4 GO 


III 


G 


H 


4 00 


III 




H 


4 00 


III 


G 


H 


, 4 GO 


III 




H 


4 GO 


III 




H 


4 GO 


III 




H 


4 OG 


III 




H 


4 OG 


III 




H 


9 GO 


12x38 


G 


H 


2 GG 


6x13 


G 


H 


2 GG 


6x13 


G 


H 


2 GG 


6x13 


G 


H 


2 GO 


6x13 


G 


H 


2 GG 


6x13 ' 


G 


H 


2 GG 


6x13 


G 


H 


2 00 


6x13 


G 


H 


$2 GG 


6x13 


G 


H 



95 
Pyle, Howard, 

Wilmington. Del., 1853. 

Modern. 



Price. Size. Grade. 



I4>^xi8 


G 


I4>^xi8 


G 


10x13 


G 


10x13 


G 


10x13 


G 


10x13 


G 


10x13 


G 


10x13 


G 



ff97o They Read Only on Occasion.s, Platinum Print, 5 00 

971 Washington in His Garden, " " 5 00 

972 The Capitol at Williamsburg, " " 2 00 

973 The Retreat from Great Meadows '' " 2 00 

974 The Old Raleigh Tavern, " " 2 00 

975 Washington Leaving Mt. Vernon, " ** 2 00 

976 Washington and Steuben at Valley Forge, 

Platinum Print, - - - - 2 00 

977 Escape of Arnold, Platinum Print, - 2 00 

978 Washington Escorting his Mother to the Ball- 

room at Fredericksburg, Platinum Print, 2 00 10x13 G 

979 The Clerk of Congress Announcing to Wash- 

ington his Election to the Presidency, 

Platinum Print, - - - 2 00 10x13 G 

980 Washington and Mary Phillipse, Platinum 

Print, - - - - - 2 00 10x13 G 

Rambaud, Antonin, 

Lyons. 

Modern. 

981 Sunset, - - - - - 4 00 III G H 

Salon, 1894. 

Raphael Sanzio (Raffaello Santi), 

Urbino, 1483: Rome, 1520. 

ScHooiy OF Rome. 

982 St. Michael and the Dragon, 

Louvre, Paris. 

983 Portrait of Balthazar Castiglione, 

Louvre, Paris. 

984 Same subject, . _ _ . 



4 00 


III 


G 


H 


15 00 


II 




H 


4 00 


III 




H 



96 
Raphael Sanzio (Raffaello Santi)— Continued. 

Price. Size. Grade. 

985 Head of Balthazer Castiglione; detail of 983, $4. 00 III H 

986 Portrait of a Young Man, - - - 4 00 III G H 

IvOuvre, Paris. 

987 Portrait of Jeanne of Aragon, - - 4 00 III H 

Louvre, Paris. 



988 


Portraits of Men, - - _ . 
Louvre, Paris. 


4 00 


III 






H 


tt989** 


Sistine Madonna, - _ - 
Royal Gallery, Dresden. 


60 00 


I*>i^ 


P 


G 


H 


990 


Same subject, _ . _ _ 


50 GO 


46x33^ 


P 


G 


H 


991 


Same subject, - - _ . 


15 GO 


II* 


P 


G 


H 


992 


Same subject, - - 


4 00 


III 


P 


G 


H 


993 


Same subject, Photogravure, 


15 GG 


35x25^ 


P 


G 


H 


tt994** 


Detail of 989; Virgin and Child, three-quarter 
size, - - - _ _ 


6g OG 


I 


P 


G 


H 


995 


Same subject, - - - - 


15 GO 


II* 


P 


G 


H 


996 


Same subject, . _ - - 


4 00 


III 


P 


G 


H 


997 


Same subject, Photogravure, 


15 GG 


35x28 


P 


G 


H 


998 


Detail of 989; Saint Sixtus, 


4 00 


III 




G 


H 


999 


Detail of 989; Saint Barbara, 


4 GG 


III 




G 


H 


tlOOO'^^ 


Detail of 989; The Cherubs, 


4 OG 


III 


P^< 


■ G 




ttioor!^ 


Portion of 989; Virgin and Child, full size, 


15 OG 


II 


P 


G 


H 


1002 


Same subject, - - - - 


4 00 


III 


P 


G 


H 


1003 


Pope Julius II. - 
National Gallery, London. 


4 00 


III 




G 


H 


1004 


Saint Catharine of Alexandria, 
National Gallery, London. 


4 GG 


III 




G 


H 


1005 


Vision of a Knight, 
National Gallery, London. 


4 00 


III 




G 


H 


1006 


Madonna of the Candelabra, 
National Gallery, London. 


4 GO 


III 




G 


H 


tioo7* 


Portrait of Raphael, - - - 
Uffizi Gallery, Florence. 


4 00 


III 




G 


H 


1008* 


Portrait of the Fornarina, 
Uffizi Gallery, Florence. 


4 00 


III 




G 


H 


1009 


Madonna of the Well, - 
Uffizi Gallery, Florence. 


15 00 


II 


P 


G 





97 
Raphael Sanzio (Raffaello Santi) — Continued. 

Price. Size. Grade. 

loio Same subject, - - - - $4 oo III P G . 

loii* Detail of 1009, - - - - 4 00 III P G 

1012 St. John in the Desert, - - - 4 00 III G H 

Uffizi Gallery, Florence. 

1013* Detail from "The Madonna of the Goldfinch," 4 00 III P* G H 

Uffizi Gallery, Florence. 

tt 101 4** Madonna of the Chair, - - - 15 00 II P G H 

Pitti Gallery, Florence. 

1015 Same subject, - - - - 4 00 III P G H 

1 01 6 Same subject, Photogravure, - - 5 00 16)^ diam. P G H 

1017** Detail of 1014, - - - - 4 00 III P G 

tfioiS*^ Madonna del Granduca, - - - 15 00 II P* G 

Pitti Gallery, Florence. 

1019 Same subject, - - - - 4 00 III P G 

1020* Madonna and Child; detail of " The Madonna 

diFoligno," - - - - 4 00 III P G H 

Gallery of the Vatican, Rome. 

102 1* Transfiguration, - - - - 4 00 III G H 

Gallery of the Vatican, Rome. 

1022 Fresco from the Farnese Gallery; the gods 
assembled to listen to the prayers of lyOve 

and the complaints of Venus; right side, 4 00 III G H 

Farnese Gallery, Rome. 

ti023>i^ The Madonna of the Fish, - - 15 00 II P G H 

Prado Museum, Madrid. 

1024 Same subject, _ _ - 

1025 Same subject, 

1026 Detail of 1023, 

1027 Same subject, _ _ _ _ 

1028 Detail of "The Visitation," - 

Prado Museum, Madrid. 

1029 Madonna di Tempi, _ _ _ 

Munich Gallery. 

1030 Madonna della Tenda, 

Munich Gallery, 

1 03 1 Same subject, - _ . _ 

11032 St. Cecilia, - - _ - 

Bologna Gallery. 
1033 Same subject, - - - - 4 00 III G H 



4 GO 


III 


p 


G 


H 


5 00 


20x15 


p 


G 


H 


15 GO 


II 


p 


G 


H 


4 GG 


III 


p 


G 


H 


4 GG 


III 




G 


H 


3 GO 


IV 


p 






4 GO 


III 


p 






3 GG 


IV 


p 






IG GO 


II>^ 




G 


H 



Rapin, Alexander. 

Noroy-le-Bourg, 1840-1889. 

Modern. 





Price. 


Size. 


Grade. 


1034 


Morning on the Banks of the Doubs, - $4 00 
Ravanne, Leon Gustave. 

Meulan. 

Modern. 


Ill 


G H 


T035 


Return from the Sea, - - 4 00 


III 


G H 


1036 


Letting go the Anchor, - - - 4 00 
Salon, 1894. 


III 


G 



Regnault, Alexandre Georges Henri. 

Paris, 1843-1871. 

Modern. 

1037 Horses of Achilles, Platinum Print, - 5 00 14^x18 G H 

Art Museum, Boston. 

Rembrandt van Ryn. 

Leyden, 1607; Amsterdam, 1669. 

Dutch School. 

1038 The Good Samaritan, 

Louvre, Paris. 

1039 St. Matthew, - . . 

Louvre, Paris. 

1040 Portrait of a Woman, 

Louvre, Paris. 

1 04 1 Portrait of Rembrandt, 

Royal Museum, Berlin. 

1042 Same subject. Photogravure, 

1043 Portrait of Saskia, wife of Rembrandt, 

Royal Gallery, Dresden. 

1044 Same subject, Photogravure, 



4 GO 


III 




P 


G 




4 00 


III 






G 


H 


4 GO 


III 








H 


4 00 


III 






G 


H 


5 OG 


i8>^xi5 






G 


H 


4 GG 


III 






G 


H 


5 00 


i6i^xi 


3}^ 




G 


H 








v. 







99 



Rembrandt van Ryn — Continued. 



1045 Portrait of Saskia, wife of Rembrandt, 

Royal Gallery, Dresden. 

1046 Detail of 1045; head, 

1047 Portrait of an Old Woman Weighing Gold, 

Royal Gallery, Dresden. 

1048 Portrait of a Young Man Wearing a Cuirass, 

Royal Gallery, Dresden. 

tti049 Head of an Old Man, 

Royal Gallery, Dresden. 

1050 Same subject, Photogravure, 

1 05 1 Portrait of a Man, 

Royal Gallery, Dresden. 

1052 Same Subject, Photogravure, 

tt 1053** The Night Watch, 

Museum, Amsterdam. 

1054 Same subject, 

1055 Same subject, _ - _ _ 

1056** Detail of 1053, 

ti057* The Syndics of the Drapers, 1661, 
Museum, Amsterdam. 

1058 Same subject, _ _ _ 

1059 Same subject, _ _ _ _ 

1060* Detail of 1057, 

1 06 1* Portrait of Rembrandt as an Officer, 
Royal Museum, The Hague. 

1062 Portrait of a Lady, 
Museum, Antwerp. 

ft 1063** Portrait of Rembrandt at the age of thirty- 
three years, - - - - 
National Gallery, London. 

1064 Same subject, 

1065 Same subject. Photogravure, 

1066 Detail of 1063, 

1067 St. Paul, - - - - 

Imperial Museum, Vienna. 

1068 Portrait; Mother of Rembrandt, 

Imperial Museum, Vienna. 



Price. 


Size. 




Grade. 


$4 00 


Ill 




G 


H 


4 00 


III 




G 


H 


4 00 


III 




G 


H 


4 00 


III 




G 


H 


4 00 


III 




G 


H 


5 00 


i8%xi4 


% 


G 


H 


4 00 


III 




G 


H 


5 00 


i6>^xi3 


Va 


G 


H 


70 GO 


I* 




G 




15 00 


II* 




G 


H 


4 GO 


III 




G 


H 


4 00 


III 




G 


H 


7G 00 


I* 




G 


H 


15 GO 


II* 




G 


H 


4 00 


III 




G 


H 


4 GO 


III 




G 


H 


4 GG 


III 




G 


H 



4 OG 



15 OG 



III 



II 



G H 



G H 



4 00 


III 


G 


H 


5 00 


III 


G 


H 


4 GO 


III 


G 


H 


4 GG 


III 




H 



4 GO 



III 



H 



Ltfa 
P 



loo 



Rembrandt van Ryn — Continued. 



Price. 



Size. 



Grade. 



1069* Portrait of Rembrandt, - - - $4 00 

Pitti Gallery, Florence. 

1070 Queen Artemisia receiving the urn contain- 

ing the ashes of her husband, - 15 00 

Prado Museum, Madrid. 

1071 Same subject, _ _ _ . 

1072 Same subject, Photogravure, 

1073* Abraham and the Angels, 

Hermitage Museum, St. Petersburg. 

1074 Same Subject, Photogravure, 

1075 The Holy Family, 

Hermitage Museum, St. Petersburg. 

1076 Same Subject, Photogravure, - 

1077 Mother of Rembrandt, 

Hermitage Museum, St. Petersburg. 

tio78* Seated Figure; Mother of Rembrandt, 15 00 

Hermitage Museum, St. Petersburg. 

1079 Same Subject, - - - - 

1080* Detail of 1078, - - - - 

108 1* Portrait of a Man Wearing Fur Cap ; sup- 
posed to be Sobieski, King of Poland, 15 00 
Hermitage Museum, St. Petersburg. 

1082 Same Subject, - - - - 4 00 

1083 Same Subject, Photogravure, - 

1084 Portrait of Govaert Flink, - - 3 00 

Munich Gallery. 



Ill 



II 



II 



4 00 III 

4 00 III 



II 



III 



G H 



H 



4 00 


III 






H 


5 00 


15x16^ 






H 


4 00 


III 


P 


G 


H 


5 00 


i4M^xi9 


P 


G 


H 


4 00 


III 


P 


G 


H 


5 00 


I7>^xi3>^ 


P 


G 


H 


4 00 


III 






H 



IV 



G H 

G H 

G H 

G H 

G H 

G H 

G H 



Reni; see Guide Reni. 
Renouf, Emile, 

Paris, 1845-1894. 

Modern. 



1085* Morning Mist, 

Luxembourg Gallery, Paris. 



4 00 



III 



G H 



lOI 



Reynolds, Sir Joshua, 

Plympton, 1723; London, 1792. 

English School. 



ft 1086* Samuel at Prayer, . _ . 

National Gallery, London. 

tfioSy* Heads of Angels, 

National Gallery, London. 

ft 1088* The Age of Innocence, 
National Gallery, London. 

1089 Portrait of Dr. Samuel Johnson, 
National Gallery, London. 

1090* Portrait of the Duchess of Gloucester as a 
Child. ----- 

Windsor Gallery. 

1 09 1 Portrait of Reynolds. 
Ufl&izi Gallery, Florence. 



Price. 

^4 00 
4 00 

4 GO 

4 00 

4 00 
2 00 



Size. 

Ill 

III 
III 
III 

III 
IV 



Grade. 



G 
G 



H 



G H 



1092 Diogenes with his lyantern 

Royal Gallery, Dresden. 

1093 St. Francis of Paulus. 

Hermitage Museum, St. Petersburg 



Ribera, Jose de, 








(Called 11 Spagnoletto.) 








Jativa. near Valencia, 1588-1656. 








School of Valencia. 








itern. - - 4 00 


III 


G 


H 


4 GO 


III 


G 


H 



Richmond, George, 

Mod:^rn. 

1094 Portrait of William Hickling Prescott, Photo- 
gravure. - - - - - 4 GO 



13x16 



G H 



Richter, Gustave, 

Berlin, 1823-1884. 

Modern Gkrman School. 



ft 1095** Queen I^ouise, Photogravure. 
1G96 Same Subject, Photograph. 
tiG97* Queen lyouise, head, Photograph. 



15 GO 


34x21 


G 


H 


15 GG 


II 


G 


H 


4 GO 


III 


G 


H 



I02 

Riecke, George, 

ShelDoygan, Wis., 1848. 

Modern. 

Price. Size. Grade. 

fiogS Sunset Glow, Platinum Print. - - $5 oo 14^x18 P G H 

1099 Waiting for Breakfast, Platinum Print. 2 00 10x13 ^ 

iioo Sheep and Fowl, " " - 2 00 10x13 P G 

iioi Sheep in Pasture, ** " - 2 00 10x13 P G 

Rieder, Marcel, 

Thann. 

Modern. 

1 102 Dante Weeping for Beatrice. - - 4 00 III H 

Salon, 1894. 

Robert, Hubert, 

Paris, 1733-1808. 

French School. 

1 103 The Portico of Octavia at Rome, now a fish 

market. - - - - 4 00 III H 

Louvre, Paris. 

Robusti; see Tintoretto. 



oedig, M., 








Modern. 








- 


5 00 


20x16 


H 


- 


5 00 


16x20^ 


H 


- 


5 00 


i9>^xi5>^ 


H 


- 


5 00 


I9>4xi5>^ 


H 



1104^-!^ Beethoven, Photogravure. 

1 105** Mozart, " 

1 106* Schiller, 

1 107* Goethe, " 

Rosa, Salvator. 

Near Naples, 161.5-1673. 

Naturalist. 

1 108 Portrait of a Poet, - - - 4 00 III H 

Hermitage Museum, St. Petersburg. 

Rossetti, Dante Gabriel. 

London, 1828-1882. 

Modern. 

1 109 Dante's Dream, Photogravure, - 12 00 20x28 >^ H 



I03 



fiiio* 
iiii 

III2 



Louvre, Paris. 
Same subject, 
Marshes, 

Ivouvre, Paris. 



Rousseau, Theodore. 






Paris, 1812; Barbizon, 1867. 






Frknch Schooi.. 






Price. 


Size. 


Grade. 


-u at Sunset, - $15 oo 


II 


G H 


4 00 


III 


G H 


4 00 


III 


G H 



Rubens, Peter Paul. 

Siegen, 1577 ; Antwerp, 1640. 

Flkmish School. 




f 



^*«5^; 



W^: 



K 






A STUDY, 



^Sf. - /Si ». «. 



I04 



Rubens, Peter Paul — Continued. 

Price. 

1 1 13 Portrait of Elizabeth of France, Daughter 
of Henry IV., 

Louvre, Paris. 

11114"^ King David Playing the Harp, 
Stadel Museum, Frankfort. 

1115^ Portrait of a Child, 

Stadel Museum, Frankfort. 

tfi 1 16** Child with Bird, 

Royal Museum, Berlin. 
1 1 17 St. Cecilia, _ - . _ 

Royal Museum, Berlin. 



Size. 



Grade. 



$4 00 








H 


4 00 






G 


H 


4 00 




P 






4 00 




P 






4. 00 




P 


G 


H 




DRAPED FEMALE FIGURE. 



Size. 


Grade. 


II 


G H 


III 


G H 


III 


G H 


III 


G H 



105 

Rubens, Peter Paul — Continued. 

Price. 

fiiiS* Portraits of the two Sons of Rubens, - $15 00 

Royal Gallery, Dresden. 

II 19 Same subject, - - - - 4 00 

1120* Detail of 1118, - - - - 4 00 

1 12 1 Portrait of a Man, - - - 4 00 

Royal Gallery, Dresden. 

1 1 22 Woman and Child, - - - 4 00 III • G H 

Royal Gallery, Dresden. 

1 1 23* An old Man, - - _ - 400 III G H* 

Royal Gallery, Dresden. 

1 1 24* Departure of the Lictors; Detail of " Death 

of the Consul Decius Mus," - - 4 00 III H 

Ivichtenstein Gallery, Vienna. 

1 1 25 Wife of Rubens, - - - 4 00 III H 

Van der Hoop Collection, Amsterdam. 

1 126* Portrait of Anna Maria, Archduchess of 

Austria, - - - - 15 00 II G H 

Van der Hoop Collection, Amsterdam. 

11 27 Same subject, - - - - 

1 1 28 Portrait of Helen Fourment, wife of Rubens, 

Royal Museum, The Hague. 

1 1 29 The Falconer, - - . - 

Buckingham Palace, London. 

tii30* Portrait of Rubens, - _ _ 

Windsor Gallery. 

1 131 Portrait of Helen Fourment, wife of Rubens, 
Uffizi Gallery, Florence. 

1 132* Portrait of Rubens, with hat, - - 400 III G H 

Uffizi Gallery, Florence. 

tii33* Holy Family, - - - - 15 00 II P G H 

Pitti Gallery, Florence. 

1 134 Same subject, - - - - 4 00 III P G H 

1 135 The Visitation, - - - - 4 00 III G H 

Borghese Gallery, Rome. 

1 136 Portrait of Marie de Medici, Regent of France, 400 III H 

Prado Museum, Madrid. 

1 1 37 Payment of the Tithes, - - 400 III G H 

Prado Museum, Madrid. 

1 138* Helen Fourment, wife of Rubens, - 15 00 II G H 

Hermitage Museum, St. Petersburg. 



4 ©0 




G 


H 


4 00 




G 


H 


4 00 




G 


H 


4 GO 






H 


4 00 




G 


H 



io6 
Rubens, Peter Paul — Continued. 

Price. Size. Grade. 

1 139 Same subject, - - - - $4 00 III G H 

1 140 Same subject, Photogravure, - - 5 00 20^x9^^ G H 

1 141 Detail of 1 138, - . _ 400 III G H 

1 142 Philip IV. King of Spain, - - 4 00 III G H 

Hermitage Museum, St. Petersburg. 

1 143 Elizabeth . of France, Queen of Spain, 4 00 III G H 

Hermitage Museum, St. Petersburg. 

1 144 Landscape with Rainbow, - - 4 00 III G H 

Munich Gallery. 



Ruysdael, Jacob van, 

Harlem, 1628 or 1639—1682. 

Dutch School. 

1 145 The Forest, - - - - 4 00 III G H 

L/Ouvre, Paris. 

1 146 A Storm on the Dykes of Holland, - 400 III G H 

IvOuvre, Paris. 

1 147 Landscape, - - - - 4 00 III G H 

Stadel Museum, Frankfort. 

1 148 Cathedral Square, Amsterdam, - 4 00 III G H 

Royal Museum, Berlin. 

ttii49* Forest of Oaks, - - - - 15 00 II G H 

Royal Museum, Berlin. 

1 150 Same subject, - - - - 

ttii5i* The Hunt, .... 

Royal Gallery, Dresden. 

1 152 Same subject, .... 

1 153 Same subject, _ . _ . 

1 154 The Torrent, 

Museum, Amsterdam. 

1 155* Landscape, - - - - 15 00 II G H 

Van der Hoop Collection, Amsterdam. 

1 156 Same subject, - - - - 4 00 III G H 

1 1 57 View of a River, - - - - 4 00 III P G H 

Van der Hoop Collection, Amsterdam. 

1 158 Landscape with Waterfall, - - 400 III P G H 

National Gallery, London. 



4 00 


111 


G 


H 


70 00 


I 


G 


H 


15 00 


II 


G 


H 


4 GO 


III 


G 


H 


4 00 


III 


G 


H 



I07 
Ruysdael, Jacob van — Continued. 



1 1 59 Landscape with Cascade, - 

National Gallery, London. 

1 1 60 A Forest, 

National Gallery, London. 

1 161 Windmill, 

Buckingham Palace, London, 
fi 162* The Great Forest, 

Imperial Museum, Vienna. 

1 163 Same subject, 

1 1 64 Landscape After Rain, 

Uffizi Gallery, Florence. 

1 165 Landscape, 

Hermitage Museum, St. Petersburg. 

1 166 A Forest, 

Hermitage Museum, St. Petersburg. 
tii67* The Marsh, 

Hermitage Museum, St. Petersburg. 
IT 68 Same subject, 
1 1 69 Same subject, 



Price. 


Size. 


( 


Grad( 


a 


$4 GO 


Ill 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 




G 


H 


15 00 


II 


P 


G 


H 


4 00 


III 


P 


G 


H 


4 00 


III 




G 


H 


4 00 


III 




G 


H 


4 00 


III 




G 


H 


30 00 


I 




G 


H 


15 00 


II 




G 


H 


4 00 


III 




G 


H 



Ruysdael, Saloman van, 

Harlem, 1600(?)— 1670. 



1 1 70 

II7I 


View of Moerdyck, _ . _ 
Stadel Museum, Frankfort. 
Landscape; Hunting Scene and Well, 
Munich Gallery. 

Ryland, H. 
Modern. 


4 00 
3 00 


III 
IV 


G 
G 


H 
H 


II72 
II73 


Alcyone, - - . - - 
Same subject, - - - - 


4 00 
3 00 


III 
IV 


G 
G 


H 
H 



Salvi ; see Sassaferrato. 
Sandham, Henry, 

Montreal, Canada, 1842. 

Modern. 
ttii74 The Battle of Lexington, Platinum Print, 500 14^x18 GH 

Santi ; see Raphael. 

Sanzio ; see Raphael. 



II75 



1176 



II77 



io8 
Sargent, John, 

Florence, 1856. 
MODKRN. 




HOSEA. 



Portion of the Frieze of the Prophets ; left 
wing. Platinum Print, 
Boston Public Library. 
Portion of the Frieze of the Prophets ; 
central group. Platinum Print, - 
Boston Public Library. 
Portion of the Frieze of the Prophets ; right 
wing. Platinum Print, - 
Boston Public Library, 
ft 1 178 Frieze of the Prophets; entire. Platinum 
Print, ----- 

Boston Public Library. 
ttii79 Hosea; head. Platinum Print, 
Boston Public Library. 
1 1 80 The Children of Israel, Platinum Print, - 
Boston Public Library. 



Price. 

$2 GO 

5 00 

2 GO 
9 GG 

5 00 

3 00 



Size. 



Grade. 



IGXI2 G H 



IGX30 G H 



IGX12 



G H 



1GX54 G H 

i6x2G G H 

8>^xi3 G H 



I09 



Sarto, Andrea del, 

Florence, 1487—1531. 
Fl^ORENTlNK SCHOOI.. 



1181 Holy Family, . . . - 

Louvre, Paris. 

1 182 Holy Family, - - - - 

National Gallery, London. 
tri83* Portrait of Del Sarto, 

National Gallery, London. 

1 184 Same subject. Photogravure, - 

1 185 Portrait of Del Sarto, in middle life, 

Uffizi Gallery, Florence. 

1186 Virgin and Infant Jesus, 

Uffizi Gallery, Florence. 

1 187 Portrait of a Young Man, 

Uffizi Gallery, Florence. 

1 1 88 Portrait of Andrea del Sarto, as a young man, 

Uffizi Gallery, Florence. 

1 189 Holy Family, - - - - 

Pitti Gallery, Florence, 
fiigo* Saint John the Baptist, 
Pitti Gallery, Florence. 

1 191 Holy Family. _ - - 

Barberina Gallery, Rome. 

1 192 Portrait of the Wife of Artist, 

Prado Museum, Madrid. 
1 193* Holy Family, with Saint Catherine, Saint 
Elizabeth, and little Saint John, 
Hermitage Musuem, St. Petersburg. 



Price. 


Size. 


Grade. 


f4 00 


Ill 


P 




4 GO 


III 


P 


G H 


4 00 


III 




G H 


5 00 


19x14 




G H 


4 00 


III 




G H 


4 00 


III 


P 


G H 


4 00 


III 




G H 


4 00 


III 




G H 


4 00 


III 


p* 


G 


4 GO 


III 




G H 


4 GG 


III 


P 




4 OG 


III 




H 



4 00 



III 



P G H 



Sassoferrato, II. 

(Real name, Giovanni Battista Salvi.) 
Sassoferrato, 1605; Rome, 1685. 

Roman Schooi.. 

1 1 94 Slumber of the Infant Jesus, - - 40c 

Louvre, Paris. 

1 1 95 Virgin and Infant Jesus, surrounded by heads 

cherubs, - - - - - 4 00 

Royal Gallery, Dresden. 



Ill 



III 



P G 







Scannel, Edith, 












MODKRN. 








196 


Little Eve, 


- 


4 GG 


III 


P 


197 


Same Subject, 


- 


3 00 


IV 


P 



TIO 



Scheffer, Ary, 

Dordrecht, 1795 ; Paris, 1858. 

French School. 



Price. 



1 1 98 St. Augustine and his Mother, St. Monica, $15 00 

Louvre, Paris. 

1 199 Same Subject, - - - - 4 00 



Size. 
II 

III 



Grade. 
G H 

G H 



1 2 GO Contempl a tion , 



Schikaneder, J., 
Modern. 



4 00 



III 



G H 



Schmidt, Max, 

Berlin, 1818 

Modern. 



1 201 The Forest, Photograph, 

1202 Forest Scene, Photogravure, 

1203 Marine, " 

1204 Landscape, " 



4 00 III P G H 

5 00 14x19^^ P G H 
5 00 14x20 P G H 
5 00 16x2214: P G H 



Schreyer, Adolphe, 

Frankfort-on-the-Main, 1828. 

German School. 

1205 Halt at the Fountain, Platinum Print, 

Museum of Fine Arts, Boston. 

1206 Same Subject, Platinum Print, 



2 00 



15 00 



9x13 
20x35 



G H 
G H 



Schuller, C, 
German School. 
ti207 Guarder of the Geese, Photogravure, - 5 00 14^x18 P G 



Schultze, C, 

Dusseldorf. 

Modern German School. 
1208 Landscape with Hill : Eifel Mountains, Pho- 



togravure, 



5 00 14x21 P G H 



Ill 





Seifert, A., 






Munich. 






Modern German School. 






Price. 


Size. 


209 

2[0 


Hypatia, Photograph, - - - $4 00 
The White Dove, - - - 4 00 


18^x14^ 
III 



Grade. 



P G 



H 



Shirlaw, Walter L., 

Paisley, Scotland, 1837. 

Modern. 



121 1 Botany, Platinum Print, 

Decoration in the Library of Congress, 



I 50 



5x13 



G H 



1212 
1213 



Pandora, 
Same subject. 



Sichel, Nathaniel, 

Mentz, 1844. 

Modern German School. 



12 14 Consolation in Music, 



4 00 


III 


G 


H 


3 00 


IV 


G 


H 


4 GO 


III 


G 


H 



Simmons, Edward, 

Concord, Mass., 1852. 

Modern. 

THE MUSES. 
Decoration in the Library of Congress. 



I2I5 


(O 


Melpomene, 


Platinum Print, 


2 50 


7>^xi3 


G 


H 


I2I6 


(2) 


Clio, 


( ( 




2 50 


7^x13 


G 


H 


I2I7 


(3) 


Euterpe, 


( ( 




2 50 


7>^xi3 


G 


H 


I2I8 


(4) 


Terpsichore, 


*' 


" 


2 50 


7>^xi3 


G 


H 


I2I9 


(5) 


Polyhymnia, 


( ( 




2 50 


7>^xT3 


G 


H 


1220 


(6) 


Urania, 


" 


" 


2 50 


7>^xi3 


G 


H 


I22I 


(7) 


Calliope, 


*' 




2 50 


7>^xi3 


G 


H 


1222 


(8) 


The Fates, 


<i 


" 


3 00 


12x10 


G 


H 



Smith-Hald, Frithiof, 

Christiansand. 

Modern. 
1223 Morning at Christiana Fiord, - - 4 00 



III 



P G H 



112 



Sodoma, II., 

(Real name, Giovanni Antonio de Bazzi.) 
Vercelli, 1477-1549. 

SiENNKSE School. 

Price. 

1224 Family of Darius before Alexander; central 

part, - - - - - $4 00 

Farnese Gallery, Rome. 

1225 Madonna with St. Joseph and Jesus, - 3 00 

Munich Gallery. 



Size. 

Ill 
IV 



Grade. 



H 



P G 



Somerscales, T., 

MODKRN. 

1226 Volunteers for a Boat's Crew, Photogravure, 1000 

Spagnoletto; see Ribera. 



i5>^x28^ G H 



1227 Psalm 100, 



Spatz, W., 
Modern. 



4 00 



III 



G H 



Sperling, H. 

Berlin. 

Modern. 



ti228* Reveries, Photograph, 
ft 1 229* Saved, Photogravure, 



4 GO 

5 00 



Copyright, 1893, by Photographische Gesellschaft. 



Ill P 

15x20^ P 




SAVED. 



230 The Drawing Lesson, 
Museum, Amsterdam. 



113 








Steen, Jan, 








Ley den, 1626-1679. 








Dutch Schooi.. 










Price. 


Size. 


Grade 


- 


$4 00 


Ill 


P* G 



Stengelin, Alphonse, 










Lyons. 










Modern. 










- 


4 GO 


III 


G 


H 


hSea, - 


4 00 


III 


G 


H 


- 


4 00 


III 


G 


H 


- 


4 GO 


III 


G 


H 



1 23 1 Clearing up, 
Salon, 1896. 
ti232* Moonlight on the North Sea 
Salon, 1896. 

1233 Autumn Sunshine, 

Salon, 1897. 

1234 Sunset, 

Salon, 1897. 



St. Pierre, Gaston Casimir, 

Nimes. 

French School. 

1235 Two Fast Friends (child and hound), - 4 00 III P 

Salon, 1897. 

Strudwick, J. M., 

Clapham, 1849. 

Modern. 

1236 Elaine Watching the Shield of Lancelot, Pho- 

togravure, - - - - 5 00 21x15 G H 

1237 Same subject, Photograph, - - 4 00 III G H 

1238 Golden Strings, Photogravure, - 5 00 19)^x10 GH 

Strutt, A. W. 
Modern. 

1239 '' Live and Let Live," Photogravure, - 5 00 14x20 P 



14 



Stuart, Gilbert, 

Narragansett. Rhode Island, 1755: Boston, 1828. 

Modern. 



tl240** 



George Washington, Photogravure, 
Museum of Fine Arts, Boston 

tti24i^* Same subject, Platinum Print, 

1242** Martha Washington, Photogravure, - 
Museum of Fine Arts, Boston. 

tti243** Same subject. Platinum Print, 

1244 Washington at Dorchester Heights, Platinum 

Print, _ _ - _ 

Museum of Fine Arts, Boston. 

1245 Thomas Jefferson, Photogravure, 

Bowdoin College, Brunswick, Maine. 

1246 John Jay, Photogravure, 

1247 James Madison, Photogravure, 

Bowdoin College, Brunswick, Maine. 

ft 1 248 Paul Revere, Platinum Print, 



Price. 


Size. 




Grade. 


$5 00 


14)^x18 


p 


G 


H 


5 00 


16x20 


p 


G 


H 


5 00 


I4>^xi8 


p 


G 


H 


5 00 


16x20 


p 


G 


H 


4 00 


12x19 


p 


G 


H 


5 00 


l6>^X20 




G 


H 


5 00 


I6%'X20 




G 


H 


5 00 


16^x20 




G 


H 



5 00 I4>^xi8 



G H 



1249 



Sustermans, Justus, 

Antwerp, 1597—168!. 

Flemish School. 



Portrait of Galileo, 
Uffizi Gallery, Florence. 



4 00 



III 



G H 



Teniers, David (the son), 

Antwerp, 1610; Brussels. 1690. 

Flemish School. 



1250 The Guardhouse, - 

Royal Gallery, Dresden. 

125 1 A Village Fair, 

Royal Gallery, Dresden. 



4 GO 
4 GO 



Terburg, Gerard, 

Zwolle, 1617; Deventer, 1681. 

Dutch School. 

1252 The Messenger; an officer writing an order 

for his trumpeter to execute, - - 4 gg 

Royal Gallery, Dresden. 

Thayer, Abbott, 



ft 1 253 Caritas, Platinum Print, 
Museum of Fine Arts, Boston. 

1254 Brother and Sister, Platinum Print 

1255 Winged Figure, " 



III 
III 



III 



G H 
P G H 



G H 



Boston, 1849. 










MODBRN. 










- 


5 00 


I6X2G 


G 


H 


Print, - 


6 GO 


2IXl6>^ 


G 


H 


I i 


6 00 


2IXl6>^ 


G 


H 



115 





Thumann, Paul, 








Tschacksdorf, 1834. 








Modern German School. 








Price. 


Size. 


Grade. 


256 


Art Wins the Heart, Photogravure, - $5 00 


20x15 


G H 


257 


Fides, - - - - 4 GO 


III 


G H 



4 00 


III 


G 


H 


4 00 


III 




H 


4 00 


III 


G 


H 



Tintoretto, II, 

(Real name, Jacopo Robusti.) 
Venice, 1519—1594. 

Venetian School. 

1258 Portrait of Tintoretto, 

Louvre, Paris. 

1259 The Doge, Marc Antonio Trevisani, 

Stadel Museum, Frankfort. 

1260* The Marriage at Cana, - - - 

Uffizi Gallery, Florence. 

Titi, Tiberio, 

Florence (?) 1612. 

Florentine School. 

1 26 1 Portrait of Cardinal I^eopold de Medici, as a 

Child, - - - - - 4 00 III 

Pitti Gallery, Florence. 

Titian or Tiziano. 

(Real name, Tiziano Vecelli.) 
Pieve di Cadore, 1477; Venice, 1576. 

Venetian School. 

1262 Holy Family, . _ _ - 

Louvre, Paris. 

1263 Portrait of Francis I., 

Louvre, Paris. 

1264 Alphonse and I^aura, _ _ . 

Louvre, Paris. 

1265 The Man with the Glove, 

Louvre, Paris. 

1266* Portrait of a Daughter of Robert Strozzi, 
Royal Museum, Berlin. 

1267* Detail of 1266, _ _ . 

1268 Portrait of Lavinia, daughter of the artist, 
Royal Museum, Berlin. 
tti269 Portrait of Titian, 

Royal Museum, Berlin. 

ti27o** The Tribute Money, 
Royal Gallery, Dresden. 

1 27 1 Same subject. Photogravure, 



4 00 


III 




P 






4 00 


III 








H 


4 00 


III 








H 


4 00 


III 








H 


4 00 


III 




P 


G 


H 


4 00 


III 




P 


G 


H 


4 00 


III 






G 


H 


4 00 


III 






G 


H 


4 00 


III 








H 


5 00 


25^x19 


•^ 






H 



G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 



ii6 

Titian or Tiziano — Continued. 

Price. Size. Grade. 

1272 Detail, St. Magdalen and St. Jerome, from 

** The Virgin and Infant Jesus," - $4 00 III 

Royal Gallery, Dresden. 

1273 Portrait of a Young Woman, - 4 00 III 

Royal Gallery, Dresden. 

1274 Portrait of a Lady, - - - 4 00 III 

Royal Gallery, Dresden. 

1275 Portrait of Lavinia, daughter of the artist 4 00 III 

Royal Gallery, Dresden. 

1276* Portrait of Titian, - - - 4 00 III 

Uffizi Gallery, Florence 

71277* Head of Flora, - - - 15 00 II 

Uffizi Gallery, Florence. 

1278 Same subject, - - - - 4 00 III 

1279* Detail of 1277, - - - 4 00 III 

1280* Portrait of Catharine Cornaro, Queen of 

Cyprus, - - - - - 15 00 II G H 

Uffizi Gallery, Florence. 

1 28 1 Same subject, 

1282* Detail of 1280, . - . . 

1283 Marriage of St. Catherine, 

Pitti Gallery, Florence. 

1284 St. Dominic, . _ _ _ 

Borghese Gallery, Rome. 

1285 Emperor Charles V. , 

Prado Museum. Madrid. 

1286 Some subject, Photogravure, 

1287 Portrait of King Philip II., 

Prado Museum, Madrid. 

1288 Same subject. Photogravure, 
1289* Charles V. on the battlefield of Muhlberg, 

Photogravure, 

Prado Museum, Madrid. 

1290 Same subject. Photogravure, 

1 291 The Mother of Sorrows, 

Prado Museum, Madrid. 

Treidler, Adolph, 

Berlin, 1846. 

Modern. 

1292 Charles V. and Francis I., Photograph, - 15 00 II G H 

1293 Same subject. Photograph, - - 4 00 III G H 

Trevisani, Francesco, 

Capo 'd Istria. 1G5C-1740. 

Venetian School. 

1294* Virgin Showing the Infant Jesus to St. John, 4 00 III P* G H 

Royal Gallery, Dresden. 



4 GO 


III 


G 


H 


4 GO 


III 


G 


H 


4 GG 


III 


P G 


H 


4 GG 


III 




H 


4 GG 


III 




H 


5 00 


17^X10^ 




H 


4 GG 


III 




H 


5 OG 


I83<XIG^ 




H 


4 GG 


III 




H 


5 00 


15x18 




H 


4 GG 


III 


G 


H 



117 
Troyon, Constant, 

Sevres, 1810; Paris, 18m. 

French School. 




OXEN GOING TO LABOR; MORNING. 



tti295** Oxen Going to Labor; Morning, 
Louvre, Paris. 

1296 Same subject, 

ti297* Returning to the Barnyard, 
lyouvre, Paris. 

1298 Same subject, 



Price. 


Size. 


Grade. 


15 00 


II 


P G H 


4 GO 


III 


P G H 


15 GO 


II 


P G H 



4 GO 



Trumbull, John. 

Lebanon, Conn., 1756; New York City, 1843. 

Modern. 

1299 Surrender of Burgoyne at Saratoga, Photo- 
gravure, - - - - 7 50 
Gallery of Yale Art School. 

130G Surrender of Cornwallis at Yorktown, Pho- 
togravure, - - - - 7 50 
Gallery of Yale Art School. 

1 301 Washington Resigning His Commission, ig gg 

Gallery of Yale Art School. 

1302 Signing the Declaration of Independence, ig go 

Gallery of Yale Art School. 

1303 Portrait of Alexander Hamilton, Photogra- 

vure, - - - - - 5 OG 



III 



18x27 



P G H 



G H 



i8x26>^ G H 

18x27 G H 

18x27 G H 

[6I/X2GI/ P G H 



Price. 


Size. 




Grade. 


$4 oo 


Ill 


P 


G H 


4 oo 


III 




G H 


4 oo 


III 




G H 


4 oo 


III 




G H 



it8 
Turner. Joseph Mallord William, 

London, 1775-1851. 

English School. 

1304 Sunrise in Winter, 

National Gallery, London. 

1305 Dido Building Carthage, 

National Gallery, London. 

1306 Childe Harold's Pilgrimage, 

National Gallery, London. 

1307 The Fighting Temeraire, 

National Gallery, London. 

Unknown Artist of the 17th Century. 

1308 Portrait of an Aged Woman Holding a 

Spindle, - - - - - 4 00 III G H 

Royal Gallery. Dresden. 

Unknown Artist, 

ft 1 309 Countess Potocka, - - - 4 00 III G H 

Royal Museum, Berlin. 

Van der Faes ; see Lely. 
Van der Heist; see Heist. 

Van der Meer; see Meer. 

Van der Neer ; see Neer. 
Van de Velde ; see Velde. 

Van Dyck ; see Dyck. 
Van Marcke ; see Marcke. 

Vannucci ; see Perugino. 

Van Ostade ; see Ostade. 
Vermeer ; see Meer. 

Vasari, Georgio. 

Arezzo, 1511-1574. 

Florkntink School. 

1 3 10 Portrait of Lorenzo de Medici, - - 4 00 III G H 

Uffizi Gallery, Florence. 



119 



Vayson, Paul. 








Gordes, 








Modern. 










Price. 


Size. 


Grade. 


- 


$4 oo 


Ill 


P 



131 1 The Harvest, 

Vecelli ; see Titian. 

Vecchio ; see Palma the elder. 

Vedder, Elihu, 

I New York, 1836. 

Modern. 

13 1 2 Color, Platinum Priut, - - - 3 00 10x13 G H 

1313 Minerva, " '< _ . 6 00 21x14 ^ H 

Decoration in the Librar}' of Congress. 
tti3i4 Lazarus, Platinum Print, - - 7 50 15x21 G H 

1315 The Soul Between Faith and Death, Plati- 

num Print, - - - - 5 00 15x19% G H 

Velasquez, Diego Rodriguez de Silva y, 

Seville, 1599 ; Madrid, 1660. 

Spanish School. 

1 3 16 Portrait of Infanta Maria Marguerita, 

daughter of Philip IV, of Spain, - 4 00 III P G 

Louvre, Paris. 

1317 Portrait of Philip IV., - - - 400 III G H 

Louvre, Paris. 

1 31 8 A company of thirteen persons, among whom 

may be seen on the left Valasquez and 

Murillo, ----- 4 00 III H 

Louvre, Paris, 

1 3 19 Portrait of the Infanta Marie Marguerite 

Therese of Spain, - - - . 4 00 III P 

Stradel Museum, Frankfort. 
1320* Prince Charles in Armor, at the age of 
twelve years, - . _ . 

Royal Museum, The Hague. 
132 1* Equestrian Portrait of Philip IV. of Spain, 

Pitti Gallery, Florence. 
1322 Portrait of Velasquez, 

Gallery of the Capitol, Rome. 
ti323* Surrender of Breda, 
Prado Museum, Madrid. 
1324 Same subject, 



4 00 


III 


P 


G 




4 00 


. Ill 




G 


H 


4 00 


III 






H 


70 00 


I 




G 


H 


15 00 


II 




G 


H 



I20 



Velasquez, Diego Rodriguez de Silva y — Continued. 



1325 Same subject, - - - - 

1326 Same subject, Photogravure, 

1327 The Spinners, 

Prado Museum, Madrid. 

1328* Equestrian Portrait of King Philip IV., - 
Prado Museum, Madrid. 

1329 Same subject, - 

1330 Same subject, Photogravure, 

1 33 1 Equestrian Portrait of Queen Isabella of 

Bourbon, wife of Philip IV.- 
Prado Museum, Madrid. 

ft 1 332* Equestrian Portrait of Don Baltazar Charles, 
Prado Museum, Madrid. 

1333 Same subject, _ . _ . 

1334 Same subject, - - - - 

1335 Same subject. Photogravure, 

1336 Portrait of the Dwarf, Don Antonio el Ingles, 

Prado Museum, Madrid. 

1337 Same subject, - - - - 

1338 Aesop (entire figure), - - 

Prado- Museum, Madrid. 

1339 Same subject, _ . _ _ 

1340 Same subject. Photogravure, - 

1341 Detail of 1338, . _ _ _ 

1342 Menippe, full figure, . . - 

Prado Museum, Madrid. 

1343 Same subject, _ _ . _ 

1344 Same subject, Photogravure, - 

1345 Detail of 1342, - - . - 

Velde, Adriaen Van de, 

Amsterdam, 1635 or 1636— 167i. 

1346 Landscape with Animals, - 

lyouvre, Paris. 

1347 Landscape with Animals, 

Louvre, Paris. 

1348 The Skaters, - . . , 

Royal Gallery, Dresden. 

1349 The Pasture, - - - . 

Royal Gallery, Dresden. 

Velde, Willem Van de 

Amsterdam, 1633; Greenwich, 1707. 

Dutch School. 

1350 A Strong Breeze, - - - - 4 00 III P G 

Museum, Amsterdam. 



Price. 


Size. 


Grade. 


$4 00 


Ill 




G 


H 


5 00 


I5>^xi8>^ 




G 


H 


4 00 


III 




G 


H 


15 00 


II 




G 


H 


4 GO 


III 




G 


H 


5 00 


15)^x16 




G 


H 


4 GO 


III 




G 


H 


70 GG 


I 


P 


G 




15 OG 


II 


P 


G 




4 GG 


III 


P 


G 




5 00 


15^x13 


P 


G 




15 GG 


II 






H 


4 GG 


III 






H 


15 GG 


II 




G 


H 


4 GG 


III 




G 


H 


5 00 


i8x9>^ 




G 


H 


4 GG 


III 




G 


H 


15 GO 


II 






H 


4 GG 


III 






H 


5 00 


i8x9>^ 






H 


4 OG 


III 






H 



4 GG 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 GG 


III 


P 


G 


H 


4 OG 


III 


P 


G 


H 



121 



1 35 1 Return of the Fishers, 

Louvre, Paris. 

1352 Seaport by Moonlight, 

Louvre, Paris. 



Vernet, Claude Joseph, 

Avignon, 1714; Paris, 1789. 

French School. 

Price, 

- $], 00 



4 GO 



Size. 
Ill 

III 



Grade. 



H 



G H 



1353 I^oading the Nets, 



Vernier, Emile, 

Lons-le-Saulnier. 

Modern. 



4 00 



III 



P G 



Veronese, Paul, 

(Real name, Paolo Caliari.) 
Verona, 1528—1588. 

Venetian School. 



1354 Portrait of a Young Woman, 

Louvre, Paris. 

1355 Portrait of Veronese, - 

Uffizi Gallery, Florence. 

1356* Esther before Ahashuerus, 
Uffizi Gallery, Florence, 

1357 Head of St. Paul, 

Uffizi Gallery, Florence. 

1358 Jesus Bidding Farewell to his Mother, 

Pitti Gallery, Florence. 



4 GO 
4 GO 

4 00 

4 GO 
4 GG 



III 



III 



III 



III 



III 



H 



G H 



G H 



G H 



P G 



Verrocchio, Andrea del, 

(Real name, Andrea da Michele di Francesco de Clone. 
Florence, 1435; Venice, 1488. 

Florentine School. 



1359 Madonna, 

Royal Museum, Berlin. 

136G Virgin and Child, 

Hermitage Museum, St. Petersburg. 



4 OG 
4 GG 



III 



III 



P G 



H 



122 

Veyrassat, Jules Jacques, 

Paris, 1825. 

Modern. 

Price. Size. Grade. 

1361 In Normandy, - - - - $4 00 III ■ P 

1362 August in the Province of Brie, - 4 00 III P G 



Vinci, Leonardo da, 

Vinci, Val d'Arno. Tuscany, 1452 ; Cloux, near Amboise, 1519. 
Fl^ORENTlNK SCHOOI.. 

11363* The Last Supper, - - - - 15 00 II* G H 

RepHca from the fresco in the Refectory of Santa 

Maria delle Grazie, at Milan. 
Hermitage Museum, St. Petersburg. 

1364* Same subject, - - - - 4 00 III G H 

1365 The Last Supper, Photogravure, - ^ 15 00 17^x3454^ G H 

From a drawing from the original. 

1366 Lucrezia Crivelli, - - - 4 00 III H 

Louvre, Paris, 

tti367** Mona Lisa (La Joconde) - - - 15 00 II G H 

Louvre, Paris. 

1368 Same subject, - - - - 

1369* Head of Mona Lisa; detail of 1367, 

ft 1 370** Portrait of Leonardo da Vinci, 
Uffizi Gallery, Florence. 

1 37 1 Portrait of a Goldsmith, - - - 4 00 III G H 

Pitti Gallery, Florence. 



Vogel, Christian Lebrecht. 

Dresden, 1759-1816. 

German School. 

ti372 Children and Picture Book (sons of the 

painter), - - - - 4 00 III 

Royal Gallery, Dresden. 

Vogel, Hugo, 

Madgeburg, 1855. 

Modern. 
1373 Madonna, - - - - 3. 00 IV 



4 00 


III 


G 


H 


4 00 


III 


G 


H 


4 GO 


III 


G 


H 



123 







Vogel, Laurenz, 












Modern. 














Price. 


Size. 


Grade. 


ti374 


Portrait of Bach, 


- 


$4 GO 


Ill 


G H 


ti375* 


Portrait of Beethoven, 


- 


4 00 


III 


G H 


ti376* 


Portrait of Chopin, 


- 


4 00 


III 


G H 


1377 


Portrait of Gluck, 


. 


4 GO 


III 


G H 


ti378 


Portrait of Goethe, 


. 


4 OG 


III 


G H 


ti379 


Portrait of Handel, 


_ 


4 GG 


III 


G H 


ti38o 


Portrait of Haydn, 


- 


4 GG 


' III 


G H 


ti38i 


Portrait of Mendelssohn, 


- 


4 GG 


III 


G H 


1382** 


Portrait of Mozart, 


- 


4 GG 


III 


G H 



Von Bremen ; see Meyer, 

Vosberg, H., 
Modern. 

1383 Solitude, Photogravure, - - 5 00 III G 

1384 Same subject, - - - - 4 gg III G 

Wagner, Alexander, 

Pesth, 1838. 

Modern. 

1385 The Chariot Race, - - - 15 og II H 

Wagrez, Jacques Clement, 

Paris. 

Modern French Schooi.. 

tti386* Joan of Arc and the Heavenly Voices, - 4 go III P G H 

Salon, 1897. 

Waterlow, E. H., 
Modern. 
11387* The Nursery, Photogravure, - - 5 og 14x21 P 

Watteau, Jean Antoine, 

Valenciennes, 1684 ; Nogent sur Marne, 1721. 

French Schooi.. 

1388 Embarking for the Island of Cythera - 4 go III H 

Louvre, Paris. 



124 



Watts, George Frederick, 

London. 1818. 

Modern English School. 

Price. 

tti389*^ Sir Galahad, - - - - $i8 oo 

Royal Academy, 1862, 



Size. 

16x37 



Grade. 
P G H 




SIR GALAHAD. 



1390 Same subject, 



6 00 I2^x23>^ P G H 



Weber, Theodore Alexander, 

Leipzig, 1838. 
MODKRN. 

1391* A Pilot Boat, - - - - 4 00 



III 



G 



125 

Werner, Anton von, 

Frankfort am Oder, 1843. 

Modern. 

Price. Size. Grade. 

1392 The Capitulation of Sedan, Photograph, $15 00 II H 

Werner, H., 

Modern. 

1393 The Forester's Daughter, - - 4 00 III P G H 

Wertheimer, Gustave, 

Venice. 

Modern. 

1394 The Royal Family (lions), - - 4 00 III P G 

Salon, 1897. 
1395* Guardians of the Temple (Egyptian temple 

and lions), - - - - 4 00 III G H 

Salon, 1896. 

Willard, A. N., 

Bedford, O., 1836. 

Modern. 

tti396 The Spirit of '76, Platinum Print, - 5 00 14^x18 P G 

Town Hall, Marblehead, Mass. %% 

Winterhalter, Xavier Francois, 

Bade. 1806-1873. „^ 

German School. 

1397 Portrait of Josephine, Empress of France, 4 00 III H 

Wynants, Jan, 

Harlem, 1600 : Amsterdam, 1679. 

Dutch School. 

1398 The Outskirts of the Forest, - ' - 4 00 III G H 

Louvre, Paris. 

Zimmerman, Ernst, 

Munich, 1852. 

Modern. 

tti399 Christ and the Fishermen, - - 4 00 III G H 

1400 Same subject, - - - - 3 00 IV G H 



'^>> 



126 

PORTRAITS 



OF 



Statesmen, Generals, Authors, and Musicians. 



1401 Samuel Adams (1722- 1 803), 

J. S. Copley. 

1402 John Adams (i 735-1 826), 

1403* Prince Otto von Bismarck (181 5-1 898), 
Photogravure, - - - - 

Franz von Lenbach, 1894. 

1404 Prince Otto von Bismarck. Bust portion of 

the preceding picture. Photogravure, 

1405 Napoleon Bonaparte (i 769-1821), as Lieu- 

tenant of Artillery, - _ - 

Jean Baptiste Greuze. 

tti4o6 Napoleon as Consul, 

Jean Baptiste Greuze, Versailles. 

1407 Oliver Cromwell ( 1 599-1 658), 

Sir Peter Lely. Pitti Gallery, Florence. 

11408 Benjamin Franklin (i 706-1 790), Platinum 
Print, _ - _ - 

J. S. Duplessis (attributed). 

1409 Gambetta, I^eon (i 838-1 882). 
Ernest Philip Boetzel. 

ti4io William E. Gladstone ( 1 809-1 898), 

ttHii General U. S. Grant (1822-1885), Photo- 
gravure, - - _ - 
From a photograph from life, 1865. 

ti4i2 Alexander Hamilton (1757-1804), Photo- 
gravure, - - - - 5 GO i6%^2o% G H 
After a painting by Trumbull. 

1413 John Hancock ( 1 737-1 793), - - 5 00 16)^x21 G H 

1414 Patrick Henry (1736-1799), - - 5 00 16)^x21 G H 

1415 John Jay (1745-1829), Photogravure, 5 00 i6>^x2o G H 

Gilbert Stuart. 

1416 Thomas Jefferson ( 1 743-1 826), Photogravure, 5 00 i6>^x2o G H 

Gilbert Stuart. 

Portraits of artists will be found under the head of Painting. 



Price. 


Size. 


Grade. 


$5 00 


l6>^X20>^ 


G 


H 


5 00 


l6>^X2I 


G 


H 


12 00 


28>^X24 


G 


H 


5 GO 


I93^xi6i< 


G 


H 


4 00 


ni 




H 


4 OG 


III 




H 


4 00 


in 




H 


5 GG 


l6>^X2G>^ 


G 


H 


4 OG 


III 




H 


3 00 


I IXI4 




H 


5 OG 


I7>^X2G>^ 


G 


H 



127 



PORTRAITS— Continued. 

Price. 

tt 141 7** General Ivafayette ( 1 757-1 834), - - $5 00 

After a bust by Jean Antoine Houdon. 

ti4i8* Abraham Lincoln (i 805-1 865), Bromide 

Print, - - - - - 12 00 

From the statue by Augustus St. Gaudens, in 
Lincoln Park, Chicago. 

ttn^Q** Abraham Lincoln, Photogravure, - 5 00 

From a portrait from Hfe, by Alexander Hessler, 
about i860. 

1420 James Madison (1751-1836), Photogravure, 5 00 

Gilbert Stuart. 

142 1 John Marshall (1755-1835), Photogravure, 5 00 

Henry Inman. 

1422 Count von Moltke (i 800-1891), Bust, Photo- 

gravure, - - - - 5 00 

Franz von Lenbach. 



1423 James Otis (1725-1783), 

Jonathan B. Blackburn. 

1424 Thiers, Louis Ad olphe. (1797-1877.) 

Leon Bonnat. 



5 00 

4 00 

5 00 



1425 General Joseph Warren (1741-1775), 
J. S. Copley. 

1426** George Washington (i 732-1 799), Photo- 
gravure, - - - - 5 00 
From the Athenaeum portrait by Gilbert Stuart, 
Museum of Fine Arts, Boston. 

ft 142 7** Same subject, Platinum Print, - 4 00 

1428** Martha Washington (1732-1802), Photo- 
gravure, - - - - 5 00 
From the Athseneum portrait by Gilbert Stuart, 
Museum of Fine Arts, Boston. 

tti429** Same subject, Platinum Print, - 4 00 

1430* George Washington, Bromide Print, - 12 00 

After a painting by Trumbull. 

I +31* Washington at Dorchester Heights, Platinum 

Print, - - - - 4 00 

Gilbert Stuart, Museum of Fine Arts, Boston. 



Size. 

I4>^xi8 

30x40 

14^^x18 

l6%X20 

12x15 

18x14 
16^x21 

III 

17x20)^ 



Grade. 
G H 

G H 

G H 

G II 
G H 

H 

G H 

H 

G H 



i4>^xi8 P G H 



16x20 


p 


G 


H 


143^x18 


p 


G 


H 


16x20 


p 


G 


H 


30x40 


p 


G 


H 



2x19 



P G H 



Portraits of artists will be found under the head of Painting. 



5 oo 


12x17 


G 


H 


6 oo 


15^4x21}^ 




H 


5 oo 


12x17 




H 


5 oo 


12x17 




H 


5 oo 


12x17 




H 



128 

AUTHORS. 

Price. Size. Grade. 

1432 William Cullen Bryant (1794-187S). In 

preparation, _ . . . 

1433 Burns (1759-1796), Barito Print, - $6 00 15^x21^ G H 

P. Kramer. 

1434 Same subject, Barito Print. 

1435 Byron (1788-1824), Barito Print, 

P. Kramer. 

1436 Same subject, _ _ 

1437 Carlyle (1795-1881), Barito Print, 

1438 Chaucer (1340-1400), Barito Print, 

P Kramer. 

1439 Ralph Waldo Emerson (1803-1882). In 

preparation, 

1440* Goethe (1749-1832), full length figure, Photo- 
gravure, - - - - 5 00 
M. Roedig. 

1441 Goethe, Bust, - - - - 4 00 

Laurens Vogel. 

1442 Goethe, Bust, Photogravure, - - 5 00 

C. Jaeger. 

1443 Goldsmith (1728-1774), Barito Print, - 5 00 

P. Kramer. 

ft 1 444*^'^ Nathaniel Hawthorne (1804-1864), Platinum 

Print, - - - - 6 00 

From a painting by A. K. Smith. 

1445 Heine (1799-1856), Barito Print, - 6 00 

P. Kramer. 

1446 Same subject, Barito Print, - - 5 00 

ti447 Oliver Wendell Holmes (1809-1894), Photo- 
gravure, - - - - 5 00 
From a photograph in 1893. 

1448 I^essing (1729-1789), Barito Print, - 5 00 

C. Jaeger. 

1449 Henry Wadsworth Longfellow (1807-1882), 

Photogravure, - - - - 5 00 15)^x20 P G H 

From a painting at the age of seventy, by Ernest 
Longfellow, son of the poet. 

1450 Henry Wadsworth I^ongfellow, Barito Print, 6 00 15^x21^ P G H 

P. Kramer. 

145 1 Same subject, Barito Print, - - 5 00 12x17 P G H 



9^xi5>^ 


G 


H 


III 


G 


H 


15x19 


G 


H 


12x17 




H 


18x21 


G 


H 


5^X21)^ 




H 


12x17 




H 


l6>^X20 


G 


H 


12x17 




H 



129 

AUTHORS— Continued. 

Price. Size. Grade. 

^1452 James Russell Lowell (1819-1891). In 
preparation. 

1453 Milton (1608-1674), Barito Print, - $5 00 12x17 ^ H 

P. Krainer. 

1454 John Lothrop Motley (1814-1877), Etching, 5 00 13x16 G H 

W. H. W. Bicknell. 

1455 William Hickling Prescott (1796-1859), 

Photogravure, - - - - 5 00 13x16 G H 

George Richmond, R.A. 

1456* Schiller (1759-1805), Photogravure, - 5 00 193^x15^ G H 

Full length figure in a garden. M. Roedig. 

1457 Same subject, Photograph, 

1458 Schiller, Bust, Photogravure, - 

C. Jaeger. 

tti459* Sir Walter Scott (1776-1832), 

1460 Sir Walter Scott, Barito Print, 

P. Kramer. 

146 1 Same subject, Barito Print, 
11462 Shakespeare (1564-1616), 

1463 Sheridan (1751-1816), Barito Print, 

P. Kramer. 

1464 Robert Louis Stevenson (1850-1894), Pla- 

tinum Print, - - - 6 00 18x21 G H 

1465 Tennyson (1809-1892), Barito Print, - 6 00 15^x21^ G H 

P. Kramer. 

1466 Same subject, Barito Print, - 5 00 12x17.. G H 

1467 John Greenleaf Whittier (1807-1892), • 

Photogravure, - - - - 5 00 16^x20^ G H 

From a photograph. 



4 GO 


III 


G 


H 


5 00 


I0X19 


G 


H 


4 00 


III 


G 


H 


6 00 


I5><X2I>^ 


G 


H 


5 00 


12x17 


G 


H 


4 00 


III 


G 


H 


5 00 


12x17 




H 



1468 

1469 

I470 

I47I 

1472 

1473 
1474 

1475 

1476 

1477 

1478 

1479 

1480 

1481 
1482 
1483** 
1484* 

1485 
ti486 

1487 
1488 

1489 



130 








MUSICIANS. 










Price. 


Size. 


Grade. 


Bach (1685-1750) . - - - 
Laurens Vogel. 


$4 00 


Ill 


H 


Beethoven (1770-1827), Photogravure, 
C. Jaeger. 


5 00 


15x19 


H 


Beethoven, _ . _ _ 


4 GO 


III 


H 


Laurens Vogel. 








Beethoven at the Piano, Photogravure, 


5 00 


2GXl6 


H 


M. Roedig. 








Vincenzio Bellini (18 12- 1835), Barito Print, 


5 00 


12x17 


H 


Felix. 








Brahms (1833-1897), 


4 00 


III 


H 


Chopin (1809-1849), 
Laurens Vogel. 


4 00 


III 


H 


Gluck (1714-1789), 

Laurens Vogel. 


4 00 


III 


H 


Handel (1685-1759), 
Laurens Vogel. 


4 GO 


III 


H 


Haydn (1732-1809), - - 
Laurens Vogel. 


4 GG 


III 


H 


Liszt (1811-1886), Photogravure, 
Franz von Lenbach. 


5 00 


17x13 


H 


Same subject, Photograph, 


4 GG 


III 


H 


Mendelssohn (1809-1847), 
Laurens Vogel. 


4 00 


III 


H 


Meyerbeer, (1791-1864), Barito Print, - 
C. Jaeger. 


5 00 


12x17 


H 


Mozart (1756-1791), 
Laurens Vogel. 


4 GG 


III 


H 


Mozart, Photogravure, 
C. Jaeger. 


4 OG 


15x19 


H 


Mozart at the Piano, Photogravure, - 


5 00 


I6X2G^ 


H 


M. Roedig. 








Rubenstein (1829-1894), Barito Print, 
Felix. 


5 00 


12x17 


H 


Wagner (1813-1883), Photogravure, - 
Franz von Lenbach. 


5 00 


17x13 


H 


Same subject. Photograph, 


4 GG 


III 


H 


Wagner, from life. 


4 OG 


III 


H 


Verdi (18 1 3- ) Barito Print, 


5 00 


12x17 


H 



Felix. 



NATURE 

Carbon Photographs of Natural Scenery. 







Price. 


Size. 


Grade. 


1490 


Niagara Falls, general view (oblong) 


$40 00 


I 


G 


H 


I49I 


Same subject, - - 


15 00 


II 


G 


H 


1492 


Same subject, - _ - - 


6 00 


III 


G 


H 


1493 


Niagara Falls (upright), 


40 00 


I 


G 


H 


1494 


Same subject, . . _ . 


15 00 


II 


G 


H 


1495 


Same subject, 


6 00 


III 


G 


H 


1496* 


Mts. Eiger, Moncli, and Jungfrau, 


15 GO 


II 


G 


H 


1497 


Same subject, - - - - 


4 00 


III 


G 


H 


1498 


Jungfrau, - - 


15 GO 


II 


G 


H 


1499 


Same subject, - - - - 


4 OG 


III 


G 


H 


1500 


lyittle Scheidegg; Jungfrau, 


15 00 


II 


G 


H 


I50I 


Same subject, - - - - 


4 GO 


III 


G 


H 


1502* 


Mt. Cervin, near Zermatt, 


15 GO 


II 


G 


H 


1503 


Same subject, - - - - 


4 GG 


III 


G 


H 


1504 


The Matterhorn (upright), 


40 00 


I 


G 


H 


1505 


Same subject, - - - - 


15 GG 


II 


G 


H 


1506 


Same subject, _ _ _ . 


6 GG 


III 


G 


H 


1507 


The Weisshorn, 


4G GG 


I 


G 


H 


1508 


Same subject. 


15 GG 


II 


G 


H 


1509 


Same subject, 


6 OG 


III 


G 


H 


I5I0 


Panorama of the Jungfrau, 


12 GG 


16x44 


G 


H 


I5II 


Panorama of the Gorner Grat, 


15 GO 


14^x54 


G 


H 


I5I2 


Burnham Beeches, 


4G GO 


I 


G 


H 


I5I3 


Same subject, - - - - 


15 00 


II 


G 


H 


I5I4 


Same subject, _ - _ - 


6 GG 


III 


G 


H 


I5I5 


Burnham Beeches ; winter. 


4G OG 


J 


G 


H 


I5I6 


Same subject, . _ _ _ 


15 GO 


II 


G 


H 


I5I7 


Same subject, - - - - 


6 GO 


III 


G 


H 


I5I8 


Heme Oak ; Windsor, - _ - 


15 00 


II 


G 


H 


I5I9 


Same subject, - - - - 


6 GG 


III 


G 


H 


1520 


I^and's End, England ; eight marine views as 










follows: (a), (b), (c), (d), (e), (f), (g) 












(h);each, " " " " 


2G GG 


24x36 


G 


H 


I52I 


Same subjects ; each, - 


7 50 


18x24 


G 


H 


1522 


Concord Bridge ; scene of the first battle of 












the Revolution, April 19, 1775, - 


IG GG 


21x28 


G 


H 



Concord, Mass. 



132 

DRAWINGS 

Of Special Interest to Art Teachers and Students. 



Abbey, Edwin A., 








Philadelphia, 1852. 








Modern. 










Price. 


Size. 


Grade. 


) ~ 


$3 50 


13x10 


G H 



3 50 


13/^xio 


G 


H 


3 00 


13x7 


G 


H 


3 50 


13/^x10 


G 


H 


3 00 


10x13 


G 


H 


3 00 


13x6 


G 


H 


3 00 


13x6 


G 


H 


3 00 


12x10 


G 


H 



1523 Hamlet, Platinum Print 

Knights of the Holy Grail. 

Original charcoal sketches for " Quest of the 
Holy Grail," in Boston Public Library. 

1524 (i) Standing figure in hooded cloak, Plati- 

num Print, - - - - 

1525 (2) Three-quarters figure, face in view. 

Platinum Print, - - - - 

1526 (3) Full length figure, arms folded. Plati- 

num Print, - - - - 

1527 (4) Group of two knights, Platinum Print 

1528 Cordelia, Platinum Print, 

Study for " King Lear." 

1529 Polonius, Platinum Print, 

Study for " Hamlet." 

1530 Richard III., Platinum Print, 

Study chiefly for drapery effect. 

1 53 1 Woman holding a Lyre ; a study. Platinum 

Print, - - - - 3 00 13x7 G H 



Albertinelli, Mariotto, 

Florence, 1474-1515. 

Florentine School. 

1532 Study for the painting, " The Visitation," i 25 8^x10^ G H 

Uffizi Gallery, Florence. 

1533 Group of Warriors, - - - i 25 8^x9 G H 

Uffizi Gallery, Florence. 



Allori, Christoforo, 

Florence, 1577-16:21. 

1534 Sketches of two Male Figures. - - 2 50 151^x14)^ H 

Uffizi Gallery, Florence. 



133 
Ang^elico, Fra Giovanna da Fiesole. 

ViCcMo, 1387-1455. 

Florentine School. 







Price. 


Size. 


Grad. 


e. 


1535 


Studies for '* The Xast Judgment," 
Chantilly. 


$1 25 


6x9 >^ 




H 




Bandinelli, Bartolommeo, 










Florence, 1493-1560. 












Florentine School. 










1536 


Drawing of a Donkey, 
Louvre, Paris. 


T GO 


6^x8^ 


G 


H 


1537 


Figure of a Man Reading (attributed). 
Louvre, Paris. 


I 75 


8^x14 


G 


H 


1538 


Study of a Cow; - - - - 
Royal Cabinet, Dresden. 


I GO 


6^x7>^ 


G 


H 


1539 


Male Seated Figure, 
Museum, Lille. 


2 GO 


9^xi4>^ 




H 


1540 


Study of Hands, - - - - 
Museum, Lille. 


I 25 


7%-Kio}4 




H 


I54I 


Group of Three Female Figures, 
Uffizi Gallery, Florence. 


I 50 


IO>^XIG>^ 


G 


H 


1542 


Figure of an Evangelist, 
Uffizi Gallery, Florence. 


2 GG 


iGi4:xi6i4 


G 


H 



Barbatelli ; see Poccetti. 
Bartolommeo, Fra, 

(Bacclo della Porta.) 
Near Florence, 1475-1.517. 

Florentine School. 

1543 Study of Drapery, - - - i 25 s^^xig^^ H 

Museum, Lille. 

1544 Christ and His Disciples ; different studies 

for " The Ascension," 
British Museum, London. 

1545 Virgin seated and Holding Infant Jesus, 

Uffizi Gallery, Florence. 

1546 Male figure ; head, hands, feet, 

Uffizi Gallery, Florence. 

1547 Study of Drapery ; sleeves, 

Uffizi Gallery, Florence. 

1548 Study for St. John, 

Uffizi Gallery, Florence. 

1549 Study of Head of Virgin, 

Uffizi Gallery, Florence. 

1550 Five Draped Figures, 

Windsor Gallery. 

155 1 Studies; head and details, 

Weimar. 



I GO 


5^x8i< 


H 


I 75 


IGXI3>^ 


H 


I 25 


7>^xio>^ 


H 


I 00 


5x8 . 


H 


1 75 


9x14 


H 


2 50 


11x16^ 


H 


I 25 


81^x6 


H 


I 25 


8x10 


H 



134 
Beham, Hans Sebald, 

Nuremberg, 1500-1550. 

German Schooi.. 

Price. Size. Grade. 

1552 Study of Hands, - - - - $1 50 8x11 H 

Royal Cabinet, Dresden. 

Bellini, Gentile, 

Venice, 1426-1507. 

Venetian School. 

1553 Head of a Man, - - - 2 00 9x14 H 

Chantilly, Paris. 

1554 St. Peter and St. Paul, - - - i 25 6^x10% H 

Uffizi Gallery, Florence. 

Bellini, Giovanni, 

Venice, 1428-1516. 

Venetian School. 

1555 Figure of a Man, - - - i 25 7/4^^9 G H 

Uffizi Gallery, Florence. 

1556 Portrait of a Man, - - - - i 75 10x13 G H 

Uffizi Gallery, Florence. 

Bernini, Giovanni Lorenzo, 

Naples. 1598-1680. 

Italian School. 

1557 Study of a Seated Figure of a Young Man 

Drawing, - - - - i 50 loxio}^^ G H 

Resta Collection, Milan. 

Blashfield, Edwin H., 

New York, 1848. 

Modern. 

1558 Sringtime, Platinum Print, - - 3 00 13x115^ G H 

A drawing in possession of the artist. 

1559 Terpsichore, Platinum Print, - - 3 00 13x11^ G H 

Charcoal sketch for the central figure of a decora- 
in the residence of C. P. Huntington, New 
York. 

Botticelli, Allessandro, or Sandro, 

Florence, 1447-1515. 

Florentine School. 



1560 


Female Figure, ... 
Uffizi Gallery, Florence. 


I 25 


6x10 


H 


I56I 


Figure of a Woman, - . . 
Uffizi Gallery, Florence. 


I 25 


6xio>^ 


G H 


1562 


Standing Figure of a Young Woman, 
Windsor Gallery. 


I 50 


7^x9^ • 


H 



135 
Bouchardon, Edme, 

Chaumont, 1698 ; Paris, 1762. 

French Schooi.. 



Price. Size. Grade. 



1563 The Sower, - - - - $1 75 8^x14 G H 

Louvre, Paris. 

Boucher, Francois, 

Paris, 1703-1770. 

French School. 

1564 Seated Male Figure, - - - ^ 75 11^x13 H 

Louvre, Paris. 

1565 Three Washwomen and Children, - i 25 9^x10 H 

Albertina Collection, Vienna. 

1566 Reclining Figure of a Child, - - i 25 9x11 H 

Albertina Collection, Vienna. 

1567 Young Girl Holding a Pitcher, - i 25 g%^g}^ H 

Albertina Collection, Vienna. 

1568 Children's Heads, - - - i 00 6^x9 H 

Albertina Collection, Vienna. 

1569 Study of the Head of a Horse, - i 25 8x9^ H 

Albertina Collection, Vienna. 

1570 Ivandscape with Bridge, - - - i 25 6^x10 H 

Albertina Collection, Vienna. 

157 1 Sketch of a Herd of Cattle, - - i 25 7x10)^ H 

Albertina Collection, Vienna. 

1572 Boys at Play, - - - - i 00 5/^x6 H 

British Museum, London. 

1573 Boy and Dog, - - - - i 00 5x6 H 

British Museum, London. 

Bourguignon, Le; see Courtois. 
Buonacorsi, Piero. 

(Called Perino del Vaga.) 
Florence, 1499; Rome, 1547. 

1574 Caryatid and Decoration, - - - i 00 4^x7 H 

UfEzi Gallery, Florence. 

Caidara; see Caravaggio, Polidoro. 
Callot, Jacques. 

Nancy, 1594-1635. 

French School. 



1575 Ivandscape, 

British Museum, London. 

1576 I^andscape, 

British Museum, London. 

1577 Figure of an Officer, 

Uffizi Gallery, Florence. 



I 00 


3^x6 




H 


I GO 


33/^x6 




H 


I 25 


7x11 


G 


H 



136 



1578 



1579 
1580 



I58i 



1582 
1583 
1584 



1585 
1586 

1587 
1588 

1589 
1590 
1591 



Cambiaso, Luca. 

Genoa, 1527; Spain. 1585. 

Italian School. 



Price. 


Size. 


Grade. 


Seated Figure of a Woman Holding a Child, $1 25 
Uffizi Gallery, Florence. 


9x12 


H 


Caravaggio, Polidoro de. 






(Real name, Polidoro Caldara.) 






Caravaggio. 1495 (?)-1543. 






Roman School. 






Drawing of a Vase, - - - i 50 
Uffizi Gallery, Florence. 

Drawing of a Vase, - - - i 50 
Uffizi Gallery, Florence. 


6>^XI23^ 
8X12 >^ 


G H 
G H 


Cardi, Lodovico. 






Cigoli, Tuscany, 1559-1618. 






Florentine School. 






Morning Prayer, - - - - i 50 
Museum, Lille. 


9>^xio34 


H 



Carracci, Agostino. 

Bologna, 1558-1601. 

Eclectic School. 

Sketch of Seated, Draped Male Figure, 
Albertina Collection, Vienna. 

Sketch of the Holy Family, 
Uffizi Gallery, Florence. 

Landscape with Figures, - - - 

Uffizi Gallery, Florence. 

Carracci, Annibale. 

Bologna, 1560; Rome, 1609. 

Eclectic School. 

The Sower, _ _ _ _ 

Louvre, Paris. 

Nude Male Figure, seated, 
Louvre, Paris 

Two Young Girls, 
Louvre, Paris. 

Sketches of Heads, 
Louvre, Paris. 

Man and Woman, peasants, 
British Museum, London. 

Study of a Boy, . . - 

Chatsworih. 
Mandolin Players, - . . 

Uffizi Gallery, Florence. 



I GO 6^x9 H 

I 50 8>^xi2 H 

I GO 9%^x6 G H 



I 75 


•7>^xi3>^ 


H 


3 00 


I3>4xi8 


H 


I 75 


9x14 


H 


2 OG 


Iixi6>^ 


H 


I 25 


7x11 


H 


I 25 


6x11 


H 


I 75 


9>^xi3 


H 



137 



Carracci, Lodovico. 

Bologna, 1555-1619. 

Eclectic School. 



1592 Study of Kneeling Female Figure, 
Ufl5zi Gallery, Florence. 



Price. Size. Grade. 

$1 25 7>^X9^ H 



Chimenti, Jacopo di. 

Empoli, 1554-1640. 

Florentine School. 



1593 Head of a Young Woman, 
Uffizi Gallery, Florence. 



I 75 



9x13 



H 



Cigoli; see Cardi. 



594 



lyandscape. 
Museum, Lille. 



Corot, Jean Baptiste Camille. 

Paris, 1796-1875. 

French School. 

2 50 



11x12 



G H 



Correggio, (Antonio Allegri). 

Coreggio, 1494-1534, 

Lombard School. 

1595 Seated Figure of the Virgin, 

Louvre, Paris. 

1596 Head of a Young Girl, 

Louvre, Paris. 

1597 Head of a Child (School of Correggio), 

Louvre, Paris. 

1598 Head of a Child, - - - 

Albertina Collection, Vienna. 

1599 Two Children, . . _ . 

Chatsworth. 

1600 Apostles and Children seated upon the 

Clouds; study for the fresco of San 
Giovanni at Parma, _ . _ 

Windsor Gallerv. 



I 25 


7x9 


H 


I 75 


10x12 >^ 


H 


2 00 


11^X14 >^ 


G H 


I 25 


8x10 


H 


I GO 


5x5 


G H 



I 50 



85^X9>^ 



H 



Cortese; see Courtois. 



1 60 1 Cavalry Combat, 

Albertina Collection, Vienna 



Courtois, Jacques (Le Bourguignon). 

St. Hlppolyte, 1621; Rome, 1676. 

French School. 

2 50 8^x17^ 



H 





138 










Credi, Lorenzo di. 










Florence, 1459-1537. 










Fl^ORBNTlNE SCHOOI.. 












Price. 


Size. 


Grade. 


l602 


Figure of a Young Man, - - - 

Louvre, Paris. 


$1 25 


6^x9 


H 


1603 


Head of an Old Man, - - - 
Louvre, Paris. 


I 25 


8x11 


H 


1604 


Head of a Boy, _ . . - 
Louvre, Paris. 


I 00 


7^X9>^ 


H 


1605 


Drapery of a Seated Figure, 
Uffizi Gallery, Florence. 

Cuyp, Albert. 

Dordrecht, 1620-1691. 

Dutch School. 


I 75 


9>^xi5 


H 



1606 Cows and Sheep, - - - - i 00 7^x5^ G H 

Louvre, Paris. 

Dietrich, Christian William Ernest. 

Weimar, 1712; Dresden, 1774. 

German School. 

1607 Madonna and Child, - - - i 00 4^x7^ G H 

Royal Cabinet, Dresden. 

Dolci, Carlo. 

Florence, 1616-1686. 

Florentine School. 

1608 Head of a Boy, - - - - i 00 5/^x7 ' G H 

Louvre, Paris. 

1609 Seated Figure ; sleeping, - - - i 50 8^x11^ H 

Museum, Lille. 

Domenichino. 

(Real name, Domenico Zampteri.) 
Bologna, 1581; Naples, 1641. 

Eclectic School. 

1 6 10 I^andscape, . . - . 

British Museum, London. 

1611 Head of a Child, - . . . 

British Museum, London. 

161 2 Saint Kneeling, with clasped hands, 

Weimar. 



I 50 


7x10^ 


H 


I 50 


8xio>^ 


H 


I 75 


8x13 


H 



139 
Donatello, or Donate. 

(Real Name, Niccolo di Betto Bardl. 
Florence, 1386-1466. 

Fi^oRKNTiNK School. 

Price. Size. Grade. 

1613 Female Figures of Saints, - - $1 75 10^^x13 H 

L/Ouvre, Paris. 

1614 Study for a part of* * The Entombment," i 75 9x14 H 

Chantilly. 

1615 Study for the Statue of St. George, - 150 6}(iLg G H 

Windsor Gallery. 

Dou (Dov or Dow), Gerard. 

Leyden, 1613-1675. 

Dutch Schooi.. 

1616 Head of an Old Man, - - - o 75 4x5 G H 

Royal Cabinet, Dresden. 

161 7 Bust of an Old Woman Leaning on Book, i 00 5^x7 H 

Albertina Collection, Vienna. 

Dughet, Guaspre, 

(Called Gaspard Poussin.) 
■ Rome, 1613-1675. 

French Schooi.. 

1618 Wood with Lake in Foreground, - 2 50 15^^x9^ G H 

Albertina Collection, Vienna. 

Dumoustier, Daniel, 

Paris, 1576-1646. 

French School. 

1619 Head of an Old Man, laughing, - - x 75 10^x12^ G H 

Albertina Collection, Vienna. 

Durer, Albert, 

Nuremberg, 1471-1528. 

German Schooi.. 

1620 Portrait of Erasmus, - . - 

Collection of J. Gigoux. 

162 1 Portrait of a Man, . . _ 

Albertina Collection, Vienna. 

1622 Head of an Old Man with Long Beard, 

Albertina Collection, Vienna. 

1623 Study of Joined Hands, 

Albertina Collection, Vienna. 



2 GO 


10^x14 


H 


I 75 


10x14 


H 


3 00 


io>^xi6 


H 


I 50 


7>^xio>^ 


H 



140 
Durer, Albert — Continued. 

Price. Size. Grade. 

1624 Study of Left Hand and Sleeve, - $1 50 8x12 H 

Albertina Collection, Vienna. 

1625 Study of Drapery, - - - i 25 8x10^ H 

Albertina Collection, Vienna. 

1626 Study of Drapery, - - - i 25 6^x9 H 

Albertina Collection, Vienna. 

1627 Study of Drapery, - - - i 00 7>^x6^ G H 

Albertina Collection, Vienna. 

1628 Study of Drapery, - - - j 75 i4xio>^ G H 

Albertina Collection, Vienna, 

1629 Cavalier Armed with' a Lance, - - i 50 12x15 ^ ^ 

Albertina Collection, Vienna. 

1630 View of Innsbruck, - - - i 00 7x5 G H 

Albertina Collection, Vienna. 

1631 Rabbit, - - - - - i 25 8^x9^ P G 

Albertina Collection, Vienna. 

1632 Corner of a Meadow ; Grasses, - 2 00 12x15 G H 

Albertina Collection, Vienna. 

1633 Madonna and Child, - - - i 50 7^x10 H 

Chats worth. 

1634 Portrait, - - - . 2 50 10^^x133^ H 

Chatsworth. 

1635 The Apostle Paul, - - - - i 50 71^x1 1>^ H 

Windsor Gallery. 

Dyck, Anton Van, 

Antwerp, 1599 ; London, 1641. 
FlvEMISH SCHOOI.. 

1636 Bust of Child, - - - - 

Ivouvre, Paris. 

1637 Portrait of William de Vos, 

Dutuit Collection. 

1638 Portrait of Young Man, 

Royal Cabinet, Dresden, 
J 639 Repose in Egypt, - . - . 

Albertina Collection, Vienna. 

1640 Head of an Old Man, - . . 

Albertina Collection, Vienna. 

1641 Bust of Young Man, 

Albertina Collection, Vienna. 

1642 Two English Heralds-at-Arms, 

Albertina Collection, Vienna. 

1643 Seated Figure of Young Man, 

Albertina Collection, Vienna. 

1644 Portrait of Gaspard Gevaertius, 

Albertina Collection. Vienna. 



J 25 


4^X9 


H 


I 50 


7x9 


H 


I 75 


9x13 


H 


I GO 


7^X9 


H 


75 


4^x6 


H 


I GO 


6x6^ 


H 


2 5G 


9>^xi7 


H 


I 50 


95^x12 


G H 


I 25 


7XIG 


H 



141 



Dyck, Anton Van — Continued. 



Price. 

1645 Portrait of Artus Wolf aert, - - $1 00 

Albertina Collection, Vienna. 

1646 Portrait of an Unknown Man, - i 00 

Albertina Collection, Vienna. 

1647 Portrait of a Man, - - - - i 00 

Albertina Collection, Vienna. 

1648 Portrait of a General, - - - i 50 

Albertina Collection, Vienna. 

1649 Studies of Heads, - - - i 50 

Chats worth. 

1650 Studies of Heads, - - - - i 25 

Chats worth. 

1 65 1 Seated Figure of a Woman, - - i 25 

Uffizi Gallery, Florence. 

1652 Portrait of Man, - - - - i 25 

Uffizi Gallery, Florence. 

1653 Study of Draped Female Figure and Hand, i 75 

Uffizi Gallery, Florence. 

1654 Full Length Figure, - - - 2 00 

Weimar. 

1655 Portrait of a Man, - - - i 25 

Weimar. 



Size. 


Grade. 


6>^x8^ 




H 


7^A^9 


G 


H 


5^x7>^ 




H 


7^x12 




H 


6>^xii 




H 


5^x9 




H 


6^xii>^ 




H 


7^X9>^ 




H 


9x14 




H 


io>^xi6>^ 




H 


7x9 




H 



Empoli ; see Chimenti, 



Ferrari, Gaudenzio, 

Valduggia, 1484-1550. 

Lombard School. 



1656 Kneeling Female Figure, 

Academy of Fine Arts, Venice. 



I 25 



7^X9>^ 



H 



1657 
1658 



Gainsborough, Thomas, 

Sudbury, 1727 ; London, 1788. 

English School. 

Portrait of Gainsborough, - " i 75 

British Museum, London. 
Seated Figure of a Man, - - i 75 

British Museum, London. 



lOXll)^ 

8>^xi3 



H 
H 



Gerard, Francois Pascal Simon, 



Rome. 1770 ; Paris. 1837. 

French School. 



659 Head of a Woman, 
Louvre, Paris. 



I GO 



5x7^ 



H 



142 



Ghirlandjo, Domenico. 

Florence, 1449-1494. 

Fi^oRENTiNE School. 



1660 Studies : heads ; details, 

Uffizi Gallery, Florence, 

1 66 1 Kneeling Figure ; study of Drapery, 

Uffizi Gallery, Florence. 

1662 Study of Drapery, 

Uffizi Gallery, Florence. 



Price. 


Size. 


Grade. 


fi 25 


7>^xio 


H 


I GO 


6>^X9 


H 


i 75 


10^^x13 


H 



II Giorgione, 

(Real name, Giorgio Barbarelli, ) 
Castelfranco, 1477 ; Venice, 1511. 

Venetian School. 

1663 Sketch of a Group of Men about a Table, 

Uffizi Gallery, Florence. 

1664 Landscape, . - - - 

Uffizi Gallery, Florence. 

1665 Landscape, . . - _ 

Uffizi Gallery, Florence. 

1666 Landscape, - - 

Uffizi Gallery, Florence. 



I GO 



I GG 



I 25 



I OG 



5>^x6>^ 


H 


6^x9 


H 


7^x11 


H 


4>^x6^ 


H 



667 



Girtin, Thomas, 

London, 1773-1802. 

English School. 

Landscape ; Abbey of Kirkstallen, York- 
shire, . - - - _ 
British Museum, I^ondon. 



2 50 



18x11 



G H 



Greuze, Jean Baptiste, 

Tournus, 17:i5 ; Paris, 1805. 

French School. 



1668 Female Figure, 

Louvre, Paris. 

1669 Head of a Smiling Young Girl, 

Collection of A. M. E. Marcille. 
167G Head of a Laughing Girl, 
Albertina Collection, Vienna. 

1 67 1 Head of a Child, 

Museum, Lille. 

1672 Draped Full Figure, 

Museum, Lille. 



2 00 


ii>^xi5 




H 


I 75 


12x15 




H 


I 75 


11x13 


G 


H 


I 50 


IG^XI2 




H 


2 50 


IIXI7 




H 



143 



Le Guercino, 

(Real name, Giovanni Francesco Barbieri. ) 
Bologna, 1591-1666. 

Eclectic School. 







Price. 


Size. 


Grade. 


1673 


Boy's Head, with Hat, 
Louvre, Paris. 


*i 75 


10x13 


H 


1674 


Sketch of an Old Man with Beard, 
Albertina Collection, Vienna. 


I 25 


7x9 


H 


1675 


The Virgin and Child, 
Museum, Lille. 


I 25 


7x10 


H 


1676 


Seated Figures, Woman and Child, 
Chats worth. 


I 50 


IOXIO>^ 


H 


1677 


lyandscape, - - - - 
Ambrosian Library, Milan. 


I 50 


13x9 


H 


1678 


Head of a Woman, - - 
Academy of Fine Arts, Venice. 


I 00 


7x9^ 


H 


1679 


Head, - - - , - 
Academy of Fine Arts, Venice. 


75 


4x5 


H 


1680 


Head, - - - - 
Academy of Fine Arts, Venice. 

Guido Reni. 


75 


4x5 


H 



Bologna, 1575-1642. 

EcLKCTic School. 



1681 
1682 
1683 
1684 
1685 
1686 
1687 
1688 



Studies of Male Reclining Figure, 

Louvre, Paris. 
Head of an Old Man, 

Louvre, Paris. 
Bust of Woman, 

Royal Cabinet, Dresden. 
Head of a Man, 

Museum, Lille. 
Figure of an Old Man, 
Museum, Lille. 
Studies of Young Children, 
Uffizi Gallery, Florence. 
Bust of a Boy, . - _ 

Uffizi Gallery, Florence. 
Head of St. Sebastian, 
Weimar, 



I 25 


7>^x8>^ 


H 


I 25 


IG>^XI3>^ 


H 


I 00 


6>^x8>^ 


H 


I 25 


7x11 


H 


2 GO 


8^xi6>^ 


H 


I GO 


5^x7>^ 


H 


I 25 


7X9>^ 


H 


3 00 


14^x17^ 


H 



Hals, Franz. 

Antwerp, 1580 or 1581 ; Harlem, 1666. 

Dutch School. 



1689 Seated Figure of a Woman, 
Albertina Collection, Vienna. 



OG 



4>^x7 



G H 



144 
Holbein, Hans (the older) 

Augsburg, 1450 or 1460-1524. 

Ge)rman Schooi.. 







Price. 


Size. 


Grade. 


1690 


Head of a Young Man ; with Inscription, 
Museum, Bale. 


$0 75 


4x5 


H 


I69I 


Head of a Young Man, 
Museum, Bale. 


75 


4x5 


H 


1692 


Knight in Fancy Costume, 
Museum, Bale. 


75 


4x5 


H 


1693 


Studies of Hands, ... 
Museum, Bale. 


77 


4x5 


H 



Holbein, Hans (the younger), 

Augsburg, 1497 ; London, 1543. 

G:eRMAN School, 



1694 


Head of Erasmus - - - 
Museum, Bale. 


4 GO 


11^X13^ 




H 


1695 


Lamb, and Head of Sheep, 
Museum, Bale. 


I CO 


9^X7^ P 


G 




1696 


Portrait of a Burgomaster of Bale, 
Museum, Bale. 


3 00 


7^XIG^ 




H 


1697 


Study for the ''Household of Thomas More " 












pen drawing, - - - - 


3 00 


ii>^xi5>^ 




H 




Museum, Bale. 










1698 


Portrait of Hans Holbein ; pastel, 
Museum, Bale. 


4 00 


I3xi6>^ 




H 


1699 


Portrait of an English Eady, 
Museum, Bale. 


3 00 


11x15 


G 


H 


1700 


Portrait of the Wife of Chancellor Olivier, 
Albertina Collection, Vienna. 


I 50 


8x12 


G 


H 


I70I 


Prince Edward, 
Windsor Gallery. 


I 50 


8x12 




H 


1702 


Head of John Fisher, Bishop of Rochester, 
Windsor Gallery. 


2 GO 


I4>^X9 




H 


1703 


Sir Henry Guildford, 
Windsor Gallery. 


4 OG 


ii>^xi5 




H 


1704 


Lady Hobbie, - _ . _ 
Windsor Gallery. 


I 50 


IG>^X8 


G 


H 


1705 


Lady Mary, daughter of Henry VIII. , after 












wards Queen of England, 


2 GG 


14x1 1 1< 


G 


H 




Windsor Gallery. 










1706 


Philip Melancthon, 

Windsor Gallery. 


I 50 


8XIG>^ 


G 


H 


1707 


John More, son of the Chancellor, 
Windsor Gallery. 


2 GG 


10^x14 




H 


1708 


Daughter of Thomas More, 
Windsor Gallery. 


2 GG 


io>^xi4 


G 


H 



Size. 


Grade. 


7x9^ 


G H 


ioi<xi5 


H 


7^XI03/8 


H 


6^X14 


H 


io>^xi4>^ 


H 



145 

Holbein, Hans (the younger) — Continued. 

Price. 

1709 Duchess of Richmond, - - - $1 50 

Windsor Gallery. 

17 10 William Fitzwilliam, Earl of Southampton, 

Grand Admiral, - - - 2 00 

Windsor Gallery. 

171 1 Katharine. Duchess of Suffolk, - - i 50 

Windsor Gallery, 

17 1 2 Portrait of a lyady, - - - 2 00 

Windsor Gallery. 

1 7 13 Portrait of a Young lyady, - - 2 00 

Windsor Gallery. 

Ingres, Jean Auguste Dominique. 

Montaubon, 1780 ; Paris, 1867. 

French School. 

1 7 14 Study of Drapery, - - - 2 00 14x14 G H 

Museum, Lille. 

Jacque, Charles Emile. 

Paris, 1813. 

Modern. 

1715 Shepherd and Flock, - - - 2 50 10x18 H 

Museum, Lille. 

Klengel, Caspar Friedrich. 

Kesselsdorf, 1751-1824. 

German School. 

1716 Nine Figure Studies, - - - i 50 7>^x9 G H 

Royal Cabinet, Dresden. 

Le Brun, Charles. 

Paris, 1619-1696. 

French School. 

17 17 Study of Male Draped Figure, - i 75 9x14 H 

Albertina Collection, Vienna. 

1 7 18 Study for an Equestrian Statue, - - . 2 50 14x15 H 

Albertina Collection, Vienna. 

Le Brun, Elizabeth Louise Vigee. 

Paris, 1755-1842. 

French School. 

1 7 19 Portrait of a Young Girl, - - i 25 8x11 H 

Louvre, Paris. 



146 
Leoni, Ottavio. 

Rome, 1574; (?) 1628. 

Roman Schooi.. 



Price. Size. Grade. 



1720 Portrait of a Man, - - - - $i oo 5>^x8j^ H 

Louvre, Paris. 

Lesueur, Eustache. 

Paris, 1617-1655. 

French School. 

1 72 1 Male Figure ; Saint Bruno, 

Louvre Paris. 

1722 Male Figure ; from " St. Bruno,'' 

Louvre, Paris. 

1723 Male Figures ; from "St. Bruno," 

Louvre, Paris. 

1724 Male Figures ; from "St. Bruno," 

Louvre, Paris. 

1725 Male Figures ; from "St. Bruno," 

Louvre, Paris. 

1726 Male Figures; from "St. Bruno," 

Louvre, Paris. 

1727 Standing Figure ; from "St. Bruno, - 

Louvre, Paris. 

1728 Seated Figure ; from "St. Bruno," 

Louvre, Paris. 

1729 Seated Figure ; study of drapery ; from " St. 

Bruno," . - . . 

Louvre, Paris. 

1730 Standing Figure ; from '*St. Bruno," 

Louvre, Paris. 

1 73 1 Composition; from "St. Bruno," 

Louvre, Paris. 

1732 Study ; Seated Figures ; from " St. Bruno," i 75 

Louvre, Paris. 

1733 Study ; from "St. Bruno," 

Louvre, Paris. 

1734 Figure in Action ; from " St. Bruno," 

Louvre, Paris. 

1735 Studies of Figures, 

Louvre, Paris. 

1736 Studies ; Figures and Details. 

Louvre, Paris. 

Lippi, Filippino. 

Florence, 1459-1504. 

Florentine School. 

1737 Kneeling Figure of an Old Man, - i 00 4^x6^ G H 

Uffizi Gallery, Florence. 

1738 Sketch of a Draped Figure, - - i 00 A-^7}^ H 

Uffizi Gallery, Florence. 



I 00 


6x7 >^ 


H 


I 00 


5^x7>^ 


H 


I 50 


9x11 


H 


I 25 


7>^xio 


H 


I 50 


8x13 


H 


I 25 


7i^xio>^ 


H 


I 25 


2>^XI2 


H 


I 75 


9^x13 


H 


I 75 


10x15 


H 


I 25 


5>^XI2 


H 


I 50 


85^x13 


H 


I 75 


ii>^xi3 


H 


I 75 


9^x16 


H 


I 25 


10x15 


H 


I 75 


10x14 


H 


2 00 


9x16 


H 



H7 



1739 Head of a Man, 

Chantilly. 

1740 Draped Figure, 

Malcolm Collection. 



Lippi, Fra Filippo. 






Florence, 1412 (?) ; Spoleto, 1469. 






Price. 


Size. 


Grade 


- $1 25 


7x8>^ 


G 



I 25 



5^xio>^ 



Lippi, Lorenzo. 

Florence, 1606-1664. 
Fl^ORKNTlNB SCHOOI<. 



1 74 1 Male Seated Figure, 

Royal Cabinet, Dresden. 



2 00 



10x151^ 



Lorraine, (Claude Gell 

Champagne, 1600 ; Rome, 1682. 

French Schooi.. 



ee). 



1742 


Marine Sunset, 
Armand Collection. 


I 25 


8x4 




H\ 


1743 


Study of Trees, - - 
Chantilly. 


I 25 


7}^xio 




H 


1744 


Landscape with Large Trees, - 
Albertina Collection, Vienna. 


I 50 


I2X7>^ 


G 


H 


1745 


Study of a Tree, - - - - 
Albertina Collection, Vienna. 


I 00 


4^x6>^ 


G 


H 


1746 


Study of Trees, 

Albertina Collection, Vienna. 


I 00 


5x7 


G 


H 


1747 


Landscape ; from " Book of Truth," 
British Museum, London. 


I 00 


7x4 >^ 


G 


H 


1748 


Landscape; from " Book of Truth," 


I 25 


7/^xio>^ 




H 


1749 


Landscape, *' «« «. a 


I 75 


9x12 




H 


1750 


Landscape, *' «' c^ << 


I 75 


9x12 




H 


I75I 


Landscape, " << «^ << 


I 25 


7x9^ 




H 


1752 


Landscape, " '< << «< 


I 25 


io>^x7i^ 


G 


H 


1753 


Landscape, " <« << << 


I 00 


7^x5 


G 


H 


1754 


Landscape, " << .« a 


I 50 


9^x714: 


G 


H 


1755 


Landscape with Cattle ; from ' ' Book of 












Truth," - - . . 


I 50 


7>^X9^ 




H 


1756 


Landscape ; from ' * Book of Truth, ' ' 


I 50 


ii>^x8 




H 


1757 


Landscape, " " '' 


I 75 


8^I2>^ 




H 


1758 


Landscape, '' " '' 


I 50 


10x7)^ 


G 


H 


1759 


Landscape, '' " '' 


I 25 


9x6 


G 


H 


1760 


Landscape with Figures and Cattle ; from 












"Book of Truth," 


I 50 


7>^xio>^ 




H 


I76I 


Landscape ; from " Book of Truth," 


I 00 


10x4 


G 


H 


1762 


Landscape, " " '' 


I GO 


4xio>^ 




H 



48 



Lorraine, (Qlaude Gellee) — Continued. 



1763 Landscape, from " Book of Truth," 

1764 Landscape; *' << ♦« << 

1765 Flowers, " '' " 

1766 Landscape, 

Uffizi Gallery, Florence. 

1767 Landscape with Bridge. 

Uffizi Gallery, Florence. 



Price. 

$1 25 

I 25 

I 00 

I GO 

I GO 



Size. 

9x6 
10x7 

8x5^ 
6x4 



x6 



Grade. 

, G H 

H 

H 

G H 

G H 



1768 



Head of a Man, 
Chantilly. 



Mantegna, Andrea. 

Padua, 1431-1506. 

Venetian School. 



I GO 



5^x7^ 



H 



Maratta, Carlo. 

Camerano, 1625-1713. 

Roman School. 



1769 Studies; Head, Feet, Arms, 
Louvre, Paris. 



I 75 



9XI3>^ 



H 



Masaccio, Tommaso. 

San Giovanni, near Florence, H02-1429. 

Florentine School. 



770 St. Luke, the Evangelist, 
Museum, Lille. 



I 25 



8x9 



H 



Masolino da Panicale. 

Florence, 1383-1430. 

Florentine School. 



1 77 1 Sketches of Male Figures, 
Uffizi Gallery, Florence. 



I GO 



4x7 >^ 



H 



Metsu, Gabriel. 

Leydeu, 1()30; Amsterdam, J66T 

Dutch School. 



1772 Portrait of a Gentleman, 

Albertina Collection, Vienna. 

1773 Belisarius, 

Albertina Collection, Vienna. 



I 75 
I 50 



9x12 G H 

7^xii>^ G H 



149 



Michelangelo Buonarotti. 

Near Arezzo, 1475 ; Rome, 1564. 

Florentine School. 

Price. 



1774 Man Catching a Rearing Horse, 

Museum, Lille, 

1775 Composition ; figures and animals, 

Museum, Lille. 

1776 Study of Leg and Foot, 

British Museum, London. 

1777 Seated Figure of a Man ; study for the 

Prophet Joel, _ _ _ _ 

British Museum, London. 

1778 Profile Study of a Man, sitting, and bend- 

ing a stick, - - - - 

British Museum, London. 

1779 Seated Figure of a Young Woman, 

British Museum, London. 

1780 Three Men in Conversation, 

Taylor Cabinet, Oxford. 

1 78 1 Studies of Hands, - , _ 

Taylor Cabinet, Oxford. 

1782 Female Head, ... - 

Taylor Cabinet, Oxford. 

1783 Sketches for the Mausoleum of Julius II., 

Taylor Cabinet, Oxford. 

1784 Study for "The Three Fates " in the Sis- 

tine Chapel, - - - - 

Taylor Cabinet, Oxford. 

1785 Seated Female Figure, - - _ 

Taylor Cabinet, Oxford. 

1786 Old Sorceress and Boy, 

Taylor Cabinet, Oxford. 

1787 Head ; study for the Virgin, 

Taylor Cabinet, Oxford. 

1788 Studies of Heads and Limbs, - 

Taylor Cabinet, Oxford. 

1789 First Study for the Tomb of the Medicis, 

Uffizi Gallery, Florence. 

1790 Libyan Sibyl, - . - - 

Uffizi Gallery, Florence. 

1 791 Figures ; details, . _ - - 

Uffizi Gallery, Florence. 

1792 Draped Figure of a Warrior, 

Uffizi Gallery, Florence. 

1793 Archers, - - - - - 

Windsor Gallery. 

1794 Delphic Sibyl ; after the fresco, 

Weimar. 

1795 Prophet Isaiah ; after the fresco, 

Weimar. 



1 50 

2 00 

1 00 

2 GO 



Size. 

9>^xii 

ioxi5>^ 
65^x8 >^ 

8^x15/2 



Grade. 



H 
H 
H 

H 



I 25 


11x12 


H 


I 75 


10x12^ 


H 


2 50 


9^xi4>^ 


H 


2 50 


IGi<Xl6 


H 


I 25 


6i<x8 


H 


I 75 


7x10^ 


H 


I 50 


7^XIG 


H 


I 50 


75<XIG 


H 


I 75 


8xi3>^ 


H 


I 75 


8>^XI2 


H 


I 25 


8x11 


G H 


I 00 


5x7 >^ 


H 


I 75 


10x14 


H 


I 75 


IGX14 


H 


I 50 


11x17 


H 


2 00 


8^x13 


H 


2 GO 


10x15 


H 


I 75 


8>^xi3 


H 



I50 
Millet, Jean Francois. 

Greville, 1814 ; Barbizon, 1875. 

French Schooi.. 



Price. 



Size. 



Grade. 



1796 


Watering the Cow, . _ . 


$2 50 


10x13 P 


G 


H 


1797 


Pasture by the Sea, _ _ _ 


I 50 


6x10 


G 


H 


1798 


Shepherd Guarding His Flock, 


I 50 


jH^g'A 


G 


H 


1799 


The New- Born I^amb ; pastel. 


I 50 


io>^x8 P 


G 


H 


1800 


Peasants Watching their Herds, 


I 50 


9>^x8 


G 


H 


I80I 


The Knitting I^esson, - . _ 


I 50 


7x10 P 


G 


H 


1802 


Drying the Clothes, - _ _ 


I 50 


g'A^y'A 


G 


H 


1803 


The Churner ; study, , - 


I 50 


6>^xio^ P 


G 


H 


1804 


Homeward Bound ; study, 


I 50 


io>^x8>^ P 


G 


H 


1805 


Shepherd ; study, _ _ . 


I 50 


8x10 p 


G 


H 


1806 


Spinner ; study, ' - - - 


I 50 


8^x10^ 


G 


H 


1807 


Spinning Wheel, - - _ - 


I 50 


8x9 >^ 


G 


H 


1808 


Off for the Day's I,abor ; study. 


I 50 


8^x10 


G 


H 


1809 


Water Carrier ; study, _ _ . 


I 50 


8x10)^ 


G 


H 


I8I0 


Basket Maker, _ _ _ 


I 50 


7>^xio 


G 


H 


18II 


The Knitter, _ . . . 


I 50 


7x10 


G 


H 


I8I2 


At Rest, - - - - 


3 00 


10x14 


G 


H 


18 1 3 


The Farmer's Wife, 


I 50 


5>^X9 


G 


H 


T.814 


Shepherdess, - - - 


I 50 


6x10 


G 


H 


1815 


Basket Maker's Daughter, 


1 50 


5x10 


G 


H 


1816 


Girl at the Well, 


I 50 


5X9>^ 


G 


H 


1817 


A Shepherd, . _ . - 


I 50 


7>^X9 


G 


H 


1818 


Woman with a Pitcher, 


I 50 


7^x9 


G 


H 


1819 


Portrait of Millet ; with hat. 


3 00 


115^x14 


G 


H 


1820 


The Return of the Woodcutter, 


2 50 


9^xi3 


G 


H 


1821 


The Farmer's Wife ; feeding chickens. 


2 50 


10x14 


G 


H 


1822 


Corner of the Kitchen, 


I 50 


8>^xio 


G 


H 


1823 


The Hut, .... 


I 50 


11x8 


G 


H 


1824 


Study of Reclining Female Figure, 


I 50 


6^x10 


G 


H 


1825 


Watching the Geese, . _ . 


I 50 


7x8^ 


G 


H 


1826 


The Peasant Girl, - - 


I 50 


5x10 


G 


H 


1827 


Woman with a Pitcher, - - - 


I 50 


8^xioi< 


G 


H 


1828 


Seated Figure of a Peasant ; study. 


I 50 


8>^X9>^ 


G 


H 


1829 


Page of Eleven Sketches, - 


4 00 


14x16 


G 


H 


1830 


Shepherd and his Flock at the Approach of 












a Storm, .... 


3 00 


IO^XI2>^ 


G 


H 


1831 


Three Gleaners ; study, 


I 50 


7x11 


G 


H 


1832 


In the Open Sea, 


2 50 


9x12 


G 


H 


1833 


A Gleaner, . . - - 


2 50 


125^X10 


G 


H 



151 
Murillo, Bartolome Esteban. 

Seville, 1616-1682. 

School of Skvii.i.e. 

Price. Size. Grade. 

1834 St. Joseph Leading Infant Jesus, - $1 25 8x9 H 

Louvre, Paris. 

Neer, Aert van der. 

Amsterdam, 1603-1677. 

Dutch School. 

1835 River bordered by a small Forest, - - i 25 10^x7^ G H 

Albertina Collection, Vienna, 

Ostade, Adriaen van. 

Harlem, 1610-i685. 

Dutch School. 

1836 Scene in Holland, - - - i 50 7x11 H 

Royal Cabinet, Dresden. 

1837 Peasant at Work, - - - - o 75 3^4/4^ ^ 

Royal Cabinet, Dresden. 

1838 Peasant Seated on a Bench, - - o 75 3x4^ H 

Royal Cabinet, Dresden. 

Oudry, Jean Baptiste. 

Paris, 1686 ; Beauvais, 1755. 

French School. 

1839 Dog, pointing, - - - - i 75 11x1214: H 

Albertina Collection, Vienna. 

Pannini, Francesco. 

1840 Roman Forum, - - - i 75 9^^x13 H 

Louvre, Paris. 

Perugino, Pietro. 

Citta della Pieve, 1446-1524. 

Umbrian School. 

1 84 1 Study of Cumean Sibyl, - - - o 75 3x8 G H 

Uffizi Gallery, Florence. 

1842 Christ Handing the Keys to St. Peter ; study 

for a fresco in Sistine Chapel, - i 50 7^x9 H 

Windsor Gallery. 

1843 Head of a Woman, - ^ - - i 50 7>^x8 H 

Windsor Gallery. 



152 

Poccetti, Bernardino Barbatelli. 

Florence, 1548-1612. 

Florkntink School. 

Price. Size. Grade. 

1844 Young Man in the Costume of the Time, $1 50 7x12 H 

Louvre, Paris. 

1845 Figure of Peasant with Staff, - - i 50 9x15 G H 

Ivouvre, Paris. 

Pontormo, Jacopo da. 

(Real name, Jacopo Carucci.) 
Pontormo, 1494 ; Florence, 1557. 

Florentine School. 

1846 Draped Figure of a Man, seated, - , 2 00 9^x13 H 

British Museum, London. 

Pordenone, Giovanni Antonio Regillo da. 

Pordenone, 1483-1539. 

Venetian School. 

1847 Presentation in the Temple, - - 2 00 10^x14 H 

Academy of Fine Arts, Venice. 

Potter, Paul. 

Enckhuysen, 1625 ; Amsterdam, 1654. 

Dutch School. 



1848 Interior of Cow Stable, 

Albertina Collection, Vienna. 

1849 Landscape with Herd of Cattle, 

Albertina Collection, Vienna. 

1850 Study of Grazing Ox, - 

Albertina Collection, Vienna. 

1 85 1 Study of the Head of an Ox, 

Albertina Collection, Vienna. 

1852 Study of Dog, - 

Albertina Collection, Vienna. 



I 25 


9x10 


H 


I 25 


9xioi< 


H 


I 00 


7x9 


H 


I 25 


9x11 


H 


I 00 


6x7 


H 



Poussin, Nicolas. 

Andelys, 1594 ; Rome, 1665. 

French School. 



1853 Mythological subject, 

Louvre, Paris. 

1854 Landscape with Woods, 

Louvre, Paris. 

1855 Sacrifice of Noah, 

Albertina Collection, Vienna. 

1856 A Wood, 

Albertina Collection, Vienna, 

1857 A Forest, 

Albertina Collection, Vienna. 

1858 Wooded Landscape, 

Albertina Collection, Vienna. 

1859 Kneeling Male Figure ; nude, 

Chatsworth, 



2 00 


6>^xi6 




H 


I 25 


7x10 




H 


I 50 


7^x11 




H 


I 25 


7x10 


G 


H 


I 25 


9>^x7>^ 


G 


H 


I 25 


7x10 




H 


I 25 


8xio>^ 




H 



153 



Prudhon, Pierre. 

Cluny, 1758 ; Paris, 1823. 

French Schooi.. 



i860 Head of a Young Woman, 
Louvre, Paris. 

1 86 1 Mademoiselle Meyer, 

Louvre, Paris. 

1862 Study ; girl, 

Louvre, Paris. 

1863 Cupid, 

Marcille Collection. 



Price. 


Size. 


Grade. 


^4 00 


14x16}^ 


H 


4 00 


12x14 


H 


4 GO 


12x18 


H 


4 GO 


13^x17 


H 



Raphael Sanzio. 

Urblno, 1483 ; Rome, 1520. 

Roman School. 

1864 Virgin Holding the Infant Christ in Her 

Arms (attributed), - - - 3 og 

Academy of Fine Arts, Florence. 

1865 Pope Julius II., - - - 2 50 

Louvre, Paris. 

1866 Studies ; heads and hands, - - 2 00 

Louvre, Paris. 

1867 Figure of a Saint, - - - g 75 

Louvre, Paris. 

1868 Portrait Sketch of Maddalena Doni, - i gg 

Louvre, Paris. 

1869 The Cup of Joseph found in the Sack of Ben- 

jamin, - - - - I 75 

Louvre, Paris. 

1870 Sketch of Kneeling Woman, and Head of a 

Man, - - - - - I 00 

Chantilly. 

1 87 1 Study of Three Figures of ''The Hours," 

from "The Feast of the Gods," fresco on 
the ceiling of the Farnese Palace, - i 75 

Chantilly. 

1872 Fragment from " The Descent from the Cross," i 25 

Gay Collection. 

1873 Sketch of Two Cavaliers, - - i 50 

Albertina Collection, Vienna. 

1874 Study of Feet, - - - - i 25 

Museum, Lille. 

1875 Study of Drapery, - - - i 75 

Museum, Lille. 

1876 Study for the Virgin, - - - 2 og 

Museum, Lille, 



18x18 
lo>^xi6 
io>^xi5 

6x8 
8x14 

VM6 



H 
H 
H 
H 
H 

H 

H 



7^x13 


H 


7>^XIG 


H 


8x11 


H 


7>^xio>^ 


G H 


8>^XI2^ 


H 


9>^xi5 


H 



154 
Raphael Sanzio — Continued. 

Price. 

1877 Study for Apollo of Parnassus, - $1 75 

Museum, Lille. 

1878 Draped Male Figure, - - - 2 00 

British Museum, London. 

1879 Stud}^ for Heads and Virgin of Child, - i 00 

British Museum, London. 

1880 Study of a Head and of a Right Hand, - i 25 

British Museum, London. 

1 88 1 Study for "The Baptism of Christ," - i 75 

British Museum, London. 

1882 Study ; two figures and foot, - - i 75 

British Museum, London. 

1883 Study of Drapery and Hands, - - i 75 

British Museum, London. 

1884 Nude Male Figure, standing; back view, i 75 

British Museum, London, 

1885 Standing Male Figure, - - i 50 

British Museum, London. 

1886 Studies of Nude Figures, - - - 2 50 

British Museum, London. 

1887 Head of an Old Man; study for "The 

Transfiguration," - - - 3 00 

British Museum, London. 

1888 Presentation in the Temple, - - i 00 

Taylor Collection, Oxford. 

1889 Figure of a Child, - - - i 00 

Taylor Collection, Oxford. 

1890 Portrait of Raphael at the Age of Sixteen 

Years, - - - - - 2 00 

Taylor Collection, Oxford. 

1891 Head of St. Elizabeth, - - - i 25 

Taylor Collection, Oxford. 

1892 Head of St. John, of St. Peter, and details 

for " The Transfiguration," - - 4 00 

Taylor Collection, Oxford. 

1893 Pope Julius II., - - - - 2 00 

Chatsworth. 

1894 Studies of Heads, - - - i 50 

Chatsworth. 

1895 Head of a Man, - - - - i 50 

Chatsworth. 

1896 Cartoon for a portion of "The School of 

Athens," - - - - - 2 50 i8xio>^ • H 

Ambrosian Library, Milan. 



Size. 


Grade. 


9XI2>^ 


H 


. 9>^xi3 


H 


^'A^sV^ 


G H 


7>^xio>^ 


H 


7>^xi5 


H 


10x15 


H 


9x13 


H 


8>^xi5 


H 


8I<XI2 


H 


115^x151^ 


H 


I3>^xi5>^ . 


H 


y'A^j'A 


H 


4>^x5 


G H 


10x14 


H 


7^X9>^ 


H 


12^x18 


H 


9x13 


H 


y'A^ioji 


H 


8x10 


H 



155 



Raphael Sanzio — Continued. 



1897 Study of Drapery, - - - ^ 

Ambrosian lyibrary, Milan. 

1898 Study for "The Virgin of the Fish" at Madrid 

Uffizi Gallery, Florence. 

1899 Study for drapery of "The Virgin of Francis 

I " at the Louvre, 
Uffizi Gallery, Florence. 

1900 Figure of a Woman carrying a Vase 

Uffizi Gallery, Florence. 

1 90 1 Studies; figures of men and angels, 

Uffizi Gallery, Florence. 

1902 Study ; St. Paul Preaching, 

Uffizi Gallery, Florence. 

1903 Study for "St. George and the Dragon," 

Uffizi Gallery, Florence. 

1904 Study of St. Paul for the picture of "St. 

Cecilia " at Bologna, 
Academy of Fine Arts, Venice. 

1905 Portrait of Virgil, . . . 

Academy of Fine Arts, Venice. 

1906 Figure of a man playing the bagpipe. 

Academy of Fine Arts, Venice. 

1907 Figures, - - - - 

Academy of Fine Arts, Venice. 

1 908 The Dispute ; first sketch for the lower part 

of the fresco, _ _ _ _ 

Windsor Gallery. 

1909 Homer, Virgil and Dante ; first sketch for 

the fresco of Parnassus, 
Windsor Gallery. 

1 9 10 The Division of the Land of Canaan ; first 

sketch for the fresco, 
Windsor Gallery. 

191 1 " Guard my Sheep ;" cartoon for tapestry 

Windsor Gallery. 

191 2 Head of an Old Man, - 

Weimar. 



Price. 


Size. 


Grade. 


I 25 


11x6 


H 


I 50 


10x10^ 


H 


I 50 


8x12 


H 


2 CO 


8x16 


G H 


I 75 


9x13 


H 


2 00 


10x16 


H 


I 25 


io>^x9 


G H 


I 75 


5x14 


H 


I 00 


5^x7^ 


H 


I 00 


6x8 >^ 


G H 


I GO 


sYa^^Y^ 


H 



2 00 



I 50 



I 50 



2 GO 



I GO 



7^X15^ 



7x10 



H 



H 



7>^xii H 

IGX14 H 

43/^x7>^ G H 



Regillo; see Pordenone. 



Reinhardt, Johann. 

1761-1847. 

German Schooi.. 



1 91 3 Crouching Dog, 

Royal Cabinet, Dresden. 



25 



11x414: P G H 



156 



I9I4 
1915 
1916 

I9I7 

I9i8 
1919 

tl920 

I92I 
1922 

1923 
1924 
1925 

1926 

1927 
1928 
1929 
1930 

I93I 
1932* 



Rembrandt van Ryn. 

Leyden, 1607 ; Amsterdam, 1669. 

Dutch School. 

Price. 

Study of a Lion, - - - - $1 00 

Louvre, Paris. 

Study of a Lion, - - - i 00 

Louvre, Paris. 

Study of a Lion, - - - - i 00 

Chantilly. 

Study of a man seated at a table with books; 
on the right a kneeling figure, - - i 25 

Chantilly. 

A Bearded Man ; seated figure, - - i 25 

Mitchell Collection. 

Sketch of Two Figures ; male and female, i 50 
Royal Cabinet, Dresden. 

Seated Male Figure, - - - i 50 

Royal Cabinet, Dresden. 

Interior ; the departure of Tobias, - i 00 

Albertina Collection, Vienna. 

The Unjust Steward, - - - . i 50 

Albertina Collection, Vienna. 

The Philosopher, - - - i 00 

Albertina Collection, Vienna. 

An Old Woman Seated, spinning, - - i 00 

Albertina Collection. Vienna. 

The Beggar, - - - - o 75 

Albertina Collection, Vienna. 

Landscape, - - - - o 75 

Albertina Collection, Vienna. 

View of Dutch Town, - - - o 75 

Albertina Collection, Vienna. 

Landscape with Trees, - - - i 25 

Albertina Collection, Vienna. 

Landscape with Old Cottages, - - i 25 

Albertina Collection, Vienna. 

Houses and Windmill on the Banks of a River i 50 
Albertina Collection, Vienna. 



* 



Lion in Repose, 

Albertina Collection, Vienna. 

Head. - 
Weimar. 



I GO 



O 75 



Size. 


Grade 




7>^x4 


G 


H 


8^x53/< 


G 


H 


^'A^S'A. 


G 


H 


6x9 




H 


6x8 >^ 




H 


8x9 




H 


6x9 




H 


6>^x8 




H 


7>^xio 




H 


8x9 




H 


6i<x8 




H 


3>^x6 




H 


3x6 




H 


3>^x6^ 




H 


11^x55^ 




H 


7X9>^ 




H 


12x7 


G 


H 


s'A^yH 




H 


4x5 




H 



157 






Reynolds, Sir Joshua. 






Plympton. 1723; London, 1792. 






ENGI.ISH SCHOOI,. 






Price. 


Size. 


Grade. 


1933** Portrait of Lady Catesby, - - $3 00 
Marcille Collection. 


I2XI4>^ 


H 


ti934* Bust of a Woman, - - - 2 50 
Charras Collection. 




H 



Ricciarelli ; see Volterra. 
Rosa, Salvator. 

Naples, 1615-1673 

Naturai^ist. 

1935 Sketch of Reclining Figure, - - " i 00 7x7 H 

Uffizi Gallery, Florence. 

1936 St. John Preaching, - - - i 75 10x13 H 

Uffizi Gallery, Florence. 

Rousseau, Theodore. 

Paris, 1812-1867. 

French Schooi.. 

1937* Landscape, - - - - i 25 6j4:Kg H 

Museum, I/ille. 

Rubens, Peter Paul. 

Siegen, 1577; Antwerp. 1640. 

Flemish SchooIv. 

1938 Portrait of Rubens, .- - - 

Louvre, Paris. 

1939 Heads of Two Children, 

IvOuvre, Paris. 

1940 Libyan Sibyl (after Michelangelo) 

Louvre, Paris. 

1941 Head of a Donkey, - - - 

Chantilly. 

1942* Portrait of a Young Girl, - - - 

De Chennevieres Collection. 



2 50 


10^X17 


H 


I GO 


8^x63/4 


G H 


3 00 


iij^xi8 


H 


I 25 


7x10 


G H 


I 25 


7^x11 


H 



158 
Rubens, Peter Paul — Continued. 



>i^* 



1943 
1944 

1945 
1946 
1947 
1948 
1949 
1950* 

1951 
1952 
1953"^ 

1954 
1955 
1956 
ti957* 
1958 

1959* 
i960 
1961 
1962 
ti963** 



Portrait of Rubens, 

Albertina Collection, Vienna. 

Sacrifice of Abraham, _ _ _ 

Albertina Collection, Vienna. 

Assumption of the Virgin, 

Albertina Collection, Vienna. 
An Apostle, _ . _ _ 

Albertina Collection, Vienna. 
An Apostle, . _ - _ 

Albertina Collection, Vienna. 
Studies of Angels, _ . _ 

Albertina Collection, Vienna, 

Study of a Saddled Horse, 

Albertina Collection, Vienna. 
Study of an Ox, - . _ . 

Albertina Collection, Vienna. 

Portrait of the Duke of Buckingham, - 
Albertina Collection, Vienna. 

Study of a Man, - - - 

Albertina Collection, Vienna. 

Portrait of a Young Lady of the Court of 
the Infanta of Brussels, 
Albertina Collection, Vienna. 

Head of a Child, - - . - 

Albertina Collection, Vienna. 

Two Heads of Young Women, 
Albertina Collection, Vienna. 

Draped Female Figure, seated, 
Albertina Collection, Vienna. 

Draped Female Figure, seated, 
Albertina Collection, Vienna. 

Study of Heads and Hands 
Albertina Collection, Vienna. 

Bust of Helen Fourment, wife of Rubens, 
Uffizi Gallery, Florence. 

Two Infant Figures, 
Weimar. 

Portraits of Two Gentlemen, 
Weimar. 

Studies of Flying Angels, 
Weimar. 

Portrait of a Man, 
Weimar. 



Price. 


Size. 


Grade. 


fi 25 


7xio>^ 


H 


I 50 


9^X12 


H 


I 50 


8^X11 


H 


I 00 


5x7 ■ 


H 


I 00 


5x7 


H 


I 50 


8x13 


H 


2 50 


13x14 


H 


2 00 


11x17 


H 


I 75 


9^x14 


G H 


I 75 


10x14 


H 


I 75 


101^x13 


H 


I 25 


7^x9^ 


H 


I 50 


9x11 


H 


I 75 


10x14)^ 


H 


I 75 


11x14 


H 


2 00 


101^x15 


H 


2 00 


rixi6 


H 


I 75 


13x15 


H 


I 25 


8xio>^ 


H 


2 00 


10x14 


H 


I 50 


8x12 


H 



159 
Ruysdael, Jacob van. 

Harlem, 1628-1682. 

Dutch Schooi.. 

Price. Size. Grade. 

1964 Landscape ; edge of the woods, - $1 25 10^x7 G H 

Dutuit Collection. 

1965 lyandscape ; trees and river, - - i 25 7^5/4^ G H 

Chantilly. 

1966 lyandscape with Water Mill, - - i 25 7x10 H 

Albertina Collection, Vienna. 

Sarto, Andrea del. 

IFlorence, 1487-1531. 

Florkntink School. 

1967 Head of a Man, - - - 

Louvre, Paris. 

1968* Studies ; hands and feet, 
Louvre, Paris. 

1969 Portrait of a Woman, seated, 

Chantilly. 

1970 Head of a Woman, _ . _ 

School of Fine Arts, Paris. 

197 1* Three Male Figures, draped, 
British Museum, London. 

1972** Portrait of a Woman, - - - 

Uffizi Gallery, Florence. 

1973 Head of a Boy, - _ _ . 

Uffizi Gallery, Florence. 

1974 Standing Male Figure, 

Uffizi Gallery, Florence. 

1975 Head of a I^aughing Child, 

Uffizi Gallery, Florence. 

1976* Bust of a Man; a study for "The I^ast Supper," i 00 
Uffizi Gallery, Florence. 

1977 Study of a Male Draped Figure, 
Uffizi Gallery, Florence. 

1978** Study of the Angel Gabriel for "The An- 
nunciation ' ' in Pitti Palace, 
Uffizi Gallery, Florence. 

1979* Draped Male Figure, standing, 
Uffizi Gallery, Florence. 



I 00 


6x7 3/4 


H 


2 50 


12x17 


H 


I 00 


6x7 >^ 


H 


I 25 


63^x9 


H 


2 GO 


IGl<XI5 


H 


I 25 


8>^XIG 


H 


I GO 


5>^x7^ 


H 


I 25 


5}4xio}4 


H 


I GO 


6x8 


H 


I GO 


6x7 


H 


I GG 


4x7 


H 


I 75 


iixi3>^ 


H 


I 25 


4>^XIG 


H 



Price. 


Size. 


Grade. 


$1 25 


6x10 


H 


I 25 


6.>^X9^ 


H 


I 75 


9x13)^ 


H 


I 75 


9x14 


H 



160 
Sarto, Andrea del — Continued. 



1980 Draped Male Figure, . - - 

Ufl&zi Gallery, Florence. 

1 98 1 Head of a Child, - - - • 

Uffizi Gallery, Florence. 

1982 Draped Male Figure, - - - 

Academy of Fine Arts, Venice, 
f 1983* Figure of a Young Man, 
Weimar. 

Savoldo, Giovanni Girolamo. 

Brescia, (?) 1480 ; Venice, after 1548. 

Venetian School. 

1984 Head of an Old Man with Long Beard, i 25 10x14 H 

lyouvre, Paris. 

Sodoma (Giovanni Antonio de Bazzi.) 

Verceil, 1477-1549. 

SiENNESE School. 

1985 Reading Magdalen (attributed), - - i 25 7>^x9^ H 

Ambrosian Library, Milan. 

Terburg, Gerard. 

Zwolle, 1617 ; De venter, 1681. 

Dutch School. 

1986 Portrait of a Gentleman, seated, - i 00 6^4^x9^ H 

Albertina Collection, Vienna. 

1987 Seated Figure of a Woman, - - 2 00 io>^xi6 H 

Albertina Collection, Vienna. 

1988 A Fortune Teller, - - - 150 y^^xio^^ H 

Aibertina Collection, Vienna. 

Tintoretto. 

(Real name, Jacopo Robusti.) 
Venice, 1519-1594. 

Venetian School. 

1989 Sketch for " The Marriage Feast at Cana," i 00 

British Museum, London. 

1990 Drawing for ** The Last Supper," - 2 00 

Uffizi Gallery, Florence. 

1 99 1 Drawing for " The Last Supper," - i 50 

Uffizi Gallery, Florence. 



5^x714: 


H 


iixi3>^ 


H 


13x9 


H 



i6i 
Titian. 

(Real name, Tiziano Vecelli.) 
Pieve di Cadore, 1477 ; Venice, IS*; 

Venetian School. 



Price. Size. Grade 



1992 Figure of a Soldier (attributed), - - $2 00 y^^xiy^^ G H 

LrOuvre, Paris. 

1993 Virgin and Infant, - - - 100 sY^^lV^ H 

lyouvre, Paris. 

1994 Figure of a Halberdier, - - - 125 8^x12^ H 

Louvre, Paris. 

1995 Seated Figure of a young Girl, - i 25 7^x10 H 

Louvre, Paris. 

1996 Head; Pope Julius II., - - - i 00 3/4^x4 H 

Chatsworth. 

1997 Portrait of Titian, - - - i 25 6)^x8 H' 

Chatsworth. 

1998 Head of a Warrior, - - - i 25 8x10^ H 

Chatsworth. 

1999** Figure of St. Nicholas, seated, - i 50 10x12 H 

UfiEizi Gallery, Florence. 

2000* Head of a Man ; apparently a study from an 

antique bust of a Roman Emperor, - i 50 9x12^ H 

Uffizi Gallery, Florence. 

2001** Seated Figure of a Man Reading, - i 25 7>^xio H 

Uffizi Gallery, Florence. 



Tito, Santi di. 

Borgo San Sepolcro, 1538-1603, 

Florentine School. 

2002 Seated Figure of an Apostle, writing, - i 75 ioxi4>^ H 

Uffizi Gallery, Florence. 



Vaga, del ; see Buonacorsi. 



Van Loo, Carle. 

Nice, 1705 ; Paris, 1765. 

French School. 



2003 Head of a young Girl, - - i 50 10x13 H 

Louvre, Paris. 



l62 



Vanni, Francesco. 








Sienna. 1563-1609. 








SiENNKSK School. 










Price. 


Size. 


Grade. 


. 


$1 25 


7x11^ 


H 



2004 The Last Sacrament, 
Ivouvre, Paris. 



Velasquez, Diego Rodriguez de Silva y. 

Seville, 1599-1660. 

Spanish School, 

t2005** Head of a Laughing Boy, - - i 50 8x10 H 

Royal Cabinet, Dresden. 

2006 Boy Playing the Mandolin, - - i 00 6x6 G H 

Albertina Collection, Vienna. 

2007** Sketch of a Lady, - - - o 75 3^6 H 

Albertina Collection, Vienna. 

2008 Philip IV. on Horseback, - - i 25 8x10 H 

Albertina Collection, Vienna. 

2009 Riding Cavalier, - - - 150 8^x12 H 

Uffizi Gallery, Florence. 



Louvre, Pans. 

201 1** Studies of Sheep, 
Louvre, Paris. 



Velde, Adriaen Van de. 






Amsterdam, 1635-1672. 






Dutch School. 






s and Goats, - -125 


9^x6^ 


G H 


I 25 


10x5^ 


G H 


. Young Man, - i 00 


7x8 >^ 


H 



Albertina Collection, Vienna. 



Veronese, Paul. 

•Real name, Paolo Caliari.) 
Verona, 1528-1588. 

Venetian School. 

2013 The Holy Family, with young St. John, i 25 7/4^xio H 

Louvre, Paris. 

2014* The Hunt, - - - - 2 50 12^x16 H 

British Museum, London. 

2015 Group of Armed Men, - - i 75 6>^xi4>^ H 

British Museum, Loudon. 



163 
Verrocchio, Andrea del. 

Florence, 1435; Venice. 1488. 

F1.0RENTINB School. 

Price. Size, Grade. 

2016 Studies of Horses, - - - $1 25 7x10^^ G H 

Chantilly. 

Vinci, Leonardo da. 

Vinci, 1452; Cloux, 1.519. 

Florentine School. 

2017 Head of an Infant, 

Louvre, Paris. 

2018 Head of a Man, _ - _ - 

Louvre, Paris. 

2019 Head of a Child, study for '* John the Bap- 

tist," ----- 
Louvre, Paris. 

2020* Virgin and Child, - - - - 

British Museuin, London. 

2021 Head of a Man, - 

British Museum, London. 

2022 Heads, - _ _ . . 

Chatsworth. 

2023* Head of a Young Woman, 
Uffizi Gallery, P'lorence. 

t2024** Head of a Woman ; copy of a drawing in the 
Ivouvre, ----- 
Uffizi Gallery, Florence. 

2025 Virgin and Child ; with cat, 

Uffizi Gallery, Florence. 

2026 Bust in Profile of a Man, - 

Uffizi Gallery, Florence. 

2027 Portrait of Da Vinci as an Old Man, 

Academy of Fine Arts, Venice. 

2028 Study for "The Last Supper ; " with notes, 

Academy of Fine Arts, Venice. 

2029 Study for "The Last Supper ; " head of St. 

Philip, - - - 

Windsor Gallery. 

2030* Sketch for ' ' The Last Supper, " - 
Windsor Gallery. 

2031 Study of Horses for the Equestrian Statue of 

Francesco Sforza, - - - i 50 7^x10 G H 

Windsor Gallery. 



75 


3>^x5>^ 




H 


I 25 


61^x9 




H 


I 00 


5>^x7 


G 


H 


2 00 


ii>^xi4 




H 


I GO 


6Kx6>^ 


G 


H 


I 50 


7i^xio>^ 




H 


I 25 


6x9 


G 


H 


I 50 


9^X(2 


G 


H 


75 


3^x4 >^ 


G 


H 


i 50 


8>^XI2 


G 


H 


I 50 


7^x11^ 




H 


2 00 


9^x15 




H 


I 25 


6^x7^ 


G 


H 


2 00 


9>^xi5 




H 



t64 





Vinci, Leonardo da— Continued. 












Price. 


Size. 


Grade. 


2032* 


Study of a Cavalier, _ _ - 
Windsor Gallery. 


$1 25 


7x6 


G 


H 


2033 


Horses in Three Different Positions, 
Windsor Gallery. 


I 25 


5>^x8 


G* 


H 


2034 


Study of Horses at Full Gallop, - 
Windsor Gallery. 


I 50 


9^x6^ 


G 


H 


2035 


Study of Drapery, 
Windsor Gallery. 


I 25 


6x8 


G 


H 


2036 


Head of Leonardo, 
Windsor Gallery. 


I 50 


7XIGi<" 




H 


2037** Bust of a Woman, 


I GO 


4^x6^ 


G 


H 




Windsor Gallery. 










2038 


Bust of a Young Woman, - 
Windsor Gallery. 


2 GO 


8xii>^ 


G 


H 


2039 


Study of Clasped Hands, for " Mona Lisa," 
Windsor Gallery. 


I 25 


8>^x6 




H 


2040 


Head of a Young Woman ; charcoal study ; 












School of Da Vinci, 


I 50 


sy2^sy2 




H 




Windsor Gallery. 











Volterra, Daniele. 

(Ricciarelli.) 
Voltera, 1509 (?) 1566. 

Florentine School. 



2041 Study of Draped Female Figure, 
Uffizi Gallery, Florence. 



I 25 



Studies of Costumes, 

lyouvre, Paris 
Study of Heads, 

Louvre, Paris 
Study of Heads, 

Rutter Collection. 
Seated Female Figures, 
Galichon Collection. 
2046* Study of a Man, 

Chantilly. 
2G47 Heads, 

Museum, Lille. 
2048* Heads, 

Museum, Lille. 



2042 

2043 
2044 

2045 



Watteau, Jean Antoine. 

Valenciennes, 1684 ; Nogent-sur-Marne, 1721. 

French School. 

I 75 



2 GG 



2 OG 



25 



I 75 



50 



I 50 



6x11 



H 



9^x14 


H 


IGXI4 


H 


IGXI4 


H 


7x9 


H 


8>^xi5 


G H 


7>^XI2 


H 


7x11 


H 



i65 



Wouverman, Philip. 

Harlem, 1619-1668. 

Dutch Schooi.. 



2049 Saddled Horse, 

Albertina Collection, Vienna. 

2050 Greyhounds, 

Albertina Collection, Vienna. 



Price. 

$1 GO 

o 75 



Size. 

4x5 

3x5 



Grade. 
G H 

G H 



Zampieri; see Domenichino. 



Zucchero, Federigo. 

Urbino, 1542 ; Anconia, 1609. 

iTAi^iAN School. 

2051 Head of a Girl ; head and hand of a boy, i 00 

Louvre, Paris. 

2052 Head of an Old Man, - - - i 00 

Louvre, Paris. 

2053 Head of a Man, - - - o 75 

Louvre, Paris. 



6i<x7^ H 

5x7 K H 

4>^x6^ G H 



ARCHITECTURE. 
Egyptian 

About 4,000 years B. C. to 330 A. D. 



t2054** Great Pyramid and Shepherds attending 
their Flock, - - - - 

2055 Same subject, 

2056 Same subject, - - - - 

2057 Pyramids and Palms, 

2058** Road to the Pyramids - - . 

2059 Same subject, 

2060 Same subject, . . _ _ 
2061* Caravan resting at the Pyramids, 

2062 Same subject, . - . _ 

2063 Same subject, 

t2o64** Pyramids and Sphinx, - 



40 GO 




[ p 


G 


H 


15 GO 


I] 


[ p 


G 


H 


6 00 


II] 


[ p 


G 


H 


15 00 


I] 




G 


H 


4G GO 




[ p 


G 


H 


15 GO 


i: 


[ p 


G 


H 


6 GG 


II] 


[ p 


G 


H 


40 GG 


] 


[ p 


G 


H 


15 GO 


I] 


[ p 


G 


H 


6 GG 


II] 


[ p 


G 


H 


4 00 


II] 




G 


H 



1 66 





Architecture, Egyptian— Continued. 














Price. 


Size. 


Grade 




2065 


Pyramids and Sphinx, 


$15 00 


II 




G 


H 


2066** 


Sphinx and Pyramids, - . - 


40 GO 


I 


P 


G 


H 


2067 


Same subject, - - - 


15 GO 


II 


P 


G 


H 


2068 


Same subject, - - - - 


6 GG 


III 


P 


G 


H 


2069 


The Sphinx ; front view, 


40 GG 


I 




G 


H 


2070 


Same subject, - - . . 


15 GG 


II 




G 


H 


2071 


Same subject. 


6 GO 


III 




G 


H 


2072 


Pyramids and Ruins of the Grand Temple, 


15 GG 


II 




G 


H 


. 2073* 


Sphinx and Pyramids ; (camels in fore- 














ground), . - . _ 


40 GG 


I 


P 


G 


H 


2074 


Same subject, - - - - 


15 OG 


II 


P 


G 


H 


2075 


Same subject, - - - ■ - 


6 00 


III 


P 


G 


H 


2076* 


Vista of Palm trees on the banks of the Nile 


40 GG 


I 


P 


G 


H 


2077 


Same subject, _ . . - 


15 GO 


II 


P 


G 


H 


2078 


Same subject. 


6 OG 


III 


P 


G 


H 


2079* 


Temple of Luxor ; second peristyle court. 


40 OG 


I 


P 


G 


H 


2080 


Same subject, - - . - 


15 GG 


II 


P 


G 


H 


2081 


Same subject, - - _ 


6 OG 


III 


P 


G 


H 


t2082 


Temple of Kdfou ; front, . - 


4 OG 


III 




G 


H 


2083* 


Temple of Edfou ; interior. 


15 GG 


II 




G 


H 


2084 


Same subject, - _ - - 


4 GO 


III 




G 


H 


t2o85* 


Pyramids and Temple of Edfou, 


15 GO 


III 




G 


H 


2086 


The Colossi of Memnon at Thebes, 


4G 00 


I 




G 


H 


2087 


Same subject, - - - - 


15 GG 


II 




G 


H 


t2o88* 


Ramesseum of Thebes and the Colossi of 














Memnon, . . - . 


15 GG 


II 




G 


H 


2089 


Same subject, - - - 


4 GO 


III 




G 


H 


2090 


Ramesseum of Thebes, 


4 OG 


III 




G 


H 


tt209i** 


Temple of Karnak ; pylon, 


15 GG 


II 




G 


H 


2092 


Same subject, 


4 OG 


III 




G 


H 


2093 


Temple of Karnak, _ . - 


4 GG 


III 




G 


H 


tt2094** 


Island of Philae and Temple, 


15 OG 


II 




G 


H 


2095 


Same subject, - - - . 


4 OG 


III 




G 


H 


t2096* 


Small Temple of Philae, 


15 OG 


II 




G 


H 


2097 


Same subject, - _ . - 


4 GO 


III 




G 


H 


2098 


Temple of Isis at Philae ; west colonnade, - 


15 GG 


II 




G 


H 


2099 


Same subject. 


6 GO 


III 




G 


H 





167 














ARCHITECTURE. 










Greek. 














776 B. C— 137 A. 


D. 
















Price. 


Size. 


Grade. 


t2IOO** 


Temple of Theseus, 


- 


$40 GO 


I 


G 


H 


2IOI 


Same subject, - - - 




15 00 


II 


G 


H 


2I02 


View of the side of the Temple of Theseus, 


4 GO 


III 


G 


H 


2103** 


The Acropolis ; Temple of Theseus in 


the 












foreground, - _ - - 




40 OG 


I 


G 


H 


2104 


Same subject, 


- 


15 GO 


II 


G 


H 


2105 


Same subject,, 




6 GG 


III 


G 


H 


t2io6 


General view of the Acropolis from Mount 












Lyssos, - - - . 


- 


15 GG 


II 


G 


H 


2107 


Same subject, - - - 




4 GG 


III 


G 


H 


2108 


Acropolis from the Philopappos Hill, 


- 


4G GG 


I 


G 


H 


2109 


Same subject, - - - - 




15 GG 


II 


G 


H 


2IIO 


Same subject, 


- 


6 GO 


III 


G 


H 


2III* 


General view of the Acropolis, 




15 GO 


II 


G 


H 


2II2 


Same subject. 


- 


4 GG 


III 


G 


H 


tt2ii3** 


Acropolis ; general view from the Pnyx, 




4 GG 


III 


G 


H 


2II4 


Acropolis from the Pnyx, 


- 


4G GO 


I 


G 


H 


2II5 


Same subject, - - - 




15 GG 


II 


G 


H 


2I16 


Same subject. 


- 


6 GG 


III 


G 


H 


2II7 


General view of the monuments of Acropolis, 


15 GG 


II 


G 


H 


2I18 


Same subject. 


- 


4 GG 


III 


G 


H 


21 19** 


Parthenon ; view from the side. 




7G GG 


I 


G 


H 


tt2I20 


Same subject. 


- 


15 GG 


II 


G 


H 


2I2I 


Same subject, - - - _ 




4 GG 


III 


G 


H 


2122* 


Parthenon ; facade, near view, 


- 


4 GG 


III 


G 


H 


2123 


Parthenon ; front view. 




4 GG 


III 


G 


H 


2124 


Parthenon ; colonnade, 


- 


4 OG 


III 


G 


H 


2125 


Parthenon ; interior, 




4 GG 


III 


G 


H 


2126 


Parthenon, 


- 


40 GG 


I 


G 


H 



i68 
Architecture, Greek — Continued: 

■j-t2i27** Propylaea ; view from the Erectheum, 
2128 Same subject, _ _ . . 

t2i29 Propylaea, interior, - - - 

2130 Same subject, _ _ _ - 

t2i3i* Erectheum ; general view, 
2132 Same subject, _ _ _ _ 

t2i33** Erectheum and Porch, 
2134** Porch of the Caryatides, - - - 

2135 Same subject, - - - - 

2136** Erectheum ; porch of the Caryatides, 

2137 Erectheum, with ruins of the columns of the 

Parthenon in the foreground, 

2138 Same subject, - - - - 

t2i39t Temple of Victory Aptera, 

tt2i40** Temple of Jupiter; general view with the. 
Acropolis in the distance, 

2 141 Same subject, - - . - 

2142 Temple of Jupiter ; opposite side, 
t2i43* Temple of Jupiter ; the columns, 

2144 Choragic Monument of Lysicrates, 

2145 Arch of Hadrian ; Temple of Jupiter beyond, 15 00 

2146 Same subject, - _ _ _ 
t2i47* Acropolis at Corinth ; temple ruins in fore 

ground, . . . . 

2148 Same subject, _ _ . _ 

t2i49* Acropolis at Corinth, - - - 

2150 Same subject, - . . _ 

2 15 1 Lion Gate at Mycenae, 

2152 Temple of Sounion, 

2153 Same subject, - - . - 

2154 Temple of Athena at Egina, 
t2i55* Temple of Neptune, Paestum, 

2156 Same subject, - - . - 

2157** Temple of Neptune ; near view, 
2158** Temple of Neptune at Paestum, 
2159 Temple of Ceres, Paestum, 



Price. 


Size. 


Grade. 


fi5 00 


II 


G H 


4 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


4 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


40 GO 


I 


G H 


15 GO 


II 


G H 


6 00 


III 


G H 


4 GO 


III 


G H 


15 GG 


II 


G H 


4 GG 


III 


G H 


4 GG 


III 


G H 


15 GG 


II 


G H 


4 GG 


III 


H 


15 GG 


II 


H 


4 GO 


III 


H 


15 GG 


II 


G H 


4 GG 


III 


G H 


15 GO 


II 


G H 


4 GG 


III 


G H 


4 GO 


III 


G H 


15 GO 


II 


G H 


4 GG 


III 


G H 


4 00 


III 


G H 


15 GG 


II 


G H 


4 GG 


III 


G H 


4 OG 


III 


G H 


40 OG 


I 


G H 


4 GO 


III 


G H 



169 
ARCHITECTURE. 

Roman. 
J^irst Century to Fourth Century A. D. 



2160 Maison Carree at Nimes, - - - 

2 161 Pont du Gard ; Roman aqueduct, 

2162 Same subject, - - - _ 
t2i63* The Colosseum ; exterior, 

2164 Same subject, _ _ . - 

2165 The Colosseum from a different standpoint, 
2166** The Colosseum ; exterior, 

2167 Same subject, - 

2168* The Colosseum ; interior, - - . 

2169 The Colosseum ; interior, 

2170 Same subject, - , - 

2 171** The Arch of Titus, - - . - 

2172 Same subject, - - - 

t2i73** The Arch of Titus, 

2174 Same subject, - - - 

t2i75** Arch of Constantine, 
2176 Same subject, - - . . 

Arch of Constantine, - - - 

Same subject, . - . _ 

Arch of Septimeus Severus, 

2180 Same subject, - - - 

2 181 Same subject, - - - - 

2182 Arch of Septimeus Severus, 

2183 Column of Trajan, 

2184** Roman Forum ; general view, 

2185 Same subject, - - - . 

2186 Same subject, . . . _ 
t2i87* Roman Forum ; general view, left, 

2188 Same subject, . . _ - 



2177 
2178 
2179 



** 



* 



Price. 


Size. 


Grade. 


$4 00 


Ill 


G H 


15 00 


II 


G H 


4 GO 


III 


G H 


15 GO 


II 


G H 


4 00 


III 


G H 


4 00 


III 


G H 


40 00 


I 


G H 


6 GO 


III 


G H 


4 GG 


III 


G H 


40 GO 


I 


G H 


6 GG 


III 


G H 


4G GO 


I 


G H 


6 GG 


III 


G H 


15 GO 


II 


G H 


4 GG 


III 


G H 


15 GG 


II 


G H 


4 GG 


III 


G H 


40 GO 


I 


G H 


6 OG 


III 


G H 


40 GG 


I 


G H 


15 GG 


II 


G H 


6 GG 


III 


G H 


4 GG 


III 


G H 


4 GG 


III 


G H 


40 00 


I 


G H 


15 GG 


II 


G H 


6 OG 


III 


G H 


15 00 


II 


G H 


4 GO 


III 


G H 



Architecture, Roman — Continued. 



2189 Roman Forum; general view, right, 

2190 Same subject, - . _ . 
2 191* Pantheon, _ _ - _ 
2192* Pantheon, - - . . _ 

2193 Same subject, - - - - 

2194 Tomb of Hadrian and Castle of San Angelo, 

2195 Castle and Bridge of San Angelo, 

2196 Same subject, 

2197 Same subject, - - - - 
2198*^ Temple of the Sun at Baalbec, 

2199 Same subject, - - - - 

2200 Same subject, . _ - _ 

2201 The Forum at Pompeii ; Vesuvius in the 

distance, . _ . . 

2202 Same subject, . . _ _ 

2203 Forum Triangulum ; Pompeii, 

2204 House of Cornelius Ruf us ; Pompeii, 

2205 House of Marcus Oleonius ; Pompeii, 

2206 House of Pansa ; Pompeii, 

2207 House at Pompeii, - - - 



Price. 


Size. 


Grade. 


515 00 


II 


G H 


4 GO 


III 


G H 


4 00 


III 


G H 


40 00 


I 


G H 


15 GO 


II 


G H 


4 GO 


III 


G H 


40 00 


I 


G H 


15 GO 


II 


G H 


6 GG 


III 


G H 


40 GO 


I 


G H 


15 GG 


II 


G H 


6 GO 


III 


G H 


15 GG 


II 


G H 


6 GG 


III 


G H 


4 GG 


III 


G H 


4 GG 


III 


G H 


4 GG 


III 


G H 


4 GG 


III 


G H 


4 GG 


III 


G H 



ARCHITECTURE. 

Byzantine and Romanesque. 

Sixth Century to Twelfth Century, 



22g8 Church of Etienne, Caen, 

2209 Fagade of La Trinite, Caen, 

2210 Same subject, . _ . . 
t22ii* Church of St. Mark, Venice; fagade, - 

2212 Same subject, . . . . 

2213** St. Marks, Venice; fagade, 

2214 Same subject, - - - - 6 og III G H 



4 00 


III 


15 00 


II 


4 GG 


III 


15 GG 


II 


4 GO 


III 


4G GG 


I 


6 OG 


III 



G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 



Architecture, Byzantine and Romanesque — Continued. 



2215* St. Marks, Venice ; interior, 

2216 Same subject, . . - . 

2217 Same subject, 

2218** Cathedral, Baptistery, and Leaning Tower, 
Pisa, - 

2219 Same subject, - - - - • 

t2 22o Baptistery, Cathedral and Tower, Pisa, 

2221 Same subject, - - - ' - 

t2 22 2* Cathedral and lycaning Tower, Pisa, 

2223 Same subject, - - - - 

t2224 Baptistry, ----- 

2225 lycaning Tower, - - 

2226 Church of Santa Sophia, Constantinople, 
2227** Santa Sophia ; exterior, 

2228 Same subject, - - - - 

2229 Same subject, - - - - 
2230* Santa Sophia ; interior, _ - - 



2231 


Same subject, - - - 


2232 


Interior of St. Sophia ; photograph, 


2233*^ 


■ Mosque of Achmet ; exterior. 


2234 


Same subject. 


2235 


Same subject, - - - 


2236 


Church of St. Theodore, 


2237 


Old Cathedral, Athens, 


2238 


Interior of San Vitale, Ravenna, - 


2239 


Same subject, - 


2240 


Same subject, 


2241* 


Interior of San AppoUinare, Ravenna, 


2242 


Same subject. 


2243 


Same subject, - 


2244** 


Cloisters of San Polo, Rome, 


2245 


Same subject, - 


2246 


Same subject. 



Price. 


Size. 


Grade. 


$40 00 


I 


G H 


15 00 


II 


G H 


6 GO 


III 


G H 


40 00 


I 


G H 


6 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


15 GO 


II 


G H 


15 00 


II 


G H 


3 00 


11^x15^ 


G H 


40 GO 


I 


G H 


15 GG 


II 


G H 


6 GO 


III 


G H 


15 GO 


II 


G H 


6 GG 


III 


G H 


IG GG 


24x36 


G H 


40 GO 


I 


G H 


15 GG 


II 


G H 


6 GO 


III 


G H 


6 GG 


III 


G H 


6 GO 


III 


G H 


40 GO 


I 


G H 


15 GO 


II 


G H 


6 GG 


III 


G H 


40 GO 


I 


G H 


15 GG 


II 


G H 


6 GG 


III 


G H 


40 OG 


I 


G H 


15 GO 


II 


G H 


6 GO 


III 


G H 



172 
ARCHITECTURE, 

Saracenic. 
Eighth Century to Fifteenth Century. 



ff2247** 

2248 

f2249** 

2250 

t225I* 

2252 

2253* 

2254 

2255** 

2256 

2257** 

2258 
2259 

t226o* 
2261 
2262 
2263 
2264 

t2265 

2266 

t2267** 

2268 

2269 
2270 
2271 
2272 

2273 
2274 

2275 

2276 
2277 



** 



Alhambra ; Court of L,ions, 

Same subject, _ . _ 

Alhambra ; Court of Lions, general view. 

Same subject, - - - 

Alhambra ; Court of Lions, the fountain. 

Same subject, 

Alhambra ; Court of Lions, the gallery, 

Same subject, _ . . 

Alhambra ; Hall of Justice, 

Same subject, _ _ _ 

Alhambra ; interior, 

Same subject, _ . . 

Same subject, - . - - 

The Giralda ; belfry. 

Same subject, . - - - 

Same subject, - _ . 

Cathedral and Tower of the Giralda, - 

Same subject, 

Alcazar ; Seville ; principal court, 

Same subject. 

Alcazar ; different view, 

Same subject, . - _ 

Alcazar ; interior, - . . 

Same subject, 

Same subject, - - - - 

Mosque of Cordova, 

Same subject, 

Same subject, . . - 

Taj -Mahal, - - 

Same subject, 

Same subject, - - - - 



Price. 


Size. 


Grade. 


15 00 


II 


G H 


4 GO 


III 


G H 


15 GO 


II 


G H 


4 00 


III 


G H 


15 GG 


II 


G H 


4 GG 


III 


G H 


15 GO 


II 


G H 


4 GG 


III 


G H 


15 GG 


II 


G H 


4 GO 


III 


G H 


4G GG 


I 


G H 


15 GG 


II 


G H 


6 GO 


III 


G H 


4G 00 


I 


G H 


15 GG 


II 


G H 


6 GG 


III 


G H 


15 GG 


II 


G H 


4 GG 


III 


G H 


15 GG 


II 


G H 


4 GG 


III 


G H 


15 GG 


II 


G H 


4 GO 


III 


G H 


40 GG 


I 


G H 


15 GG 


II 


G H 


6 GG 


III 


G H 


40 GG 


I 


G H 


15 GG 


II 


G H 


6 GG 


III 


G H 


4G GO 


I 


G H 


15 GG 


II 


G H 


6 GO 


III 


G H 



173 

ARCHITECTURE. 

Gothic. 

Twelfth Century to Fifteenth Century. 







Price. 


Size. 


Grade. 


2278** 


Cathedral of Amiens, . . - 


$40 00 




G 


H 


2279 


Same subject, - - - - 


6 00 


Ill 


G 


H 


t2 280* 


Cathedral of Amiens ; facade, 


15 00 




G 


H 


2281 


Same subject, - - - - 


4 GO 


III 


G 


H 


t2282** 


Cathedral of Amiens ; principal portal, 


15 GO 




G 


H 


2283 


Same subject, - - - - 


4 GG 


iir 


G 


H 


t2284* 


Cathedral of Amiens ; interior, 


15 GG 




G 


H 


2285 


Same subject, .... 


4 GG 


III 


G 


H 


2286* 


Cathedral of Bayeux ; the apse, 


4 GG 


III 


G 


H 


2287* 


Cathedral of Beauvais ; portal. 


40 06 




G 


H 


2288 


Same subject, - - - - 


15 GO 




G 


H 


2289 


Same subject, ... - 


6 GO 


III 


G 


H 


2290 


Cathedral of Chartres ; general view, 


15 00 




G 


H 


2291 


Same subject, . . . - 


4 GO 


III 


G 


H 


2292 


Cathedral of Chartres ; front view. 


40 GO 




G 


H 


2293 


Cathedral of Chartres ; portal south of tran- 












sept, - . - . - 


15 00 




G 


H 


2294 


Mont St. Michel ; Hall of the Knights, 


4 GG 


III 


G 


H 


2295* 


Mont St. Michel ; the cloisters. 


15 GG 




G 


H 


2296 


Same subject, ... - 


4 GG 


III 


G 


H 


2297 


Mont St. Michel ; the promenade. 


4 GG 


III 


G 


H 


2298** Cathedral of Notre Dame ; exterior ; side, 


4G GG 




G 


H 


2299 


Same subject, - - - - 


6 OG 


III 


G 


H 


2300^ 


Cathedral of Notre Dame ; exterior ; front. 


40 GG 




G 


H 


2301 


Same subject, - - . - 


6 OG 


III 


G 


H 


12302* 


Cathedral of Notre Dame ; fagade, 


15 OG 




G 


H 


2303 


Same subject, - - - - 


4 GG 


III 


G 


H 


2304** 


'■ Cathedral of Notre Dame ; side view. 


15 GG 




G 


H 


2305 


Same subject, - - - - 


4 GO 


III 


G 


H 


2306* 


Cathedral of Notre Dame ; interior. 


40 GG 




G 


H 


2307 


Same subject, - - - - 


15 GG 




G 


H 


2308 


Same subject, .... 


6 GO 


III 


G 


H 


2309** 


Cathedral of Rheims ; exterior, 


40 GG 




G 


H 


2310 


Same subject, .... 


6 GG 


III 


G 


H 



174 
Architecture, Gothic — Continued. 







Price. 


t23II* 


Cathedral of Rheims ; fagade, - 


$15 00 


2312 


Same subject, - - - - 


4 00 


2313 


Cathedral of Rheims ; portal, 


4 GO 


2314 


Cathedral of Rheims ; north portal, 


40 CO 


2315 


Same subject, - - 


15 00 


2316 


Same subject, . - _ . 


6 00 


2317* 


Cathedral of Rheims ; detail of fagade. 


40 00 


2318 


Same subject, - - - 


15 GO 


2319 


Same subject, - - - - 


6 GG 


2320 


Cathedral of St. Ouen, Rouen, 


- 15 OG 


2321 


Same subject, - - - . - 


4 GG 


2322 


Cathedral of Bourges ; fagade. 


40 GG 


2323 


Same subject, - - - - 


15 GO 


2324 


Same subject, _ _ . . 


6 GO 


2325 


Cathedral of Bourges ; detail of facade, 


40 OG 


2326 


Cathedral of Bourges ; apse, 


40 GG 


2327 


Same subject, - - - - 


15 GG 


2328 


Same subject, . . . _ 


6 GG 


2329 


Cathedral of Strasbourg ; fagade. 


40 GG 


2330 


Same subject, . . . . 


lO OG 


2331 


Cathedral of Strasbourg, 


4 GO 


2332* 


Cathedral of Strasbourg ; side, 


4 GG 


t2333* 


Cathedral of Milan, . - _ 


15 GG 


2334 


Same subject, . . . - 


4 GO 


2335 


Cathedral of Milan, - - . 


40 00 


2336 


Same subject, _ _ . . 


6 GG 


2337 


Cologne Cathedral ; fagade, 


40 GO 


2338 


Same subject, . . . . 


15 GG 


2339 


Same subject, - - - - 


6 GG 


2340*''' 


' Cologne Cathedral ; side, - 


40 GG 


2341 


Same subject, 


15 GO 


2342 


Same subject, _ _ . . 


6 GO 


2343* 


Cologne Cathedral ; interior, 


40 OG 


2344 


Same subject, _ . - 


15 GO 


2345 


Same subject, _ - - - 


6 GG 


2346 


Antwerp Cathedral, 


40 GG 



Size. 


Grade. 


II 


G 


H 


III 


G 


H 


III 


G 


H 


I 


G 


H 


II 


G 


H 


III 


G 


H 


I 


G 


H 


II 


G 


H 


III 


G 


H 


II 


G 


H 


III 


G 


H 


I 


G 


H 


II 


G 


H 


III 


G 


H 


I 


G 


H 


I 


G 


H 


II 


G 


H 


III 


G 


H 


I 


G 


H 


II 


G 


H 


III 


G 


H 


III 


G 


H 


II 


G 


H 


III 


G 


H 


I 


G 


H 


III 


G 


H 


I 


G 


H 


II 


G 


H 


III 


G 


H 


I 


G 


H 


II 


G 


H 


III 


G 


H 


I 


G 


H 


II 


G 


H 


III 


G 


H 


I 


G 


H 



175 



Architecture, Gothic — Continued. 







Price. 


Size. 


Grad( 


e. 


2347 


Cloth Hall at Ypres, - 


$40 00 


I 


G 


H 


2348 


Same subject, 


15 00 


II 


G 


H 


2349 


Same subject, - - - 


6 00 


III 


G 


H 


2350 


Ducal Palace, Venice, 


15 00 


II 


G 


H 


2351 


Same subject, - 


4 00 


III 


G 


H 


2352 


The Ducal Palace from the Lagoon, 


J 5 00 


II 


G 


H 


2353 


Same subject, 


4 GO 


III 


G 


H 


t2354 


Ducal Palace ; interior court, 


15 00 


II 


G 


H 


2355 


Same subject, - - 


4 GO 


III 


G 


H 


2356 


Interior Court and Grand Staircase, 


Ducal 










Palace, Venice, 


40 OG 


I 


G 


H 


2357 


The Piazetta, Venice, 


15 GG 


II 


G 


H 


t2358 


La Ca d'Oro, Venice, 


15 GG 


II 


G 


H 


23.59 


Same subject, - 


4 GG 


III 


G 


H 


2360 


Toledo Cathedral ; exterior. 


40 GG 


I 


G 


H 


2361 


Same subject, - 


15 GG 


II 


G 


H 


2362 


Same subject, 


6 GO 


III 


G 


H 


2363 


Cathedral of Seville, - 


40 GO 


I 


G 


H 


2364 


Same subject. 


15 GO 


II 


G 


H 


2365 


Same subject, - 


6 GO 


III 


G 


H 


2366 


Cathedral of Burgos, 


40 GG 


I 


G 


H 


2367 


Same subject, - 


15 GG 


II 


G 


H 


2368 


Same subject, _ _ _ 


6 GG 


III 


G 


H 


2369*"^ 


- Grand Canal, Venice, - 


40 00 


I 


G 


H 


■t2370 


Same subject. 


- 15 00 


II 


G 


H 


2371 


Same subject, - 


6 GO 


III 


G 


H 


2372 


Cathedral of Orvieto, 


4G OG 


I 


G 


H 


2373 


Same subject, - - - 


15 00 


II 


G 


H 


2374 


Same subject, - 


6 00 


III 


G 


H 


2375 


Cathedral of Sienna, 


40 00 


I 


G 


H 


2376 


Same subject, 


15 00 


II 


G 


H 


2377 


Same subject, - . - 


6 00 


III 


G 


H 


2378 


Cathedral of Sienna ; interior, 


40 00 


I 


G 


H 


2379 


Same subject, - - - 


15 00 


II 


G 


H 


2380 


Same subject. 


6 00 


III 


G 


H 


2381 


Canterbury Cathedral, 


40 00 


I 


G 


H 


2382 


Same subject. 


6 00 


III 


G 


H 



176 



2383 

t2384 
2385 
2386 
2387 

2388 

2389 
2390 
2391 
2392 
2393 
2394 
2395 
2396 

2397 
t2398 

2399 
2400 
2401 
2402 
2403 
2404 

2405 
tt24o6 
2407 
2408** 
2409 
2410 
241 1 
2412 

2413 
2414 

2415 
2416 
2417 
2418 
2419 
2420 



** 



Architecture, Gothic — 

Canterbury Cathedral, 

Same subject, - . . 

Cathedral of Ely ; west front, 

Same subject, 

Peterborough Cathedral, 

Same subject, - . _ 

Peterborough Cathedral, 

Same subject, - . . 

Cathedral of Lincoln ; southwest view, 

Same subject. 

Cathedral of Lincoln, - . - 

Same subject, - _ . 

Westminster Abbey, - _ . - 

Same subject, - _ _ 

Westminster Abbey, - - - 

Same subject, - . - 

Westminster Abbey ; interior. 

Same subject, . . _ 

Same subject, - - - - 

Poet's Corner ; Westminster Abbey, 

Same subject, - - - - 

Salisbury Cathedral, 

Salisbury Cathedral, 

Same subject, . _ - 

Same Subject, - - - - 

Cathedral of Wells, 

Cathedral of Wells, 

Same subject, . . _ 

Same subject, - - - - 

Cathedral of Winchester, - 

Same subject, . - - - 

Gloucester Cathedral, 

Gloucester Cathedral, 

Same subject - - - . 

Same subject, . - - 

Exeter Cathedral, - . . 

Same subject, - - - 

Same subject, - - - - 



Continued. 






Price. 


Size. 


Grade. 


$15 00 


II 


G H 


4 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


40 00 


I 


G H 


6 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


40 00 


I 


G H 


6 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


40 00 


I 


G H 


6 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


40 00 


I 


G H 


15 00 


II 


G H 


6 00 


III 


G H 


15 GO 


II 


G H 


6 00 


III 


G H 


40 GO 


I 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


6 00 


III 


G H 


40 00 


I 


G H 


15 00 


II 


G H 


6 00 


III 


G H 


4 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


40 00 


I 


G H 


15 00 


II 


G H 


6 GG 


III 


G H 


4 GG 


III 


G H 


40 GG 


I 


G H 


15 GG 


II 


G H 


6 GG 


III 


G H 



177 
Architecture. Gothic — Continued. 



Price. 



Size. 



Grade. 



York Minster, - . . . 

Same subject, - . - - 

York Minster ; southwest view, 

Same subject, - - - - 

* York Minster; southeast view, 

Same subject, - - - - 

Uchfield Cathedral, 

Same subject, - - _ , . 

Same subject, - _ . . 

Same subject, - - - - 

Worcester Cathedral, . . . 

Same subject, - 

Same subject, - - . - 

Durham Cathedral, - _ _ 

Same subject, . . - - 

Same subject, - - . . 

Same subject, - . 

Durham Cathedral, . . . 

Same subject, . _ _ - 

Chester Cathedral, - - 

Same subject, . - . - 

Cathedral of Carlisle ; southwest view. 

Same subject, - . . _ 

Melrose Abbey, . - _ 

Same subject, - - 

Melrose Abbey, 

Same subject, . _ . . 

Melrose Abbey (platinotype), - 

Abbotsford ; home of Sir Walter Scott, 

Same subject, - - . - 

Library, Abbotsford, - - 

Same subject, - - . . 

Study at Abbotsford, 

Same subject, - - - - 

Dryburgh Abbey ; burial place of Sir Walter 
Scott, . - . - . 

2456 Same subject, - - - . 



2421 
2422 
2423 
2424 
2425 

t2426 

2427 
2428 
2429 

t2430 

2431 
2432 

2433 
2434 
2435 
2436 

2437 
2438* 

t2439 
2440 
2441 
2442 

2443 
2444 
2445 
2446 

2447 
t2448 

2449 
2450 
2451* 

2452 
2453* 
2454 
2455 



540 00 


I 


6 GO 


III 


15 00 


II 


4 00 


III 


15 00 


II 


4 00 


III 


40 GO 


I 


6 GO 


III 


15 00 


II 


4 OG 


III 


4G OG 


I 


15 GG 


II 


6 OG 


III 


40 GG 


I 


6 OG 


III 


15 00 


II 


4 00 


III 


15 OG 


II 


4 GG 


III 


15 OG 


II 


4 GG 


III 


15 OG 


II 


4 GG 


III 


4G GG 


I 


6 00 


III 


15 GG 


II 


4 OG 


III 


3 00 


8x17 


15 00 


II 


4 GG 


III 


15 GG 


II 


6 GG 


III 


15 00 


II 


6 GO 


III 


15 GG 


II 


4 OG 


III 



G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 



178 
Architecture, Gothic — Continued. 



2457 Tomb of Scott, Dryburgh Abbey, 

2458 Same subject, - 

2459 Battle Abbey, - - - 

2460 Same subject, 

2461 Stirling Castle, 

2462 Same subject, 

2463 Holyrood Palace, - - - 

2464 Same subject, 

2465 Windsor Castle ; general view, 

2466 Same subject, 

2467 Windsor Castle, 

2468 Same subject, 

2469 Warwick Castle, _ - _ 

2470 Same subject, - 

2471 Warwick Castle, 

2472 Same subject, - - - 

2473 Tower of I^ondon, 

2474 Same subject, 

2475 Mailing Castle ; Norman, 

2476 Same subject, 

2477 Kenilworth Castle, 

2478 Same subject, - - 

2479 Kenilworth Castle (platinotype), - 

2480 Haddon Hall ; Norman, 

2481 Same subject, 

2482 Haddon Hall, 

2483 Same subject, 

2484 Edinburgh Castle, 

2485 Same subject, - _ . 

2486 Edinburgh Castle, 
12487 Same subject, 

2488 Oxford, 

2489 Same subject, 

2490 Cambridge ; Queen's College, - 

2491 Same subject, 

2492 Cambridge ; King's College Chapel, 

2493 Same subject, 

2494 Tintern Abbey, 

2495 Same subject, 

2496 Tintern Abbey ; interior, 

2497 Same subject, 

2498 Houses of Parliament, London, 

2499 Same subject, 

2500 Houses of Parliament, London, 
t250i Same subject. 



Price. 


Size. 


Grade. 


$15 00 


II 


G H 


6 00 


III 


G H 


15 GO 


II 


G H 


4 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


15 GO 


II 


G H 


4 00 


III 


G H 


15 GO 


II 


G H 


4 00 


III 


G H 


4G GO 


I 


G H 


6 GO 


III 


G H 


4G OG 


I 


G H 


6 GO 


III 


G H 


15 GG 


II 


G H 


4 GO 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


14 00 


II 


G H 


4 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


3 00 


8x17 


G H 


40 00 


I 


G H 


6 00 


III 


G H 


15 00 


II 


G H 


6 00 


III 


G H 


40 00 


I 


G H 


6 00 


III 


G H 


15 00 


II 


G H 


6 00 


III 


G H 


15 00 


II 


G H 


6 00 


III 


G H 


15 00 


II 


G H 


6 00 


III 


G H 


15 GO 


II 


G H 


6 GG 


III 


G H 


15 OG 


II 


G H 


6 OG 


III 


G H 


15 OG 


II 


G H 


6 GG 


III 


G H 


40 GO 


I 


G H 


6 GG 


III 


G H 


15 GO 


II 


G H 


4 OG 


III 


G H 



179 

ARCHITECTURE. 

Renaissance. 
Fifteenth Century to Eighteenth Century 



2502 Lanzi Loggia of the Ufhzi Gallery, 

2503 Same subject, - - - - 

2504 Same subject, _ _ . . 

2505 The Cathedral, Florence, 

2506 Same subject, - 

2507 Same subject, . _ _ 

2508 Old Palace, the Tower, and the UflSzi 

Gallery, Florence, 

2509 Interior Court of the Old Palace, Florence, 

2510 Interior Court of the Old Palace, Florence, 

251 1 Interior Court of the Old Palace, Florence, 

with Staircase, 

2512 Certosa, or Carthusian Monastery of Pavia; 

fagade, _ - . . 

2513 Same subject, 

2514 St. Peter's; exterior, 

2515 Same subject, - - - • 

2516 St. Peter's; interior, general view, 

2517 Same subject, - - - 

2518 St. Peter's; interior, view across the nave, 

2519 Same subject, _ . _ 
t252o* St. Peter's, _ _ _ . 

2521 Same subject, 

2522 St. Peter's; nave from the entrance, 

2523 Same subject, 
t2524 St. Peter's; interior, 

2525 Same subject, 

2526 St. John Lateran; choir and apse, 

2527 Same subject, - - . - 

2528 Same subject, . . _ . 

2529 Library of the Vatican, Rome, 

2530 Same subject, . _ . . 

2531 Same subject, . - _ 



Price. 


Size. 


Grade. 


$40 00 


I 


G H 


15 GO 


II 


G H 


6 00 


III 


G H 


40 00 


I 


G H 


15 00 


II 


G H 


6 GO 


III 


G H 


4 00 


III 


G H 


4 GG 


III 


G H 


4 GG 


III 


G H 



4 00 



III 



G H 



15 OG 


II 


G 


H 


4 GG 


III 


G 


H 


4G GO 


I 


G 


H 


6 GG . 


III 


G 


H 


40 00 


I 


G 


H 


6 GO 


III 


G 


H 


40 00 


I 


G 


H 


6 00 


III 


G 


H 


15 00 


II 


G 


H 


4 00 


III 


G 


H 


15 OG 


II 


G 


H 


4 GO 


III 


G 


H 


15 00 


II 


G 


H 


4 GG 


III 


G 


H 


4G GG 


I 


G 


H 


15 GO 


II 


G 


H 


6 GG 


III 


G 


H 


40 GO 


I 


G 


H 


15 GO 


II 


G 


H 


6 00 


III 


G 


H 



i8o 



Architecture, Renaissance — Continued. 

Price. 

$4 oo 
4 oo 
4 oo 

15 00 
4 00 

15 00 
4 00 

40 00 
6 00 



2532 Palace of the Vatican, Rome, 

2533 Palace of the Farnesina, 

2534 Villa Medici, - . . _ 
t2535 Bridge of the Rialto, Venice, - 

2536 Same subject, - - . - 

2537 Bridge of Sighs, Venice, 

2538 Same subject, - . - - 

2539 Castle of Heidelberg, - 

2540 Same subject, ... - 

2541 Court of the Castle of Heidelberg, - 15 00 

2542 Part of the fagade of the Castle of Heidelberg, 15 00 

2543 Same subject, - - - 4 00 

2544 Church of Santa Maria della Salute, Venice, 40 00 

2545 Same subject, - - - - 15 00 

2546 Same subject, - - - 6 00 

2547 St. Paul's, London, - - - 40 00 

2548 Same subject, _ . _ 15 00 

2549 Same subject, - - - - 6 00 

2550 Fountain of Trevi, Rome, - - 40 00 

2551 Same subject, - - - - 15 00 

2552 Same subject, - - - 6 00 

2553 Arch of Triumph, Paris, - - • 40 00 

2554 Same subject, - - - 15 00 

2555 Same subject, - - - - 6 00 

2556 Chateau of Blois; aisle of I^ouis XII; fagade, 4 00 

2557 Chateau of Blois; gate of Louis XIII, 4 00 

2558 Chateau of Blois ; great staircase of Francis I, 4 00 

2559 Chateau of Chambord ; principal fafade, 4 00 

2560 Court and Pavilion of the Clock of the Louvre, 4 00 

2561 The Louvre; fagade, - - - 4 00 

2562 Hotel des Invalides, Paris, - - 4 00 

2563 Opera House, Paris; fagade, - - 4 00 

2564 Staircase of the Opera House, Paris, - 4 00 

2565 Staircase of the Opera House; right, - 4 00 

2566 Staircase of the Opera House; left, - 4 00 

2567 Palace of Versailles; facade, - - 4 00 

2568 Palace of Versailles; fagade, - - 4 00 

2569 Gallery in the Palace of Versailles, - 4 00 



Size. 
Ill 
III 
III 

II 
III 

II 

III 

I 

III 

II 

II 

III 

I 

II 

III 

I 

II 

III 

I 

II 

III 

I 

II 
III 
III 
III 
III 
III 
III 
III 
III 
III 
III 
III 
III 
III 
III 
III 



Grade. 



G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 


G 


H 



i8i 

ARCHITECTURE. 
Miscellaneous. 



12570 Stratford-on-Avon, - - 

2571 Same subject, . . - - 

2572 Stratford-on-Avon; general view, Platinum 

Print, - - . - 

2573 Trinity Church; Stratford-on-Avon, 

2574 Same subject, - - - - 

2575 Church at Stratford-on-Avon, Platinotype, 

2576 Tomb of Shakespeare; Church at Stratford- 

on-Avon, _ - - _ 

2577 Same subject, . _ . 

2578 Chancel of the Church at Stratford-on-Avon, 
j-2579* Shakespeare's House, 

2580 Same subject, 

2581 Shakespeare's Birth-room, 

2582 Shottery village, 

2583 Same subject, . - . . 
t2584* Anne Hathaway's Cottage, 

2585 Same subject, . . _ - 

2586 Anne Hathaway's Cottage, Platinum Print, 

2587 Church at Stoke Pogis, 

2588 Hawarden; home of Gladstone, 

2589 Same subject, - _ . . 

2590 Ayr, Scotland; home of Burns, 

2591 Same subject, . _ _ _ 

2592 Independence Hall, Philadelphia, 

2593 Mt. Vernon, home of Washington, 

2594 Capitol at Washington, 



Price. 


Size. 


Grade. 


15 00 


II 


G H 


4 00 


III 


G H 


3 00 


8x17 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


3 00 


8x17 


G H 


15 00 


II 


G H 


6 00 


III 


G H 


6 00 


III 


G H 


15 00 


II 


G H 


6 00 


III 


G H 


6 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


15 00 


II 


G H 


6 00 


III 


G H 


3 00 


8x17 


G H 


6 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


15 00 


II 


G H 


4 00 


III 


G H 


10 00 


2IX28>^ 


G H 


10 00 


21x34 


G H 


10 00 


20x34 


G H 



1 82 

SCULPTURE. 

Photographic Reproductions. 



2595* Athena Parthenos, . . _ 

(A copy of the Athena of Phidias; found in Athens, 1880.) 
National Museum, Athens. 

2596 The Three Fates (so called), - 

(From the east pediment of the Parthenon; 441-438 B. C.) 
British Museum, I/Ondon. 

2597* The Three Fates, - - - - 

2598 Head of Hermes, . _ - 

(By Praxiteles; found in 1877.) 

Museum of Olympia, Greece. 

2599 Head of Apollo, - - - - 

British Museum, London. 

2600 Head of Alexander, - - - 

British Museum, London. 

2601 Caesar Augustus, 

(Roman, 20 B. C.) 
Vatican, Rome. 

2602 Caesar Augustus, _ _ . 

2603 Same subject, _ . . _ 

2604 La Pudicite, - _ - - 

(Roman; period of the Empire.) 
Vatican, Rome. 

2605 Demosthenes (Roman), 

Vatican, Rome. 

2606 Apollo Belvedere, 

(Probably a replica of a bronze original of two or three cen- 
turies B. C; found near the end of the 15th century.) 

Vatican, Rome, 

2607 Same subject, _ . . _ 

2608 Same subject, - - - - 

2609 Ariadne, . - _ - - 

Vatican, Rome. 



t26io Jupiter Otricoli, 



(Probably a Roman copy of a Greek original; found in the 
latter part of the 18th century. 



Price. 

$6 00 

15 00 



4 00 



Size. 

in 
II 



III 



Grade. 
G H 

G H 



4 00 


III 


G 


H 


6 00 


III 


G 


H 


4 00 


III 


G 


H 


4 00 


III 


G 


H 


4 00 


III 


G 


H 


20 GO 


30x40 


G 


H 


6 00 


III 


G 


H 


4 00 


III 


G 


H 


4 00 


III 


G 


H 


30 00 


I 


G 


H 


15 00 


II 


G 


H 


4 00 


III 


G 


H 


4 00 


III 


G 


H 



G H 





Vatican, Rome. 










26II 


Paris, .... 
Vatican, Rome. 


4 00 


III 


G 


H 


2612 


Diana of Versailles, 

( About the same period as the Apollo Belvedere.) 
Louvre, Paris 


4 00 


III 


G 


H 



i83 
Sculpture — Continued. 



tt26i3* 

2614 
2615 
2616 
2617 
tt26i8** 

2619 

2620* 

2621 

f2622* 

2623 
2624 

2625 
2626 
2627 

tt2628 

2629 

t2630 

2631 
2632 

-j-2633* 

2634 
2635 



Venus of Melos, - - - - 

(Greek; fourth century B. C. or later; found in 1820.) 
Louvre, Paris. 

Same subject, . - - - 

Same subject, ... - 

Venus of Melos ; side view. 

Same subject, .... 

Victory of Samothrace, 

(Greek; fourth century B. C; found in 1863.) 
Louvre, Paris. 

Same subject, _ . . - 

Victory of Samothrace; side view, 

Same subject, 

St. George, - - 

(By Donatello, 1886-1466.) 

Church of Or San Michele, Florence. 

Same subject, - . . . 

Equestrian Statue of Gattamelata, Padua, 

(By Donatello, 1386-1466.) 

Same subject, ... - 

Same subject, ... - 

Equestrian Statue of Colleoni, Venice, 

(By Andrea Aerrocchio, 1435-1488. 

Same subject, . - _ . 

Same subject, - 

lyorenzo de Medici; called " II Penserosa," 

(Detail of the Tomb ct the Medici; hy Michelangelo. 1475-1564.: 
Sacristy of San Lorenzo, Florence. 

Same subject, - - - 

Giuliano de Medici, 

(Detail of the Tomb of the Medici. ) ' 

Moses (Michelangelo), 

Church of St. Peter in Vinculis, Rome. 

Same subject, - - - - 

Same subject, . . . . 



Price. 


Size. 


Grade. 


$60 00 


I 


G H 


15 00 




G H 


4 00 


III 


G H 


15 00 




G H 


4 00 


III 


G H 


15 00 




G H 


4 00 


III 


G H 


15 00 




G H 


4 00 


III 


G H 


15 00 




G H 


4 00 


III 


G H 


40 GO 




G H 


15 00 




G H 


6 00 


III 


G H 


40 00 




G H 


15 00 




G H 


6 00 


III 


G H 


15 00 




G H 


4 00 


III 


G H 


4 00 


III 


G H 



30 GO 

15 GG 
4 GG 



I 

II 
III 



G H 

G H 
G H 



1 84 





Sculpture — Continued. 












Price. 


Size. 


Grade. 


2636 


La Pieta (Michelangelo), 
Church of St. Peter, Rome. 


$40 00 


I 


G 


H 


2637 


Same subject, _ . _ - 


15 00 


II 


G 


H 


2638 


Same subject, - - - - 


6 00 


III 


G 


H 


t2639 


King Arthur (Peter Vischer, 1460-1529), 
Royal Chapel, Innsbruck. 


40 00 


I 


G 


H 


2640 


Same subject, - - - - 


15 GO 


II 


G 


H 


2641 


Same subject, _ _ . . 


6 GO 


III 


G 


H 


2642 


Theodoric, King of the Goths (Peter Vischer), 
Royal Chapel, Innsbruck. 


4G 00 


I 


G 


H 


2643 


Same subject, . . . _ 


15 00 


II 


G 


H 


2644 


Same subject, - - - - 


6 00 


III 


G 


H 


2645 


Ivion of Lucerne; general view, 

(By Bertel Thorwaldsen, 1770-1844.) 


4 00 


III 


G 


H 


2646* 


Detail of 2645, 


4 GO 


III 


G 


H 


2647* 


Joan of Arc (Paul Dubois, 1829 ), 

Salon, 1896. 


4 GO 


III 


G 


H 


2648 


Joan of Arc (Antonin Mercie, 1845 ), 

Salon, 1895. 


4 GG 


III 


G 


H 


2649 


Switzerland Solacing the Sorrows of Stras- 
bourg, - - - - 

(Frederick Auguste Bartlioldi, 1833 — .) 


4 GG 


III 


G 


H 


2650 


Statue of Abraham Lincoln, Bromide Print, 

(Augustus St. Gaudens, 1848 — .) 
Ivincoln Park, Chicago. 


12 00 


30x40 


P G 


H 


tt265i 


Shaw Memorial, Platinotype, 

(Augustus St. Gaudens.) 
Boston Common. 


7 50 


l6>^X2G 


P G 


H 


2652 


The Minute Man, 

(Daniel C. French, 1850 -.) 
Concord, Mass. 


IG GG 


22x24 


G 


H 



2653 Death staying the Hand of the Sculptor, 

Platinum Print, - - - 3 00 12x9 

(French, Daniel C, 1850 -^,) 

From a memorial bronze to Martin Millmore, at 
Forest Hills, Boston, Mass. 

2654 Col. Wm. Prescott, - - - 5 og 17x23 

(W. W. story, 1819-1895.) 
Bunker Hill. 



G H 



G H 



i85 

CASTS. 

Statues and Statuettes. 



2655** Venus of Melos, 

(Greek, fourtli century B. C. or later; found in 1820 on the 
Island Melos.) 
Louvre, Paris, 

2656 Same subject (reduction), 

2657 Same subject " 

2658 Same subject " 

2659 Same subject " 

2660 Diana of Versailles, 

(Probably second or third century B. C; date of discovery 
unknown; carried from Rome to France in ]6th Century.) 

L/Ouvre, Paris, 

2661 Same subject (reduction), 

2662 Diani of Gabii, 

(From the first Alexandrian period.) 
Louvre, Paris. 

2663 Same subject (reduction), 

2664 Minerva Giustiniana, . . _ 

(Found in Rome; date of discovery unknown; probably 
after Euphranor.) 

Vatican, Rome. 

2665 Same subject (reduction), 

2666 Same subject " 

2667 Sophocles, - - - - 
(Roman; found at Terracina, Italy, about 1839 ) 

Lateran Museum, Rome. 

2668 Same subject ^reduction), 

2669 Demosthenes, - - . - 
(Roman.) 

Vatican, Rome. 

2670 Amazon, - . - _ . 

(Roman,) 

Vatican, Rome. 

2671^* Nike (or Victory) of Samothrace, 

Greek, about 35 B. C; found in 1863 on the Island of 
Samothrace. 
Louvre, Paris, 

2672 Sleeping Ariadne, 

Roman; reclining figure; base 24x10 inches. 
Vatican, Rome. 



Price. 



)0 GO 



Height. 
Ft. In. 



8 00 



15 GO 



10 GG 



2 4 



Grade. 
G H 



8 GG 


3 


4 


G 


H 


6 00 


2 


IG 


G 


H 


4 GG 


2 


2 


G 


H 


2 GG 


I 


6 


G 


H 


)G GG 


7 




G 


H 



20 00 


3 


6 


G 


H 


6g 00 


6 




G 


H 


8 00 


2 


2 


G 


H 


I GO GG 


7 


6 


G 


H 



15 GG 


3 


5 


G 


H 


6 GG 


2 


9 


G 


H 


I GO GG 


7 




G 


H 


8 GG 


2 


IG 


G 


H 


IGG GG 


7 




G 


H 



G H 



G H 



G H 



1 86 

Casts — Continued. 

Price. Height. Grade 

Ft. In. 

2673 Victory (or Nike), - - - $5 00 2 G' H 

Pompeiian Statuette. 
Naples Museum. 

2674* St. George, - - - - 75 00 7 G H 

By Donatello. 

Church of Or San Michele, Florence. 

2675 Mercury Seated, - - - 10 00 2 G H 

By Pigalle, 1714-1785, 

2676 Cherub, Seated; singing from a book and beat- 

ing time, - - - - 2 00 12 P 

2677 Group of Two Cherubs Singing from a Book, 2 50 12 P 

2678 Cherub Playing on Mandolin, - - 2 00 12 P 

2679 Giuliano de Medici, - - - 25 00 31 G H 
By Michelangelo. 

Sacristy of San Lorenzo, Florence. 

2680 Lorenzo de Medici, - - -25 00 31 GH 

By Michelangelo. 

Sacristy of San lyorenzo, Florence. 

2681 Moses, - - - - 25 00 31 G H 
By Michelangelo, 

Church of St, Pietro in Vincoli, Rome. 



BUSTS. 

2682 sphinx, - - - - -6 00 2 GH 

Egyptian. 

British Museum, 

2683 Hermes, - - - - 12 00 29 PGH 

By Praxiteles; fourth century B. C. 

From the small statue of Hermes carrying the in- 
fant Dionysus, now in the Olmypian Museum, 
Greece. Found in 1877 ^^ the Temple of Hera 
at Olympia. The only authenticated original 
work by a Greek sculptor of the first rank. 

2684 Same subject (reduction), 

2685 Same subject '* 

2686 Venus of Melos (full size), 

From the Statue in the Louvre. 

2687 Same subject (reduction), 

2688 Same subject " 



8 00 


2 


2 


P 


G 


H 


4 00 


I 


8 


P 


G 


H 


[2 00 


I 


10 


P 


G 


H 


6 00 


I 


8 


P 


G 


H 


2 50 


I 


4 


P 


G 


H 



187 
Busts — Continued. 

Price. Height. Grade. 

Ft. In. 

2689 Homer, . . . _ Jio 00 23 G H 

Naples Museum, 

2690 Same subject (reduction), 

2691 Clytie (full size), _ _ _ 

British Museum. 

2692 Same subject (reduction), 
2693* Jupiter or Zeus of Otricoli, 

Fourth century B. C. or later. 
Vatican, Rome. 

2694 Antinous, _ _ _ . 
Roman; second century A. D. 

From the statue in the Capitoline Museum, Rome. 

2695 Diana of Versailles, - - - 10 00 26 G H 

From the statue in the Louvre. 



3 00 


I 


5 




G 


H 


10 GO 


2 


4 


P 


G 


H 


5 00 


I 


10 


P 


G 


H 


20 00 


3 


4 


P 


G 


H 


10 00 


2 


4 




G 


H 



2696 


Same subject (reduction) , 


5 00 


I 


8 


G 


H 


2697 


Demosthenes; from the Vatican statue, 


10 00 


2 


2 




H 


2698 


Faun, - - 
By Praxiteles. 

From the statue of the Marhle Faun of which Hawthorne 
wrote. Found in 1701. 

Capitoline Museum, Rome. 


8 00 


2 




G 


H 


2699 


Isis, 

Louvre, Paris. 


10 GO 


2 


3 


G 


H 


2700 


Juno lyudovici, - - - - 


25 GO 


3 


ioy2 


G 


H 


2701 


Caesar Augustus in Armor, 


12 GG 


2 


8 


G 


H 


2702 


Minerva of Velletri, _ . _ 


15 00 


3 


3 


G 


H 



10 OG 


2 


6 


Ci 


±1 


4 GG 


I 


IG 


G 


H 


12 GG 


2 


9 


G 


H 



From the statue found at Velletri in 1797; prohahly a copy 
of the first century B. C, of a lost bronze original- of the 
time of Phidias. ' 

Louvre, Paris. 

2703 Minerva Giustiniani, - - - 

From the statue in the Vatican. 

2704 Same subject (reduction), 

2705 Niobe (mother), - _ _ 

From the group in the UfiQzi Gallery, ^Florence; found in 
1583; probably a copy after an original by Scopas. 

27G6 Apollo Belvedere, - - - 12 00 28 G H 

From the marble statue in the Belvedere of the Vatican; 
found near the end of the fifteenth century; probably a 
Roman copy of a lost bronze statue of the second or third 
century B. C. 

2707 Same subject (reduction), - - 8og 28 GH 

2708 Same subject, " - - -50Q 18 GH 



i88 
Busts — Continued. 

Price. Height. Grade. 

Ft. In. 

2709 Aj ax; with sculptured helmet, - $15 00 3 4 G H 

Vatican, 

2710 Antinous, - - - - 20 00 32 G H 

Vatican. 

271 1 Sophocles, - - - - 10 00 2 2 H 

From the statue in the Lateran Museum, Rome. 

2712 Socrates, -----8 00 2 H 

2713 Venus de Medici, - - - 10 00 22 G H 

From the statue in the Uffizi Gallery, Florence. 

2714 Sappho, - - - - - 8 00 2 G H 

Original in bronze; one of the most beautiful bronzes dis- 
covered at Herculaneum; in the style of the^ fourth cen- 
tury B. C. 

2715 Young Augustus, _ _ . 

Vatican, Rome. 

2716 Julius Caesar, _ _ _ _ 

British Museum. 

2717 Caesar Augustus, _ _ _ 

2718 St. John, in boyhood. 
By Donatello. 

Pinacoteca, Florence. 

2719 Young Girl, - - - - 3 00 14PG 

By Donatello. 

Bargello, Florence. 

2720 Maiden of Lille, - - - -4 00 16 GH 

Attributed to Raphael. 
Museum, Lille. 

2721 Madonna, - - - - 5 00 18PGH 

Michelangelo. 

From the statue in Notre Dame, Paris. 

2722 Dante, -----3001 H 

Naples Museum. 

2723 Dante, ----- 

2724 Columbus, - - - : 

By Canova, 1757-1822. 

2725 Napoleon I., as Consul, 

By Canova. 

2726 Napoleon, _ _ - . 

By Thomas Ball, 1819. 

2727 Henry Clay, _ - - - 

2728 Benjamin Franklin, 

2729 Ulysses S. Grant, 



5 00 


2 






G 


H 


4 00 


I 


7 






H 


6 00 


I 


10 






H 


3 00 


I 


4 


P 


G 





10 00 


2 


6 




H 


8 GO 


2 


4 


G 


H 


8 00 


2 






H 


10 GO 


2 


IG 




H 


8 00 


2 


6 




H 


IG GO 


2 


4 


G 


H 


IG 00 


2 


4 


G 


H 



i89 
Busts — Continued. 



2730 Thomas Jefferson, 

2731 General lyafayette, 

2732 Abraham Lincoln, 

2733 Wendell Phillips, 

Milmore ? 1883. 

2734 George Washington, 

Houdon, 1741-1828. 



Price. 


Hei 


ght. 




Ft. 


In. 


12 00 


2 


10 


10 00 


2 


4 


10 00 


2 


6 


10 00 


2 


8 



10 00 



Grade. 

G H 

G H 

G H 

G H 

G H 



2735 


Same subject (reduction), 


6 00 


I 


8 


G 


H 


2736 


Daniel Webster, - - - - 


12 00 


2 


6 


G 


H 


2737 


General Joseph Warren, 


12 00 


2 


4 


G 


H 




AUTHORS. 












2738 


Robert Burns, _ _ _ _ 


10 00 


2 


6 


G 


H 


2739 


Charles Dickens, _ _ _ 


5 00 


I 


II 


G 


H 


2740 


Ralph Waldo Emerson, 

By Daniel C. French. The only bust of Emerson from life. 


30 00 


2 




G 


H 


2741 


Ralph Waldo Emerson, 


2 00 


I 


3 


G 


H 


2742 


Froebel, ----- 


10 00 


2 


4 


G 


H 


2743 


Goethe, - - - - 


10 00 


2 


4 


G 


H 


2744 


Oliver Wendell Holmes, - - - 


6 00 


I 


10 


G 


H 


2745 


Washington Irving, 

Ball Hughes. The only hust of Irving from life. 


10 00 


2 


6 


G 


H 


2746 


Henry Wadsworth Longfellow, 


10 00 


2 


8 


G 


H 


2747 


Henry Wadsworth Longfellow, 

Milmore. 


2 00 


I 




G 


H 


2748 


John Milton, 


10 00 


2 


5 




H 


2749 


Horace Mann, 


10 00 


2 


6 




H 


2750 


Pestalozzi, _ _ _ _ 


8 00 


2 






H 


2751 


William Shakespeare, - 


10 00 


2 


5 


G 


H 


2752 


William Shakespeare, 


5 00 


I 


9 


G 


H 


2753 


Sir Walter Scott, 


10 00 


2 


6 


. G 


H 


2754 


Sir Walter Scott, 


5 00 


I 


9 


G 


H 


2755 


Alfred Tennyson, 


2 00 


I 


6 


G 


H 


2756 


William Makepeace Thackeray, 


T 00 




9 




H 


2757 


Schiller, - . - - 


10 00 


2 


4 




H 



190 



ARTISTS AND MUSICIANS. 



2758 


Michelangelo 


2759 


Raphael, 


2760 


Beethoven, 


2y6i 


Beethoven, 


2762 


Liszt, 


2763 


Mozart, 


2764 


Mendelssohn, 


2765 


Meyerbeer, 


2766 


Wagner, 



Price. 


Height. 


Grade. 




Ft. 


In. 






$10 00 


2 


6 


G 


H 


10 00 


2 


6 


G 


H 


10 00 


2 


4 




H 


5 00 


I 


8 




H 


10 00 


2 


6 




H 


8 00 


2 






H 


10 00 


2 


4 




H 


8 00 


2 


4 




H 


6 00 


2 






H 



BAS-RELIEFS. 



2767 Parthenon Friezes, 



Price. 



Size. 



Grade. 



2768 
2769 
2770 



Slabs from the western frieze; School of Phidias; flourished 
ahout 400 B. C. 

British Museum, 

Slab No. 2, original size, 

(< ( ( . it 

4 
(I << ^ << 

(( (( n ( ( 

" *' 10 

Reduction of Slab No. 2, 



7 
8 

2 
4 
7 
8 

9 
10 



12 00 


48x68 


G 


H 


12 00 


42x56 


G 


H 


12 00 


42x54 


G 


H 


12 00 


42x56 


G 


H 


12 00 


42x54 


G 


H 


12 00 


42x53 


G 


H 


12 00 


42x67^ 


G 


H 


3 00 


16x28 


G 


H 


2 50 


16x24 


G 


H 


2 50 


16x22 


G 


H 


2 50 


16x22 


G 


H 


I 50 


11x17 


G 


H 


I 50 


11x141^ 


G 


H 


I 50 


iixi4>^ 


G 


H 


I 50 


iixi3>^ 


G 


H 


I 50 


11x14^ 


G 


H 


I 50 


iixi5>^ 


G 


H 



191 



Bas-Reliefs — Continued. 



Price. 



Size. 



Grade. 



2771 Eastern Frieze of the Parthenon. 

Slab No. VI., original size, 

** - VII 
VIII 
IX 
X 
XI 
XII 
XIII 
XIV 
XV 

XVI .... 

XVII .... 

XVIII - '. 
XIX 
XX 

2772 Southern Frieze of the Parthenon, Slab No. 

XL, - 

2773 Northern Frieze of the Parthenon, Slab No. 

VI, ----- 

2774 Slab from the Northern Frieze, 

2775 Orpheus, Eurydice and Hermes, 

Naples Museum. 

2776 Menos Procession; maidens bearing offerings, 

2777 Menos Procession; the nine Muses, 

2778 Nike or Victory, untying sandals, 

By Praxiteles. From the balustrade of the Temple of Nike. 
AcropoUs Museum, Athens. 

2779 Nike Decorating a Trophy, 

By Praxiteles. 
From the Temple of Nike. 

2780 Head of Homer; medallion, 

2781 Chariot Race (Quadriga), 

2782 Chariot Race (Quadriga), 

2783 Madonna and Child, 
By Donatello. 



10 00 


42x44 


G 


H 


10 00 


42x38 


G 


H 


12 00 


42x52 


G 


H 


12 00 


42x52 


G 


H 


9 00 


42x31 


G 


H 


10 00 


42x42 


G 


H 


10 00 


42x46 


G 


H 


12 00 


42x55 


G 


H 


10 GO 


42x43 


G 


H 


10 00 


42x40 


G 


H 


10 GO 


42x36 


G 


H 


10 GO 


42x41 


G 


H 


IG GO 


42x42 


G 


H 


8 GG 


42x29 


G 


H 


IG GG 


42x33 


G 


H 


IG GO 


42x47 


G 


H 


IG GO 


42x48 


G 


H 


12 GO 


40x48 


G 


H 


15 GG 


47x39 


G 


H 


I 50 


9x16 


G 


H 


I 50 


9x16 


G 


H 


5 00 


37X22 




H 



5 GG 



38x20 



H 



2 GO 


16x13 






H 


12 GO 


29x57 






H 


12 GG 


29x57 






H 


3 50 


28X22>^ 


P 


G 


H 



192 



Bas-Reliefs — Continued. 



2784 

2785 
2786 

2787 

2788 



2789 
2790 
2791 
2792 
2793 

2794 
2795 
2796 

2797 
2798 

2799 

2800 
2801 
2802 



Madonna and Child (oval top), 
By Donatello. 

Madonna and Child, 

By Donatello. (Two serapliims in foreground.) 

St, Cecilia, - - - _ 

By Donatello. 

St. John (high relief), 

By Donatello. 
Louvre, Paris. 

Cherubs singing and Playing on Instruments. 
From the bronze originals on the altar of San An- 



tonio, Padua. 




By Donatello. 






A Cherub Playing on a Pipe, 


B 


< ( 


'' " double pipe. 


C 


( ( 


*' '' violin. 


D 


( ( 


'' '* double pipe. 


B 


<( 


*• '' lyre. 


F Two Cherubs 


singing from a Book, 


Choir boys. 


(Nos 


. 2789 to 2802). 



Luca del la Robbia. Panels In high relief, originally de- 
designed for the organ balustrade of the Duomo. Flor- 
ence; now iu the museum of Santa Maria del Fiore, 
Florence. 

Seven boys singing from a book. 

Same subject (reduction). 

Five boys singing from a scroll, 

Same subject (reduction). 

Six boys playing on trumpets; children 
dancing, _ _ _ _ 

Same subject, (reduction). 

Six children playing on cymbals, 

Five boys playing on drums, children 
dancing, ----- 

Same subject (reduction), 

Three girls playing on lyres, with five 
others in the background, 

Seven girls playing on lutes; two children 
seated, ----- 

Group of children dancing, 

Group of children playing on tambourines, 

Group of children playing on instruments, 



Price. 


Size. 




Grade. 


f4 00 


33x22 


P 


G H 


4 00 


26>^xi7i^ 


P 


G H 


2 50 


22x16 




G H 


2 50 


16x12 


P 


G 



2 50 


8x23 


P 


G 


2 50 


8x23 


P 


G 


2 50 


8x23 


P 


G 


2 50. 


8x23 


P 


G 


2 50 


8x23 


P 


G 


2 50 


8x23 


P 


G 



10 GO 


40x26 


P 


G 


H 


4 00 


2GXI5 


P 


G 


H 


10 GO 


40x26 


P 


G 


H 


4 OG 


2GXI5 


P 


G 


H 


12 00 


40x38 


P 


G 


H 


I 50 


IIXIG 


P 


G 


H 


12 GO 


40x37 


P 


G 


H 


12 GG 


40x38 


P 


G 


H 


I 50 


IIXIO 


P 


G 


H 



2 00 



40x38 



P G H 



12 00 


40x38 


P 


G 


H 


12 00 


40x38 


P 


G 


H 


12 00 


40x38 


P 


G 


H 


12 00 


40x38 


P 


G 


H 



193 
Bas Reliefs — Continued. 



2803 Cherubs Dancing, _ . _ 
By Donatello. 

From the pulpit on the exterior of the Duomo, 
in Prato, near Florence. 

2804 Cherubs Playing on Tambourines, 
By Donatello. 

From the Duomo in Prato. 

2805 Children Dancing. 

By Donatello. Originally designed for an organ balustrade 
in the Duomo, Florence; now in the Museum of Santa 
Maria del Flore. 

Slab No. II, - 
" III, 

- - IV, - - - - 

- - V, - " - 

2806 Bambino, - - - - 

2807 Bambino, - - - - 
By Lucca delta Robhia, 1400 

From the Children's Hospital, Florence. 

2808 Cupid Head, 

2809 Madonna, _ _ _ _ 
By Verrocchio. 

From the monument of Leonardi Bruni in the 
Church of Sante Croce, Florence. 

2810 The Triumph of Alexander; in five slabs, 
By Thorwaldsen. 

Slabs, I, 3, 5, separately, each, 

28 1 1 Dante, _ _ _ _ 

From tomb at Ravenna. 

2812 Cupid, 

From the tomb of Henry IV. 

2813 Cupid, 

From the tomb of Henry IV. 



Price. 

$10 GO 



10 00 



20 00 



Size. Grade. 

31x38 P G 



31x38 P G 



18 GO 


37x48 


P 


G 


18 OG 


37x48 


P 


G 


18 GG 


37x48 


P 


G 


18 00 


37x48 


P 


G 


8 GG 


40x32 


P 




8 OG 


40x32 


P 




I GO 


7x18 


P 




2 5G 


17x16 


P 


G H 



24x16 



6 00 






3 50 


18x19 




2 5G 


21x18 


P 


2 5G 


21x18 


P 



G H 



H 



ANIMALS. 



2814 Calf, reclining, 

2815 Cow, standing, 

2816 Dog; pointer, 

2817 Horse, standing. 
By Mene. 

2818 Rabbit, crouching, 
By Fremlet, 1824. 



■'rice. 


Height. 
Ft. In. 




2 GO 


I 


2 


P 


3 OG 


I 


2 


P 


2 OG 




9 


P 


2 GG 


I 


2 


P 



Grade. 



50 







194 










Animals — Continued 


Price. 


Height. 
Ft. In. 


28i9 


Lion, 


- 


$1 50 


6 P 


2820 


By Canova. 
lyion, 

By Canova. 

From the tomb of Pope 
Rome. 


Clement XIII, St. Peter's, 


I 50 


6 P 


2821 


Elephant, walking, 

By Barye. 1795-1875. 


- 


2 GO 


6 P 

Base, 10 inches long. 


2822* 


Lion, walking, 

By Barye. 


- 


2 GO 


9 p 

Base, 16 inches long. 


2823 


Lion, sitting, 
By Barye. 


- - - 


I GG 


sy2 p 


2824 


Panther, reclining, 

By Barye. 


- 


2 GG 


IG P 

Base, 18 inches long. 


2825 


Rabbit, standing, 

By Barye. 


- 


25 


s'A P 


2826 


Rabbit, reclining. 

By Barye. 


. - 


25 


2 p 


2827 


Tiger, walking. 

By Barye. : 


- 


2 GG 


9 P 

Base, 16 inches long. 


2828 


Panther, walking, 

By Barye. 




3 OG 


9^2 P 

Base, 141^ inches long. 



Grade. 



PEDESTALS, 



2829 Pedestal, fluted, 

2 8 30 Pedestal, renaissance, 

2831 Pedestal, renaissance, 

2832 Pedestal, Roman, 



6 GG 


3 


3 


8 00 


4 




5 00 


3 


I 


IG GG 


3 


6 



BRACKETS. 



Tlxe dimensions of Brackets given are of the top surface only ; the first given is the projection 
from the wall ; the second is the width. 



2833 Bracket, renaissance, 

2834 Bracket, corner, Gothic, 

2835 Bracket, with male face, 

By Michelangelo. 

2836 Bracket, with angel head, 

2837 Bracket, renaissance, 



Pr 


ice. 


Size. 


4 


GG 


II>^XII>^ 


2 


GO 


10x12 


3 


00 


lOXII j^ 


I 


OG 


5x7 


2 


50 


8>^X9 



Grade. 



195 



CHRONOLOGICAL LIST 

OF THK Artists included in this Catalogue 

ARRANGED BY SCHOOLS.* 

PAINTERS. 
Italian Schools. 



THIRTEENTH AND FOURTEENTH CENTURIES. 
Gothic Period. 



Artist. 
Cimabue, 
Duccio, 
Giotto, 
Fra Angelico, 



Masolino, 

Donatello, 

Masaccio, 

Lippi; Fra Filippo, 

Bellini, Gentile, 

Bellini, Giovanni, 

Mantegna, 

Verrocchio, 

Melozzo da Forli, 

Perugino, 

Botticelli, 

Ghirlandajo, Domenico, 

Montagna, 

Lippi, Filippino, 

Credi, 

Puligo, 



Year of Birth 
and Death. 



( chee-mah-boo'-a) 

(doo'-cho) 

(jot'-to) 

(frah ahn-jay'-lee-ko) 

Fifteenth Century. 
Eari,y Renaissance. 

(mah-so-lee'-no) 

(don-ah-tel'-o) 

(mah-saht'-cho) 

(lip' -pee) 

(bel-ee'-nee, jen-tee -la) 

(jo-vahn'-ee) 

(mahn-tayn'-yah) 

(vay-rok'-yo) 

(may-lot'-zo dah for-lee) 

(pay-roo-jee'-no) 

(bot-ee-chel'-ee) 

( ger-lahn-dah'-yo do-men-ee' 

(mon-tahn'-yah) 

(fil-ip-ee'-no) 

(kray'-dee) 

(poo-lee' -go) 



School. 
1 240-1302 Florentine 
1260- 1320 Siennese 
1 276-1337 Florentine 
1387- 1455 Florentine 



1383- 1430 ? 
1386-1466 
1402 ? -1429 
I4i2?-i469 
1426-1507 
1428-1516 
1431-1506 
1435-1488 
1438-1494 
1446-1524 
1447-1515 
-ko) 1449-1494 
1450-1523 
1459-1504? 
1459-1537 
1475-1527 



Sixteenth Century. 
High Renaissance. 



Vinci, Leonardo da, (vin'-chee) 



Luini, 

Albertinelli, 

Fra Bartolommeo, 

Michelangelo, 

Giorgione, 

Sodoma, 



(loo-ee nee) 

( ahl-bert-ee-nel'-lee) 

(frah bar-to-lom-may'-o) 

(mee-kel-ahn'- jay-lo ) 

(jor-jo'-nay) 

(so-do'-mah) 



1452-1519 

1460?- 1 530? 

1474-1515 

1475-1517 

1475-1564 

1477-1511 

1477-1549 



Florentine 

Florentine 

Florentine 

Florentine 

Venetian 

Venetian 

Paduan 

Florentine 

Umbrian 

Umbrian 

Florentine 

Florentine 

Venetian 

Florentine 

Florentine 

Florentine 



Lombard 

Lombard 

Florentine 

Florentine 

Florentine 

Venetian 

Siennese 



*When critics differ as to dates, carefnl comparison of the latest authorities has heen made, 
including Crowe and Cavalcaselle, Charles Blanc, Morelli, Vasari's Lives of the Painters, edited by 
Blashfield and Hopkins, Van Dyck, Goodyear, Radcliflfe, Muther. Stranahan, the Cyclopedia of 
Painters and Painting hy Champlin and Perkins, and others. 

When the life of an artist extends over a part of two centuries, he has heen classed as belong- 
ing to the century which includes the greater part of his life, or in which he did his best work. 

In the Chronological List, artists are designated by the names by which they are most 
familiarly known. 



196 



Sixteenth Century — High Renaissance. 



Artist. 

Titian, 

Palma, II Vecchio, 

Savoldo, 

Lotto, 

Raphael Santi, 

Pordenone, 

Chirlandajo, Ridolfo, 

Ferrari, 

Sarto, Andrea del, 

Bandinelli, 

Pontormo, 

Correggio, 

Caravaggio, Polidoro, 

Buonacorsi, 

Bordone, 

Volterra, 

Tintoretto, 

Veronese, 



(tish'-yan) 

(pahl'-mah, eel vet'-cho) 

(sah-vol'-do) 

(rah'-fa-el sahn -tee) 

(por-day-no'-nay) 

(ree-dol'-fo) 

(fer-rah'-ree) 

(sar'-to ahn'-dray-ah) 

(bahn-dee-nel'-lee) 

(pon-tor'-tno) 

(kor-red'-jo) 

( kah-rah-vahd'-jo) 

( boo-on-ah-kor'-see) 

(bor-do'-nay) 

(vol-ter -rah) 

(tin-to-ret'-toj 

( vay-ro-nay '-zay ) 



Year of Birth 
and Death. 

1477-1576 

1480-1528 

1480- I 548 

1480-1554 

1483-1520 

1483-1541 

1483-1561 

1484-1550? 

1488-1531 

i493?-i56o 

1494-1557 

I 494- I 534 

1495-1543 
1499-1547 
1500-1570? 
1509-1566 

I5i9?-i594 
1528-1588 



School. 

Venetian 

Venetian 

Venetian 

Venetian 

Roman 

Venetian 

Florentine 

Lombard 

Florentine 

Florentine 

Florentine 

Lombard 

Roman 

Florentine 

Venetian 

Florentine 

Venetian 

Venetian 



SEVENTEENTH CENTURY TO NINETEENTH CENTURY. 
Period of Decadence and Modern Work. 



Bronzino, 

Vasari, 

Cambiaso, 

Baroccio, 

Tito, Santi di, 

Zucchero, 

Poccetti, 

Titi, Tiberio, 

Chimenti, 

Carracci, Lodovico, 

Carracci, Agostino, 

Cardi, 

Carracci, Annibale, 

Vanni, 

Caravaggio, 

Leoni, 

Guido Reni, 

Allori, 

Domenichino, 

Carracci, Antonio, 

Guercino, 

Bernini (sculptor), 

Cagnacci. 

Sassoferrato, 

Lippi, Lorenzo, 

Salvator Rosa, 

Dolci, 

Maratta, 

Trevisani, 

Piazzetta, 

Panini, 

Guardi, 

Canevari, 



(bron-zee'-no) 1502-1572 Mannerist 

(vah-sah'-ree) 1511-1574 Mannerist 

(cahm-bee-ah'-so) 1527-1585 Genoese 

(bah-rot'-cho) 1528-1612 Mannerist 

(tee-to sahn' -tee dee) 1538- 1605 Florentine 

(tzook-kay'-ro) 1542-1609 Mannerist 

(pot-chef -tee) 1548-1612 Florentine 

(tee'-tee tee-bay-ree'-o) ? 1612 Florentine 

(kee-men'-tee) 1554-1640 Florentine 

(kah-rah'-chee lo-do-vee'-ko) 1555-1619 Eclectic 

(ah-gos-tee'-no) 1558-1601 ? Eclectic 

(kar'-dee) 1559-1613 Florentine 

(ahn-nee-bah'-leh) 1560-1609 Eclectic 

(vahn'-nee) 1563-1609 Florentine 

(kah-rah-vah'-jo) 1569-1609 Naturalist 

(lay-o'-nee) 1574-1628 Roman 

(gwee'-do ray -nee) 1575-1642 Eclectic 

(ahl-lo'-ree) 1577-1621 Florentine 

(do-men-ee-kee'-no) 1581-1640? Eclectic 

(ahn-to'-nee-o) 1583-1618 Bolognese 

(gwer-chee'-no) 1591 ?-i666 Eclectic 

(ber-nee'-nee) 1598-1680 Italian 

(cahn-yah'-chee) 1601-1681 Bolognese 

(sah'-so-fay-rah'-to) 1605-1685 Eclectic 

1 606- 1 664 Naturalist 

(sahl vah'-tor) 1615-1673 Naturalist 

(dol'-chee) 1616-1686 Eclectic 

(mah-rah'-tah) 1625-1713 Eclectic 

(tray -vee-sah' -nee) 1656 -1746 Venetian 

(pee-aht-set'-tah) 1682-1754 Venetian 

(pah-nee'-nee) 1695-1768 Roman 

(gwar'-dee) 1712-1793 Venetian 

(cah-nay-vah'-ree) 1791-1876 Italian 



Artist. 
Cipriani, 
Pannini, 



197 
Nineteenth Century. 



( chee-pree-ah-nee ) 
(pah-nee-nee) 



Year of Birth 
and Death. 



School. 
Modern 
Modern 



French Painting. 



Dumoustier, 

Callot, 

Poussin,* 

Lorraine, 

Champaigne, 

Dughet, 

Lesueur, 

Le Brun, Charles, 

Courtois, 



Seventeenth Century. 

(dii-moo-stee-a) 1575-1646 

(cah-lo) 1592-1635 

(poo-san)* 1594-1665 

(lor-rayn' ) 1600-1682 

(shahm-payn) 1602-1674 

(dii-gay) 1613-1675 

(lee-soo-ur) 1616 ?-i655 

(leh brun, sharl) 1619-1640 

(koor-twah') 162 1 -1676 



Eighteenth Century. 



Desportes, 

Watteau, 

Van Loo, Jean, 

Oudry, 

Bouchardon (sculptor) 

Chardin, 

Boucher, 

La Tour, 

Van Loo, Carle, 

Vernet, C. Joseph, 

Duplessis, 

Greuze, 

Robert, 

Drolling, 



( day -port' ) 

(vah-to') 

(vahn loo, zhahn) 

(oo-dree) 

(boo'-shar-don') 

(shar-dan) 

(boo-shay) 

(lah toor') 

(vair-nay) 

(du'-ples-see) 

(gruez) 

(ro-bair') 

(dro'-ling) 



1661-1743 
1684-1721 
1684-1745 
1686-1755 
1698-1762 
1699-1779 
1703-1770 
1704-1788 

1705-1765 
1712-1789 
1725- 1802 
1 7 24- 1 805 
1733-1808 
1752-1817 



Nineteenth Century. 

Cl^ASSICISTS. 



David, (dah-veed'l 
Le Brun, Madame Vigee,(vee-zhay) 

Prudhon, (pree-don) 

Gautherot, (go-tay-ro) 

Gerard, (zhay-rar) 

Gros, (gro) 

Ingres, (angr) 



1748-1825 
1755-1842 
1758-1823 
1769-1825 
1770-1837 
1771-1835 
1780-1867 



*The final N in French names is usually pronounced with the nasal sound peculiar to that 
language. This sound can hardly he expressed phonetically. 



198 

ROMANTICISTS. 



Artist. 



Year of Birth 
and Death. 



G^ricault, 


(zhay-ree-ko) 


1791-1824 


Scheffer, 


(shef'-fer) 


1797 ?-i858 


Delaroche, 


(deh-lah-rosh') 


1799 ?-i856 


Delacroix, 


(deh-lah-krwah') 
ORIENTALISTS. 


1799-1863 


Decamps, 


(deh-kon') 


1803- i860 


Fromentin, 


(fro-mon-tan) 


1820-1876 


G^rome, 


(zhay-rome' ) 


1824 


FONTAINEBLBAU-BARBIZON SCHOOIv. 




Corot, 


(ko-ro) 


1796-T875 


Diaz, 


(dee'-ahth) 


1808-1876 


Rousseau, 


(roo-so') 


1812-1867 


Dupr6, Jules, 


(du-pray' zhoolj 


1812 ?-i889 


Daubigny, 


(do-been'-yee) 


1817-1878 


Harpignies, 


(ar-pean'-yee) 


1819 


Pelouse, 


(peh-loos') 
PAINTERS OF ANIMALS. 


-1890 


Brascassat, 


(brahs-cah-sahf) 


1805-1867 


Jacque, 


(zhahk) 


1813-1890 


Troyon, 


(trwah-yon') 


1816 ?-i865 


Bonheur, Rosa, 


(bon-ur') 


1822- 


Marcke, van. 


(mark) 
PAINTERS OF PEASANT LIFE- 


1827-1890 


Millet, 


(me-lay') 


1814-1875 


Breton, Jules. 


(breh-ton') 


1827- 


Lerolle, 


(lay-rol) 
SEMI-CLASSICISTS. 




Cabanel, 


(kah-bah-nel' j 


1823-1889 


Puvis de Chavannes, (poo-vees deh shah-vahn) 


1824-1898 


Bouguereau, 


(boog-ro') 


1825- 


Lefebvre, 


(leh-favr') 


1834- 


PORTRAIT AND FIGURE PAINTERS. 




Winterhalter, 


( vin-ter-hahl'-ter) 


1806-1873 


Bonnat, 


(bon-nah') 


1833 


Carolus-Duran, 


(cah-ro-lus-du-rahn' ) 


1837 


Laurens, 


(lo-ron) 

REALISTS. 


1838 


Courbet, 


(koor-bay') 


1819-1878 


Bastien-Lepage, 


( bahs-ty-en-leh-pahz'h ) 


I 848- 1884 


Dupr6, Julien, 


(du-pray) 


185 1 



199 
PAINTERS OF MIIylTARY SCENES, GENRE, Etc. 



Artist. 



Meissonier, 

Detaille, 

Dagnan-Bouveret, 



(may-so-nee-a') 
(deh-tah-y' ) 
(dahn-yahn-boo-vray' 



Date of Birth 
and Death. 

1815-1891 

1848 

1852 



LATEST FRENCH ARTISTS. 



Feyan, 

Berthelemy, 

Landelle, 

Galland, 

Laugee, 

Veyrassat, 

Le Roux, 

Denneulin, 

Benner, 

Adan, 

Rapin, 

Goubie, 

Regnault, 

Moreau, 

Renouf, 

Ferret, 

Le Senechal, 

Aublet, 

Barillot, 

Breton, Emile, 

Chantron, 

Couder, 

Debat-Pousan, 

De Champeaux, 

Delobbe, 

Deyrolle, 

Dhurmer, 

Doyen, 

Dufaux, 

Entraygues, 

Ferrier, 

Fournier, 

Gagneau, 

Gardner, 

Guignard, 

Guillou, 

Haquette, 

Laronze, 

Laugee, Georges, 

Marais, 

Maroniez, 

Mayan, 

Minet, 

Moisson, 

Morion, 

Munier, 

Olivie, 

Peel, 

Perrault, 

Rambaud, 

Ravanne, 

Rieder, 

Stengelin, 

St. Pierre, 

Vayson, 

Vernier, 

Wagrez, 



(fay-on') 

(ber-tel'-em-y') 

(lahn-del') 

(gahl-ahnd) 

( lo-zhay' ) 

( vay-rah-sah' ) 

(leh roo') 

(den-u-lan') 

(ah-dahn' ) 
(rah -pan') 
(goo-bee') 

(mo-ro') 

( ray-noof ) 

(peh-ray') 

( le-sen-ay-shahl' ) 

(o-blay') 

(bah-ree-o) 

(a-meel' ) 

(shahn-tron) 

(koo-day') 

( deh-bah-pou-sahn' ) 

( deh-shahm-po' ) 

(deh-lob') 

(day-rol') 

(door'-mur) 

(doy-on') 

(dii-fo') 

(on-tray'g) 

(feh-ree-a') 

(foor-nee-a' ) 

(gahn-yo' ) 

(gween-yah') 

(gwee-yoo') 

(hah-kef) 

(lah-ronz') 

(zhorzh) 

( niah-ray' ) 

(mah-o-nee-a) 

(mah-yahn' ) 

(mee-nay' ) 

(mwah-son') . 

(mor-lon) 

(mu-nee-a') 

(o-lee-vee') 

(per-ro' ) 
(rham-bo' ) 
(rah-vahn') 
(ree-day') 
(steng-lan') 
(saint pee-air) 
(vay-son' ) 
(vair-nee-a) 
(vah-gray) 



1815 

1818 

1821 

1822-1892 

1823 

1825 

1829 

1835 
1836 

1839 

I 840- I 889 

1842 

1842 

1843 

1845-1894 
1847 
i860 





200 






Spanish Painting. 




Artist. 




Year of Birth 
and Death. 


Ribera, 


(ree-bay'-rah) 


1588-1656 


Velasquez, 


(vay-lahs'-keth) 


1599-1660 


Cano, 


(kah'-no) 


1 601 -1 667 


Murillo, 


( moo-reel' -yo) 


1618-1682 



Flemish Painting. 

Fifteenth Century. 



Dutch Painters. 

Seventeenth Century. 
PORTRAIT AND FIGURE PAINTERS. 



School. 
Valencia 
Castilian 
Audalusian 
Andalusian 



Van Eyck, Hubert, 


(vahn ik' ) 


1366-1426 


Ghent 


Van Eych, Jan, 


Sixteenth Century. 


1381-1440 


Bruges 


Metsys, 


(met'-sis) 


1460-1530 


Antwerp 


Moro, or Moor, 


Seventejcnth Century. 


1512-1578 


Antwerp 


Rubens, 


(roo'-benz) 


I 577- I 640 


Antwerp 


Sustermans, 


(soos'-ter-mahns) 


1597-1681 


Antwerp 


Dyck, van, 


(vahn dik' ) 


1599- I 641 


Antwerp 


Oost, van (the older) 




1 600- 1 67 1 




Fyt, 


(fit) 


1609-1661 


Antwerp 


Teniers (the younger). 


(ten'-yers) 


1610-1690 




Lely, 




1617-1680 





Hals, 


(hahls) 


1584-1666 


Harlem 


Honthhorst, 


(hon'-torst) 


1590- 1656 




De Keyser, 


(deh ki'-ser) 


1596-1679 


Amsterdam 


Rembrandt, van Ryn, 


(rem'-brand van rin') 


1607-1669 


Leyden 


Bol, 




16TI-1680 


Harlem 


Heist, van der. 




1612-1670 




Flinck, 




1615-1660 


Harlem 


Maes, 


(mas) 


1632-1693 


Dordrecht 


Bray, 




1697 


Harlem 



GENRE PAINTERS. 



Ostade, Adriaen van. 


(os-tah' 


Dow, 




Terburg, 




Metsu, 


(met'-s( 


Ostade, Isaac van. 




Steen, 


(stayn) 


Meer, van der, 


(ma-er' 


Hooghe, 


(hog) 



1610-1685 


Harlem 


1613-1675 


Leyden 


1617-1681 


Harlem 


1 630- 1 667 


Amsterdam 


1621-1649 


Harlem 


1626-1679 


Harlem 


1632-1675 


Delft 


1632-1681 


Delft 



20I 



IvANDSCAPE PAINTERS. 



Artist. 



Ruysdael, Salomon van (rois'-dal) 
Wynants, (vy'-nants) 

Neer, van der, (na-er) 

Ruysdael, Jacob van, 
Hobbema, (hob'-ee-mah^ 



Wouverman, 

Cuyp, 

Potter, 

Beeldemaecker, 

Velde, Adriaen van de, (vel' deh) 



LANDSCAPE WITH CATTLE. 

(wow'-er-mahn) 
(koip) 

( beel' -deh-mak-er ) 



Date of Birth 



and Death. 


School. 


1 600- 1 670 


Harlem 


I 600- I 679 


Harlem 


1603-1679 


Amsterdam 


1625-1682 


Harlem 


1 638 -1 709 


Amsterdam 


1619-1668 


Harlem 


1620-1691 


Dordrecht 


1625-1654 


Harlem 



I630-I7IO 
J635-1672 Harlem 



Velde, Willem van de, 



MARINE PAINTERS. 



1 633- 1 701 Amsterdam 



Israels, 

Mesdag, 

Mauve, 



Nineteenth Century. 
(ees-rah-als) 

(mov -eh) 



1824 
1831 
1838-1888 



Amsterdam 
Antwerp 



German Painting. 



Fifteenth and Sixteenth Centuries. 



Holbein (the elder), (hol'-bin) 

Durer, (du'-rer) 
Holbein (the younger), 

Beham, (bee'-hahm) 



1460-1524 Swabian 

1471-1528 Franconian 

1497-1543 Swabian 

1500-1550 Franconian 



Seventeenth and Eighteenth Centuries. 



Dietrich, 

Mengs, 

Kauffman, 

Klengel, 

Vogel, Christian L., 

Reinhardt, 



(dee'-trik) 

(kowf'-mahn) 
(klen'-gl) 

(fo'gl) 
(rin'-hart) 



1712-1774 Italian-German 

1728-1779 Italian-German 

1741-1807 Italian-German 

1751-1824 Dresden 

1759-1816 

1761-1847 Italian-German 



Nineteenth Century. 



Durck, 

Grafle, 

Meyer (von Bremen), 

Menzel, 

Schmidt, 

Becker, 

Richter, 

Hoffman, 

Plockhorst, 



(doork) 

(graf'-leh) 

(mi'-er) 

(ment-zel) 

(shmit) 

(bek'-er) 

(rik'-ter) 

(hof'-mahn) 



1809- 1884 

1809 

1813-1886 

1815 

1818 

1820 

1823-1884 

1824 

1825 



202 



Nineteenth Century — Continued. 



Artist. 
Piloty, 
Schreyer, 
Knille, 
Douzette, 
Thumann, 
Defregger, 
Lenbach, 
Braith, 
Felix, 
Lauenstein, 
Weber, 
Max, 

Meyerheim, 
Barth, 
Munthe, 
Sichel, 
Bodenmuller, 
Heyden, 
Dielitz, 
Treidler, 
Kaulbach, 
Zimmerman, 
Hoecker, 
Vogel, 

Poetzelberger, 
Bodenhausen, 
Boetzel, 
Burgel, 
Commans, 
Dvorak, 
Edelfelt, 
Firle, 
Froeschl, 
Grust, 
Herterich, 
Hoesslin, 
Hoppner, 
Kroner, 
Lowe, 
Naujok, 
Pinell, 
Roedig, 
Schikaneder, 
Schultze, 
Schuller, C, 
Seifert, 
Spatz, 
Sperling, 
Vogel, L. 
Vogel, H. 
Wagner, 
Werner, A., 
Werner, H., 
Wertheimer, 



(pee-lo'-ty) 

(shri'-er) 

(k-nil'-leh) 

(doo-zet) 

(too'-malin) 

(deh-freg'-ger) 

(len'-bahk) 

(brayt) 

(lo'en-stin) 

(va-bor) 

(mahx) 

(mi'-er-him) 

(bart) 

(moon'-teh) 

(sik'-el) 

(bo'-den-mul'-er) 

(hi' -den) 

(dee'-litz) 

(trid'-ler) 

(kowl'-bahk) 

(hurk'-er) 

(fo'-gl) 

(purt'-zel-ber'-ger) 

(bo'-den-how -zen' 

(burt'-zel) 

(bur'-gl) 

(koo'-mahnz) 

(d-vo'-rahk) 

(ee-del-felt) 

(feer'-leh) 

(frur-schl) 

(groost) 

(her'-ter-ik) 

(burs' -lin) 



(lo'-eh) 

(nau'-yok) 

(pin '-el) 

(rur'-dig) 

(shik'-ahn-ee'-der ) 

(shoolt'-zeh) 

(si'-fert) 
(spahtz) 
(spar-ling) 



(vahg'-ner) 
(var'-ner) 

(vart'-hi'-mer] 



Date of Birth 
and Death. 

1826-1886 

1828 

1832 

1834 

1834 

1835 

1836 

1836 

1836 

1836 

1838 

1840 

1842 

1842 

1843 
1844 

1845 
1845 
1845 
1846 
1850 
1852 
1854 
1855 
1856 



203 

British Painting. 

FIGURE AND PORTRAIT PAINTERS. 



Artist. 




Date of Birth 
and Death. 


Hogarth, 


(ho -garth) 


1697-1764 


Reynolds, 


(ra -nolds) 


1723-1792 


Gainsborough, 


(gayns'-bur-o) 


1727-1788 


Lawrence, 




1769- 1830 


Richmond, 


GENRE PAINTERS. 


1809- 


Morland, 




1763- 1804 


Landseer, 


LANDSCAPE PAINTERS. 


1802-1873 


Girtin (water color). 


I 773-1802 


Turner, 




1775-1851 


Constable, 


PRE-RAPHAELITES. 


1776-1837 


Rossetti, 


(ros-et'-ee) 


1828-1882 


Millais, 


(mil-a) 
LATER BP.ITISH PAINTERS. 


1829-1896 


Watts, 




1818-? 


Leighton, 


(lay -ton) 


1830-1896 


Burne-Jones, 




1833 


Alma-Tadema, 


( ahl ' -mah-tah-d ay-mah ) 


1836 


Crofts, 




1847 


Leader, 


(lee'-der) 


1831 


Moore, 




1831 


Halswelle, 


(holz'-wel) 


1834 


Gow, 




1848 


Strudwick, 




1849 


Dicksee, 






Elsley, 






Farquharson, 


(fark'-son) 




Fisher, 






Goodman, 






Morgan, 






Ryland, 






Scannel, 






Somerscales, 






Strutt, 






Waterlow, 







Hagborg, 



Normann, 
Jacobsen, 
Smith-Hald, 



Kotzebue, 



Swedish Painters. 



Norwegian Painters. 



Russian Painters. 

(kot'-zee-bu) 



1852 



1848 



204 



American Painters. 



Artist. 

Blackburn, 

Copley, 

Stuart, 

Trumbull, 

Inman, 

Leutze, 

Healy, 

Hunt, 

La Farge, 

Homer, 

Vedder, 

Willard, 

Shirlaw, 

Neal, 

Sandham, 

Champney, 

Maynard, 

Longfellow, 

Millet, 

Bridgman, 

Blashfield, 

Dielman, 

Riecke, 

Thayer, 

Pearce, 

Abbey, 

Simmons, 

Low^, 

Pyle, 

Cox, 

Sargent, 

McEwen, 

Melchers, 

Benson, 

Claus, 

Alexander, 

Pratt, 

Johnson, 

Schueller, 



(loit'-se) 



Date of Birth 
and Death. 

1670-1760 ? 

1737-1815 

1755-1828 

1756-1843 

1801-1846 

1816-1894 

1818-1894 

1824-1879 

1835 
1836 
1836 
1836 
1837 
1837 
1842 

1843 
1843 
1845 
1846 

1847 



iS4« 
1849 
1851 
1852 
1852 
1853 
1853 
1856 
1856 
i860 
i860 
1862 
1862 



Praxiteles, 

Donatello, 

Delia Robbia 

Verrocchio, 

Vischer, 

Michelangelo, 

Pigalle, 

Houdon, 

Canova, 

Thorwaldsen, 

Barye, 

Story, 

Ball, 

Milmore, 

Fremiet, 

Dubois, 

Bartholdi, 

Mercie, 

St. Gaudens, 

French, 

Hughes, 

Mene. 



SCULPTORS. 




School. 




350 B.C. 


Greek 




1386- 1466 


Italian 




1400 


Italian 




1435-1488 


Italian 




1460-1529 


German 




1475-1564 


Italian 




1714-1785 


French 




1741-1828 


French 




1757-1822 


Italian 




I 770-1 844 


Danish 




1795-1875 


French 




1819-1895 


American 




1819 


American 




? -1883 


American 




1824 


French 




1829 


French 




1833 


French 




1845 


French 




1845 


American 




1850 


American 
American 



205 

BOOKS. 

Works Consui^ted in the Preparation of this Catai^ogue. 

Cyclopedia of Painters and Paintings. Edited by John D. Champi.in and Chari^es C. Perkins. 
Lives of the Painters ; Giorgio Vasari. Edited by E. H. and E. W. Bi.ashfiei.d and A. A. Hopkins. 
Italian Painters : Critical Studies of their Work. 2 vols. Giovanni Morei.i,i. 
Kugler's Handbooks of Painting. 

The Italian Schools. 2 vols. 

The German, Flemish and Dutch Schools. 2 vols. 

A History of French Painting from its earliest to its latest practice. C. G. STranahan, 

History of Modern Painting. 3 vols. Richard MuTher. 

History of Painting. John C. Van Dyke. 

A History of Painting. Woi^Tman & Woerman. 

History of Painting. Crowe & Cavai^casei^IvE. 

Schools and Masters of Painting. A. G. RadcIvIFEE. Fourth Edition, revised. 

History of Art. Wii<i.iam H. Goodyear. 

Elementary History of Art. N. D'Anvers. Fourth Edition. 

Heaton's History of Painting. Revised by Cosmo Monkhouse. 

Historic Schools of Painting. Deristhe L. HoyT. 

Painters, Sculptors, Architects and Engravers. Ci.ara Erskine Ci^ement. 

Artists of the Nineteenth Century. Ci^Ement & Hutton. Eighth Edition. 

Illustrated Biographies of the Great Artists. 

A Short History of Art. Jui,ia DeForest. 

J. F. Millet, Peasant and Painter. Ai^fred Sensier. 

History of Architecture. 2 vols. Fergusson. 
History of Architecture. A. D, F. Hami^in. 
History of Architecture. Fi^etcher. 
Architecture for General Readers. STaTham. 
Handbook of Architectural Styles. Rosengarten. 
Introduction to Gothic Architecture. Parker. 
English Cathedrals. Van Renssei<aer. 

History of Sculpture. Marquand & FroThingham. 
Schools and Masters of Sculpture. Radci^iffe. 
History of Greek Sculpture. 2 vols. Murray. 
A History of Greek Art. Tarbei,i,. 
Greek Art on Greek Soil. Hoppin. 
Roman and Mediaeval Art. Goodyear. 
Renaissance and Modern Art. Goodyear. 



206 

HARPER'S BLACK AND WHITE PRINTS. 

Ir^ EACH 1500 CAREFULLY SELECTED SUBJECTS. I ^^ EACH 

Published early in 1900. 

Masterpieces of Art Engraved and Printed under the 
supervision of the Art Department of Harper & Brothers, 



For Teachers, Women's Clubs, Art and Literary Clubs, and for Home Culture 
this collection is unequalled for Artistic, Historical and Literary Instruction. 

For half a century and more Harper & Brothers have stood in the first rank 
as publishers of illustrated books and periodicals. They have had the best work of 
the best artists and engravers of many decades of artistic activity. These prints are 
made from the original blocks, and are in every respect equal to artist's proofs printed by 
hand. Many of the original drawings and paintings, and all rights of reproduction and 
engraving, belong to Harper & Brothers, and these prints are therefore unique and cannot 
be duplicated elsewhere. Great paintings in famous galleries of Europe and America 
have also been reproduced from the original pictures. This series is alike remarkable in 
faithfulness to the originals, in importance of the subjects, in the beauty and clearness 
of the impressions. 

PORTRAITS. — Statesmen, Generals, Authors, Painters, Musicians — the best 
life portraits. 

PAINTINGS. — A beautiful collection representative of American and Euro- 
pean Art from the origi7ials. 

HISTORICAL SCENES. — From historical pictures by great painters and 
from drawings made on the spot, by distinguished artists, in many cases taken at 
the time. 

ARCHITECTURE. — Directly from originals by Harper's own artists, and 
many other subjects, all on finest coated paper; same as frontispiece in Harper's 
Monthly. 

Prints 4x5 inches on 7x9 paper, ic. each ; suitably framed, 75c. each. 

Send 30c. in stamps for twenty-five small prints and catalogue. (No order for 
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Catalogue and small sample prints, five cents. 

LARGE PRINTS. 

Three hundred selected subjects for School, Library and Home Decoration. 
Prints, 13x18 inches, on i6}^x23-inch paper, 35c. each; suitably framed, $2.00 each. 

.... FOR SALE ONLY BY ... . 

THE HELMAN-TAYLOR ART CO., 257 Fifth Avenue, New York City. 



207 

PORTRAITS OF FAMOUS MEN. 

We have constantly in our collection a large assortment of portraits of famous 
musicians, authors and statesmen, and shall be pleased to give any information concern- 
ing them. 

FRAMING. 

We are giving special attention to simple, yet artistic framing, at moderate cost, 
especially suitable for the present catalogue. 

Sizes, III, IV, - ... - $1.50 each, net. 

Sizes, II, II>^, ----- 3.50 each, net. 

AMERICAN CARBON PRINTS. 

14x17 inches on 22x28 mount, - - - - f2.oo 

22x28 " " 28x38 mount, - - - . 5.00 

The high price of Foreign Carbons has led us to place on the market our new 
American Carbon, considered by the best judges as the most suitable picture for school, 
library and home decoration known. The cost of the smaller size, 14x17 inches, is $2.00 
against $4.00 for the corresponding size of the Foreign Carbon ; the larger size, 22x28 
inches, is $5.00 as against $15.00 for the Foreign Carbon — a great difference in price. 
Each picture is titled in English, giving artist's name in full, dates of birth and death, 
and where the original is now hung, and the school to which the artist belonged, while 
on the Foreign Carbon the name is in a foreign language. In Architecture the title is in 
English. 

Thk QuaIvITy is the finest obtainable ; the prints are fadeless, and in every way 
the best suited for the purpose of School, Home and Library Decoration. 

Assortment. — We have at present 200 selected subjects, chosen especially for 
decoration purposes, and are constantly increasing the list. 

Write us, enclosing five cents in stamps, and we will gladly mail you the list of 
these, and our Fall Catalogue for 1899. 

Many of these Carbons are in our Large and Small Exhibits. 

The Helman-Taylor Art Co. 

257 Fifth Avenue, New York City. 



•^-^ 



A- 



SAMPLE PAGE OF OUR CATALOGUE OF ILLUSTRATIONS. 






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i3ss^P|^h9BHHIHHHh 


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This catalogue contains between 4,500 and 5,000 small illustrations in the form of the above page, 
being the only catalogue of its kind ever issued, and is a valuable aid in selecting pictures. 
PRICE, $5.00. Postpaid to any part of the United States. 



Library of Congress 
Branch Bindery, 1901 



